Towards the end of World War II, concerns that Hitler would flee Germany with a new identity, spurred U.S. intelligence officials to have New York makeup artist Eddie Senz to produce various portraits of Hitler as he might have altered his appearance. Der Spiegel, a German news site, published the images in the 1990′s, but the U.S. National Archives in Washington DC have only recently released the photos with improved resolution. So, clever Fstopper readers, by looking at these shots... how do you think Eddie Senz produced these pre-Photoshop photo manipulations?
Matt Richardson created a unique, prototype camera that actually describes scenes. "The Descriptive Camera works a lot like a regular camera—point it at subject and press the shutter button to capture the scene. However, instead of producing an image, this prototype outputs a text description of the scene. Modern digital cameras capture gobs of parsable metadata about photos such as the camera's settings, the location of the photo, the date, and time, but they don't output any information
Joschi Herczeg and Daniele Kaehr are the two artist behind this small series entitled, "Explosion". They synced a camera with custom built detonators in order to capture explosions occurring in mundane surrounding, which seems to further the sense of stillness and peace in what is otherwise a chaotic process. I'm not sure if it's the aesthetics of these shots that gets me jazzed or the idea that I could use it as an excuse to blow things up while photographing. Either way, it got my attention.
"The Camera" is a haunting short film by Peter Lewis about a girl who finds an old polaroid camera that produces some unique and unexpected results. Using modest equipment: Canon Rebel T2i, Canon 50mm f/1.4, Tamron 28-200mm f/3.8-5.6 and a $50 budget, Peter knocked this film out while on vacation in Nags Head, North Carolina. Even more impressive is that this is Peter's first film and he produced the entire thing himself including, filming, sound, the musical score and post production. Well done!
Frans Hofmeester is the father of 12 year old daughter Lotte and 9 year old son Vince. Frans has been filming each of them on a weekly basis since birth and has recently compiled that footage into short, time lapsed films. Many of us have seen this concept before but any one who starts a process and sticks it out for 12 years deserves to be seen.
“Dumt & Farligt” is a Danish TV show were two guys are given free license to do what ever dangerous thing that comes to mind, in and around the home. But the best part is they they document it all with a Phantom Flex capturing every ludicrous detail at 2,500fps. See what happens when a lighter next to a candle is shot, a waterbed is filled until it pops, fireworks are set off in a living room, a bottle of red wine is microwaved and more.
My childhood was filled with shooting things and marveling at the aftermath but it took photographer Deborah Bay to capture the results for all to see. Deborah took striking shots (pun intended) of various caliber bullets, after being fired into bullet resistent Plexiglas. Armed with the support of professionals at the Public Safety Institute and her Contax 645 with a 120 macro lens, she captured a phenomenon few of us get to experience.
Admittedly this DIY project takes a little more effort than some but the results are pretty damn cool. Benjamin Von Wong takes a page from DIY Photography and makes a pretty slick fluorescent light track system, turning a small one room into a photo studio. Check out the video and if you decided this is something you must do, then head over to the VonStudio Blog for complete project detail. Parts, pricing, assembly, pros, cons, the works!
Creating 3D images of interiors, with furniture, colors and textures is a time consuming process to say the least. But now Matterport, a device prototyped from an Xbox Kinect, uses twin lenses on a hand held unit to render a three dimensional space. This tech obviously has a way to go but the preliminary results are impressive none the less.
In this second installation, Chris Niccolls over at The Camera Store TV, compares the Canon 5D Mark III and Nikon D800, with photojournalist Mike Drew. Mike and Chris look at how these two cameras handle fast action in low light and how JPEG processing compares to the RAW files. What I really dig about this comparison is that it's not another model shoot but rather a real working world photographer shooting under the unique and difficult conditions of a cutting horse competition.
Here's a brief behind the scenes video featuring Andrew Geraci and Drew Breese in a Q&A regarding their haunting video, "Asylum". This HDR time-lapse was created from 35,000 photos over 7 months. If you missed this last week on Fstoppers, it's here in the full post. As the BTSV reveals, Drew and Andrew made this for no other reason than the love of shooting. That alone is worth your attention.
If you are not a seriously hardcore, professional editor then I doubt you will give the Eizo FDH3601 a second glance. With it's 4k display that supports a resolution of 4,096 x 2,160 pixels or the equivalent of four 1080p displays in a 36.4 inch frame, this monitor would be the perfect companion for Canon's 1D C, C500 or any high res shooter. The display delivers 100% sRGB coverage color gamut as well as
Is there anything new under the sun? Has it all been done before? Maybe... but the shadows are a different story. “Haunted” is a paranormal thriller that takes place in a haunted house over the course of 48 hours. This awesomely interactive narrative was filmed using 16 cameras spread through out the various rooms and you are free to jump to any of the cameras at any point of the time line.
Ryan Connolly over at Film Riot, a how-to filmmaking site, just knocked out a short film using the iPhone 4s as his only camera. The best part is, he has also provided us with a very in-depth look at how he did. Everything from app set up, lighting, equipment, the works. See both the final video and the BTSV here.
"We took the challenge of making a short with the iPhone 4s. The goal was to make the iPhone's video mode look as cinematic as possible...