I spend a lot of time shooting or walking on the streets of New York. You see every type of camera imaginable here, from the latest and greatest DSLRs to old Rollei’s and film cameras. If you hang around B&H long enough, you’ll probably see Louis Mendes with his old Speed Graphic. But I have never, ever seen anyone shooting with what Justin Borucki is using. This guy might have the most unique camera setup in New York.
It seems as if the film edit is getting more popular every day. A lot of beginner photographers out there will do anything to achieve this look. The easiest way to do that is to buy presets but I want to show you how to create the look yourself. I believe once you understand how to create the look yourself you can begin to find your own style. I know too many photographers that take an image, slap a preset on it, and call it good. All the editing on these images was done in Lightroom 5.
Remember those days when you totally forgot what ISO/ASA film was inside your camera, or when you just had no idea if the photos came out until you went somewhere to get them developed? You know what I'm talking about. The film days. Simple to set up - just pop in the right roll of film, attach it to the gear, close it down and it's ready to shoot. But what happens when you let iPhone-generation kids take photos with 20th century cameras?
If you're looking for a great movie this weekend - and you don't want to fight the crowds to see Interstellar - check out Time Zero, a film about the last days of Polaroid, the people who loved it and the few who set out to save it. It's truly a beautiful documentary that will make you fall in love with instant film all over again.
Los Angeles-based Italian photographer Guido Argentini produced a series of work called, "ARGENTUM " (Latin for silver), that will be released as both a fine art book and as a film that looks into the making and thinking behind the photographs. Each model -- all of which are professional performers -- was completely painted in a metallic body paint. The effect results in an interesting study of the human form (and, specifically, of the female form) in a way that is not sexual, but perhaps quite objective.
At the most basic level, photographers seem to be in two camps when it comes to image file types. There are those who care about the look of their images and shoot with big RAW files and those who don’t and use the smaller JPEG files.
RAW files offer a tremendous level of control over noise, tonality and color; a hearty file that can cope with the demands of our creativity.
CineStill released another motion picture film stock to the still photography world today, an ISO 50 film with a daylight white balance.
Using their "Premoval" process to remove the remjet coating on the film allows it to be developed by any C41 lab. With this new low ISO, fine grain, high resolution, ultra-sharp daylight balanced color film you can now shoot with the same coveted emulsion used by Hollywood directors and cinematographers in bright, high contrast daylight with wonderful results!
Through the Ground Glass is a beautiful short film by Taylor Hawkins that features large-format photographer, Joseph Allen Freeman as he — very candidly — talks about the process, frustrations, difficulties, and joys of shooting with large-format film. Even if this type of photography isn't your cup of tea, this video is worth a watch.
Warning: NSFW for language.
If you’ve been wanting to make the jump into large format photography on a budget, the Kickstarter for The Intrepid 4x5 may be your ticket. The Intrepid Camera Co., based in the UK developed a wood platform 4x5 camera. They aim to change the face of the large format photography scene by making it transportable and much more economical.
Photographer Tim Richmond’s series “Last Best Hiding Place” is the product of seven years spent documenting life in the American West. The series intertwines myths and realism; stereotypes and contemporary realities to create a nuanced portrait of a place and its people.
Mercedes-Benz – yes, the automobile manufacturer -- has shared a nice video featuring The Impossible Project and their quest to bring instant film back to the marketplace.
As the video explains, six years ago IMPOSSIBLE started with a factory and little else. The company was able to redevelop the necessary processes and materials to produce instant film. They now offer 600-type film, SX-70-type film, and even 8x10 black and white instant sheets.
At the end of the day, a photographer's work takes just seconds to capture your attention. Usually, it is very obvious why you like a photographer's work, and other times, it is a bit of a mystery to you. This was the case when I first experienced photographer Cary Fagan's work recently. The fact is, based on what I like, what I shoot, and what I tend to gravitate to, I shouldn't like his work. But, I do.