Film Photography

If you have not yet seen "Mad Max: Fury Road," I highly recommend seeing the film in theatres while you still can. The combination of art and action brings a rare addition to the big blockbuster-filled summer. These before-and-after shots will give you an idea of the true creativity behind the movie's polarizing set pieces and live-action stunts combined with brilliant post-processing.

Film fanatics rejoice because filmmaker Matt Mangham is back with the second installment of Analog, a personal series he put together to find and tell stories which explore the current state of film photography. You can find the first episode here on Fstoppers. In this episode, we get to follow fashion and action sports photographer Julian Martin as he locks and loads his Leica Minilux and heads out with a model along the California shore.

When audiences at the Sundance Film Festival were told that "Tangerine" was filmed entirely on an iPhone 5S, people were not sure if they believed it. It soon became clear that this was a fact, and that mobile videography had reached a new plateau in the film world.

DJI and some of the film industry's finest set out to produce a short film showcasing the new Ronin-M System. The project featured an A-list actor, seasoned director of photography, and a world-class stuntman turned director.

Joey Shanks, better known by his YouTube handle Shanks FX, has released another YouTube video based around the idea that Hollywood effects can be achieved by anyone and with only household items. This time he attempts to recreate the legendary Aurora Borealis (or Northern Lights), one of the seven wonders of the world, with just some sheets of fabric and a handful of fans. Combining those few fans, fabric, and just a little bit of precise lighting with just a touch of videography editing magic, he suddenly has one of the world wonders in his garage. Check it out!

Documentary photographers, fashion photographers, businessmen, housewives, househusbands, you, the world – everyone should know the name and works of Sebastião Salgado. His work has moved millions of social workers, doctors, politicians, economists, and photographers alike. His work moves humans because it is human. This might mark the second or third film review on Fstoppers, but it’s rare and extremely fortunate that we should have the ability to engulf the pleasures of what can easily be called the most soul-entrancing art documentary in the world that is “Salt of the Earth.”

Working on a film set is a great way to set yourself apart from other still photographers because everyone is shooting video nowadays. Before you try your hand at shooting a short or some video content, it might be a good idea to get some experience on a large-scale production and learn how the process works from professionals. I’ve been working on production sets for years and your first day on the job can be intimidating.

Gnarly Bay, the guys who brought you “Rambo Day,” are back with a compelling story aptly titled “The Important Places." The story follows lifestyle and adventure photographer Forest Woodward who sets out to reunite with his father and a sense of youth after unearthing a poem. I will not give away more, as the story needs to be watched to be truly understood and appreciated.

We all knew that this day would come and it may change the way we look at cinematography forever. It is pretty amazing to think that this entire feature length movie was created on nothing more than a humble iPhone.

The creative genius that is Casey Neistat, for me, is next to none. The pure drive and passion this man has for what he does brings inspiration and motivation to my career and even my daily life. Late last week, Neistat decided to up and create his own viral video around the launch of the Apple Watch, and this is how he did it!

We've covered the pros and cons of color grading many times before on Fstoppers, though when it comes to big-budget movies like "Man of Steel" do you think its overall tone can decide whether it's a financial success? The guys at VideoLab have created a side-by-side comparison of what the latest Superman would look like if it was done the original way, in full saturated color rather than the darker, more gritty version we know today.

Breaking the fourth wall isn't a new thing. It's been a fundamental technique exercised for the better part of the history of cinema as far back as the early 20th century. Often used to pull the audience into the storyline or even used as a comedic tool to break the awkwardness of a scene, breaking the fourth wall is a subtle reference to the intrinsically voyeuristic nature of cinema.

With the untimely passing of Paul Walker midway through the production of Furious 7, now in theaters, it was questioned for months how they would replace the unfinished shots needed with the star. Many stories were circulated including the complete scrapping of the film, but with the help of CGI and Paul's brothers Cody and Caleb Walker they were able to finish the movie and fill in the gaps that Paul had not yet finished.

Matt Mangham, the director of photography over at fortyonetwenty – a San Diego production company – has recently created a personal photography series titled Analog where he finds and tells stories that explore the current state of film photography. Episode one of the series follows Southern California lifestyle photographer Brooks Sterling as he heads out to a surf shoot with his trusty Nikonos underwater camera.

In a dramatic scene from "Interstellar," the space crew was nearly overcome by a massive wave on a distant planet. Take a look behind the scenes to see the filmmakers and actor Wes Bentley discuss the lighting and composite work required to produce this daunting visual effect.

In many cases the difference between the first and last frame of a film can be the evolution of a great adventure, while other times it can be the bridge of similarity between a characters development. Like bookends to a journey through cinematic storytelling, the beginning and end of a film can tell so much by their side-by-side comparison. In this short video, first and last frames of a handful of films are compiled together to showcase the evolution of storytelling in cinema.

House of Cards, in my opinion, is one of the best shows available to stream on Netflix - if not anywhere. Their breakout drama series exploded on the scene just a few short years ago well before their original content became synonymous with high quality shows, movies and documentaries currently on the network. House of Cards' true appeal (outside of the hilariously twisted Frank Underwood) is the way it's artistically shot. This video demonstrates just how powerful two colors can make a show about corrupt American government that much more beautiful.

Leonard Nimoy passed away this week at the age of 83. His long career and legacy will always be remembered in his portrayal of the iconic character "Spock" from the 1966 TV series Star Trek. With numerous film spin-offs and a resurgence to the 2009 blockbuster Star Trek as the half-emotionless Vulcan he was just as relevant today as he was 40 years ago. Though his film career was beyond fulfilling in its own right, his photography work is what will also stay with us for years to come.

This week Adobe celebrated 25 years to the birth of Photoshop, the most successful photo editing software in history. No other editing software was ever able to compete with Adobe in that market — other than Paintshop in the early 90s maybe — and Photoshop became a must-have tool for all photographers and creatives out there. Many of Photoshop's users never really experienced the art of developing film, but many of the tools we use and love came directly from the darkroom. Check out the video to see what dodging and burning looked like before Photoshop.

Movies are something we can all thoroughly enjoy. Whether it be a hilarious comedy or an action adventure, they take us places we don't normally see or experience. Films all have the same goal, to capture and engage us within their world and to evoke feelings of excitement or even fear. The guys over at Movie Pilot have found something so simple that it screams brilliance in films by Quentin Tarantino: the sound!

I'm not one prone to hyperbole. I don't easily get caught up in gear hype. However, I can whole-heartedly say that my decision to purchase and shoot with a little army of film point and shoot cameras early last year was easily the best decision I made for both my personal work and my own growth as a photographer. When I say that picking up a $20 camera will change your life and your photographs, I mean it – and other photographers agree!

Ornana Films is a small production company based in San Rafael that is no stranger to awards. They took home the Jury Award at the SXSW film festival in 2012 for their short "(notes on) Biology" which continued on to win several other awards that same year, including Exceptional Short at Santa Fe Independent and the Grand Jury Prize at FFF. Two years later at SXSW, they premiered their latest short "Confusion Through Sand" to much acclaim. Now, after a year of waiting, the hand-drawn masterpiece is online for free along with a behind-the-scenes video documenting the work that went into this brilliant animated short.

In late 2014 at an auction in Ohio, Levi Bettweiser of the Rescued Film Project, stumbled upon one of his greatest finds. Up for bid were 31 rolls of 70 year old undeveloped film from World War 2 shot by an unknown soldier and photographer. The Rescued Film Project is an effort to find and salvage undeveloped film from as early as the 1930's. They strive to recover even those films which are damaged by age or the elements, as in the case of this large find of film from WW2.

Willow Creek is what Sven Dreesbach calls a “proof of concept and workflow” for an eventual surf film he’d like to make – but, as it stands, it’s a short film that achieves a lot in its own right. Shot with an iPhone 5s and color-graded using Davinci Resolve, Dreesbach produced a very moving piece of cinema that has an erie but mystical vibe to it - thanks in part to the Ry X track Shortline accompanying the film. Sven was gracious enough to talk with Fstoppers a bit about the hows and whys behind crafting this stunning short film.

Heath Bennett, half of the Chattanooga, Tenn.-based wedding photography duo Jac and Heath Photography, is an absolutely avid film shooter. Recently he shared some work he shot while visiting friends and family in Alaska, much of which was photographed while flying high above the landscape in a helicopter. He was kind enough to sit down for a brief interview and supply the images to us before jetting off to Australia for his and Jac's next adventure.

Not quite in full effect just yet but out of the blue it appears that Vimeo is slowly implementing 4K streaming capability. It is a feature which has been hinted at and many have been waiting for. Philip Bloom and James Miller break it down.

Fred Mortagne, or French Fred, is a skateboarder, photographer, and filmmaker living in France. His images have taken skateboard photography to a place where the line between fine art, portraiture and action sports have beautifully dissolved into amazing works of art. As someone who shares a lot of the same passion for actions sports and black and white photography, I decided to get in touch with Fred to ask him a few questions about his work.

Last week saw the release of ‘Anomaly’, a film that is redefining the approach and model for independent, narrative film making. Co-Director Salomon Ligthelm outlines how he managed the project as it grew from “a 2 minute art film” into the astonishing 38 minute-long final masterpiece, and provides key takeaways for all of us that we can apply to our own stills or motion projects. If you have any interest in what's coming over the horizon for cutting edge, independent, visual media production, this is for you.

For the last 2 years I've made my living shooting architecture with DSLRs, mostly short videos of California's fanciest multifamily apartment communities. When my client Synergy Corporate Housing asked me to continue that mission with all of their international properties in 10 major cities across 8 European countries, the first thing I thought when I saw the 32-day itinerary was, "bring a Hasselblad."

Whether or not you knew it, you have most likely viewed a short film by Adam Pesapane, better known as PES. The director and animator has released several immensely popular stop-motion shorts, directed numerous commercials for major companies such as PlayStation, Scrabble, and Bacardi, and has even been nominated for an Academy Award. Along with the release of his newest short, "Submarine Sandwich," PES and Nikon Cinema have teamed up to bring you a rather comprehensive behind-the-scenes look into the process that goes into the making of PES’ films.

For many of us who have been photographers for a decade plus, we learned about the history of photography either through tattered books from the library, in school while earning a fine art degree, or just by picking up small tidbits here and there as we met other photographers. Thankfully, that has all changed now. With much appreciation to the George Eastman House, we can now find a wealth of fascinating information about the traveled photographic process online.

These days it's hard to come by a fashion shoot that's not shot with a digital camera. That's why when Fstoppers discovered on a Facebook Film Shooters group that Indonesian based photographers Wirawan Sanjaya and partner Gaillard Mathieu had convinced the editors at Bazaar Magazine to allow him to shoot the entire editorial on film, we just had to reach out! The stakes were high, but his results were stunning.

Growing up, I have been entranced by Jackie Chan films for their insane stunts, beautifully choreographed action sequences and hilarious physical comedy. His action scenes are both visually stunning and involving, playing underdog characters fighting against impossible odds. Chan’s dedication to his craft is unquestionable but perhaps he has not been given enough credit as an action director. In this video, filmmaker Tony Zhou breaks down the framing and editing techniques that Hong Kong directors use to create engaging fighting scenes, highlighting how many of these techniques are absent in Hollywood films of today. If you are interested in becoming a filmmaker, you need to watch this.

As part of Universal’s 100th anniversary, a team of restoration experts took on the task of digitally remastering the classic film “Jaws.” The fully restored feature required intense labor from colorists, digital artists, audio engineers, preservation experts, and everyone in between. In this fascinating documentary, we get a look at all the various complex efforts taken in order to bring the ‘70s blockbuster in to the digital age.

I’ve just read a comment from a photographer who said it’s time to stop shooting in black and white. He claimed we don’t see the world in black and white and it was something only done in the past due to the limitations at the time and it’s time to move on. Here’s a number of reasons why I think it’s critical to shoot black and white from time to time, and how it can help nurture your photographic eye.

For a while, things looked pretty bleak for the instant-film-loving community. Films that were once mainstays of the film shooter's arsenal (like Fuji FP-3000B) were discontinued and instant camera equipment production slowed to a crawl. Fortunately for us though, like other formats and kinds of film, instant film photography is seeing an unprecedented resurgence (both in niche, hard core film communities and popular culture). This guide is for you, the digital film guy, who's been sitting on the fence and wants to see what all the buzz is about. In this article I teamed up with two of the coolest instant-film-shooting photographers today, Robert Timko and Sandy Phimester.

If you’re interested in getting big budget looks in your low budget indie film, then you should be very familiar with the Shanks FX channel on YouTube. If you’re not, you should get acquainted with it… like now! Joe Schenkenberg aka Joey Shanks is the man with the know-how when it comes to creating Hollywood effects out of simple household items. He teamed up with PBS Digital Studios to bring you quality behind-the-scenes content online and has recently partnered with Red Giant to explain how he created a black hole effect very similar looking to the one in the recent movie Interstellar – all captured in-camera.

A teacher once told me that filmmakers need to fully utilize the frame within their scenes and move the camera in ways that help drive the story forward; otherwise they're just filming a play. That always stuck with me and it's a point I still take note of in movies. Tony Zhou from Every Frame a Painting does a great job of explaining why the camera frame is so important in comedic cinema along with a slew of other techniques that few people other than Edgar Wright are making use of in today's comedies. This is eight minutes of insight you're not going to want to miss!

Anyone who shoots film (either stills or motion) knows the frustration of an ever-shrinking pool of available equipment. Finding a quality, tested and working 8mm system can be particularly difficult. Danish father/son company Logmar Camera Solutions, founded in 2009 in Aalborge, DE has the dream of reviving and reinventing the 8mm movie camera. Enter the Logmar Super-8, an 8mm system for the modern world.

Accomplished photographer Richard Mosse has taken an incredibly unique approach to capture both the beauty and tragedy associated with conflict. In his most recent series, Infra, Mosse uses an antiquated film to bring new light to the humanitarian struggle faced by the Congolese people. Currently on display at the Portland Museum of Art as The Enclave, Mosse's newest exhibit features a six screen video instillation in addition to his dramatic Kodak Aerochrome imagery. Capturing the suffering of war between The Congolese National Army and rebel factions in poignant beauty, this exhibit of infrared film leaves an eerie perspective of the overwhelming harshness of war.

I spend a lot of time shooting or walking on the streets of New York. You see every type of camera imaginable here, from the latest and greatest DSLRs to old Rollei’s and film cameras. If you hang around B&H long enough, you’ll probably see Louis Mendes with his old Speed Graphic. But I have never, ever seen anyone shooting with what Justin Borucki is using. This guy might have the most unique camera setup in New York.

It seems as if the film edit is getting more popular every day. A lot of beginner photographers out there will do anything to achieve this look. The easiest way to do that is to buy presets but I want to show you how to create the look yourself. I believe once you understand how to create the look yourself you can begin to find your own style. I know too many photographers that take an image, slap a preset on it, and call it good. All the editing on these images was done in Lightroom 5.

Remember those days when you totally forgot what ISO/ASA film was inside your camera, or when you just had no idea if the photos came out until you went somewhere to get them developed? You know what I'm talking about. The film days. Simple to set up - just pop in the right roll of film, attach it to the gear, close it down and it's ready to shoot. But what happens when you let iPhone-generation kids take photos with 20th century cameras?

If you're looking for a great movie this weekend - and you don't want to fight the crowds to see Interstellar - check out Time Zero, a film about the last days of Polaroid, the people who loved it and the few who set out to save it. It's truly a beautiful documentary that will make you fall in love with instant film all over again.

At the most basic level, photographers seem to be in two camps when it comes to image file types. There are those who care about the look of their images and shoot with big RAW files and those who don’t and use the smaller JPEG files.

RAW files offer a tremendous level of control over noise, tonality and color; a hearty file that can cope with the demands of our creativity.

CineStill released another motion picture film stock to the still photography world today, an ISO 50 film with a daylight white balance.

Using their "Premoval" process to remove the remjet coating on the film allows it to be developed by any C41 lab. With this new low ISO, fine grain, high resolution, ultra-sharp daylight balanced color film you can now shoot with the same coveted emulsion used by Hollywood directors and cinematographers in bright, high contrast daylight with wonderful results!

Through the Ground Glass is a beautiful short film by Taylor Hawkins that features large-format photographer, Joseph Allen Freeman as he — very candidly — talks about the process, frustrations, difficulties, and joys of shooting with large-format film. Even if this type of photography isn't your cup of tea, this video is worth a watch.

Warning: NSFW for language.

If you’ve been wanting to make the jump into large format photography on a budget, the Kickstarter for The Intrepid 4x5 may be your ticket. The Intrepid Camera Co., based in the UK developed a wood platform 4x5 camera. They aim to change the face of the large format photography scene by making it transportable and much more economical.

Even if skiing was never your thing, this video is worth watching. The white snow slopes are the perfect backdrop for color. Add on to that the element of night shooting, and you get absolutely stunning visuals.