In this episode of National Geographic Live! Peter Essick talks about the journey of creating his new book, The Ansel Adams Wilderness, and what it's like to pay tribute to (and follow in the tripod holes of) perhaps the greatest nature photographer to walk the planet. The work interprets the influence of Adams' work for a digital age, capturing the Sierra Nevada wilderness in a manner that can only be described as timeless.
Photographer Ingrid Bugge’s multimedia series 'The Essence of Ballet’ is the result of over two years in residence with the Danish Royal Ballet, documenting its dancers both during performances and behind the scenes. Employing a variety of digital manipulations, Bugge goes beyond photography to capture the “essence of ballet” as a dynamic, fluid experience.
Portuguese photographer Gonzalo Bénard’s ongoing ‘Totem’ series features richly detailed black and white photographs which explore the idea of coming back to one’s roots in an effort to “listen and learn with our own nature.” Often using himself as a subject (as is the case with ‘Totem’), Bénard’s work explores themes of expression and social relationships through photography.
Photographer Tyler Shields sat on a 7 month waiting list to acquire a rare and in-demand $100,000 Crocodile Birkin bag... and fed it to an alligator all for the sake of art. These images are part of his fine art series “Indulgence,” which is set to premiere in galleries in Los Angeles and London shortly. See some of the final images below. What do you think of them?
Maia Flore’s ‘ImagineFrance’ series takes its audience on a fantastical tour of 25 famous sites in France, from the gardens of Versailles in the north to the Pont du Gard in the south. Featuring Flore and her partner, artist Jeremy Joseph, as models, the pair traveled throughout France to capture whimsical, modern relationships to historical cities and monuments.
French photographer Christine Muraton’s series 'Inversed Metaphysics' features hauntingly beautiful portraits which evoke a sense of solitude and restlessness. Muraton states that the series is intended to address issues of transcendence, the search for truth, and the nature of consciousness.
This truly incredible image was produced by Lightfarm Studios and was composited over a 5 week period "by seamlessly matte painting over 100 aerial pictures of giant proportions." This original artwork piece was inspired by the book “Rendezvous with Rama” by Arthur C. Clarke and the end product is nothing short of a masterpiece.
German photographer Martin Klimas is known for his work surrounding high speed photography to capture moments otherwise invisible to the human eye. His project, Sonic Sculptures, enables the viewer to visualize the impact of sound as streams of colorful paint are thrown upward by sound waves from a speaker.
There's something special about taking a picture on film. That said, film also lent itself to a lot of error: a botched exposure, missed focus and light leaks could all serve to ruin an otherwise lovely image. There are few things more frustrating then getting a roll back from the lab with an error note on the envelope. Occasionally the results were a novelty, perhaps adding interest to an otherwise boring image but all too often light leak was nothing but a bother. So why would anyone want to replicate it in Lightroom?
Why We Create, a series by director/cinematographer Andy Newman, features artists and what drives them. This video is the second installment with portrait photographer Nick Fancher but I highly recommend watching all that Andy has to offer as the series will remind you why we got into photography in the first place (An easy thing to forget when on the hustle for clients). Now if you'll excuse me I feel the need to get out and create something. Enjoy the video.
Painting, collage, photography, music, installation, sculpture, and even video are all acknowledged mediums for art. But can we truly consider a proper GIF animation as "fine art?" Six recent winners of Saatchi Gallery's and Google+'s new Motion Photography Prize prove the answer is, "Yes," as they celebrate this new form of "motion photography."
Crated.com, a new platform for photographers and artists to sell their work, launches in just a few short weeks. What's so amazing about Crated? They have a rigorous curatorial process to keep artwork standards high, allow artists to sell their work through their platform, handle top-quality printing and fulfillment, and allow artists to keep 80% for themselves where most galleries take anywhere from 30-50% in commission.
Photographer Chip Litherland initially thought mobile photography was a threat to photojournalism and a platform for visual gluttony and selfies. But once he started tinkering with Instagram, he fell in love with the medium and began making artistic, saturated double exposures that advanced his vision. Chip explains how he uses his iPhone alongside his DSLRs when on assignment and how it has changed his photography.
The Whitney Biennial only happens every two years, yet it is perhaps the most prominent and fundamental celebration of American contemporary art in the world. Featuring works from over 100 American artists, this rarer-than-a-lunar-eclipse event is a must-see if you're in NYC -- and it ends May 25th. Don't think fine art can help your photography? Think again...
Yes, you did read the title correctly, Pixels.com has launched a new image licensing marketplace, and you're in control. Pixels.com is an online image licensing marketplace that enables artists and photographers to self-manage their images, prices and licenses. Take a look at how Pixels.com is structured, works, and proves to be a major game-changer for our entire industry.