I’ve just read a comment from a photographer who said it’s time to stop shooting in black and white. He claimed we don’t see the world in black and white and it was something only done in the past due to the limitations at the time and it’s time to move on. Here’s a number of reasons why I think it’s critical to shoot black and white from time to time, and how it can help nurture your photographic eye.
You never know what’s going to happen in New York. Last week, photographic gold was struck in Times Square in the deep cavernous archives inside the Conde Nast building. Two thousand prints shot by Edward Steichen, one of 20th Century’s most influential photographers, were found after lying hidden for over eighty years. The story behind them, and of Steichen’s rise to photographic fame and acclaim, are almost too unbelievable to be true.
There's a whole lot of eye candy in the 2015 Warwick Mens Rowing Team Annual Calendar, and while you indulge your guilty pleasures, you can feel good that the proceeds go towards fighting a good cause. Since 2009 the team has been releasing their nude calendar, and once they found out that the majority of their audience came from the LGBT community, they decided to shift the focus of their charity.
For years I found myself making excuses as to why I wasn't creating the type of images that I so desperately wanted to make. I didn't have the gear, I didn't have a model, I didn't have access to a studio. At the end of the day, it came down to one simple thing, I never tried.
Accomplished photographer Richard Mosse has taken an incredibly unique approach to capture both the beauty and tragedy associated with conflict. In his most recent series, Infra, Mosse uses an antiquated film to bring new light to the humanitarian struggle faced by the Congolese people. Currently on display at the Portland Museum of Art as The Enclave, Mosse's newest exhibit features a six screen video instillation in addition to his dramatic Kodak Aerochrome imagery. Capturing the suffering of war between The Congolese National Army and rebel factions in poignant beauty, this exhibit of infrared film leaves an eerie perspective of the overwhelming harshness of war.
If you’ve been following the photography industry in recent years, there’s no doubt that the term ‘boudoir’ has entered your lexicon at one point or another. While the century-old niche has enjoyed renewed momentum as of late, there are many more different groups of people that seem to be losing their inhibitions today than upper-class exhibitionists of the early 1900s. Individuals and couples of all walks of life are seeking boudoir sessions and it’s becoming an increasingly lucrative business. But what exactly is it? And how do you do it?
U.K. based cosmetic firm Molton Brown is known for spectacular, over-the-top photography particularly in their annual Christmas catalog. This recently released video takes us behind the scenes on the set of their 2014 holiday catalog with photographer Tom van Schelven as he and his crew transform a forest into an enchanted outdoor holiday banquet.
Los Angeles-based Italian photographer Guido Argentini produced a series of work called, "ARGENTUM " (Latin for silver), that will be released as both a fine art book and as a film that looks into the making and thinking behind the photographs. Each model -- all of which are professional performers -- was completely painted in a metallic body paint. The effect results in an interesting study of the human form (and, specifically, of the female form) in a way that is not sexual, but perhaps quite objective.
Photographer Jimmy Nelson is facing backlash over his portrayal of some indigenous people in his book, Before They Pass Away. The book (which is stunning to look at) portrays tribes and cultures supposedly untouched by the modern world. But some people are upset that the photos represent a stylized version of these cultures and are not a representation of how they actually appear today.
Through the Ground Glass is a beautiful short film by Taylor Hawkins that features large-format photographer, Joseph Allen Freeman as he — very candidly — talks about the process, frustrations, difficulties, and joys of shooting with large-format film. Even if this type of photography isn't your cup of tea, this video is worth a watch.
Warning: NSFW for language.
Thomas Dagg loves Star Wars. Each and every Star Wars figure and ship he owns, he can recall the name, where/how he got it, and their roll in his burgeoning imagination. His childhood wouldn't be the same without the galactic adventures, and as an adult he has paid tribute to the galaxy far, far away in photographs.
How do you make a photograph that sells for more than $100,000? Gregory Crewdson may not have the answer, and I suspect he probably doesn’t care, but that is what his prints will routinely fetch, if not more. What is it that allows him to create such staggeringly powerful works of art, and what are the struggles he endures through the creative process?