Magic Lantern RAW Video Workflow Tutorial

So as a lot of you have probably seen, you can now record full 1080p 14Bit Raw video on the Canon 5D Mark II and Mark III. This is truely incredible. However, you can not just import the video and get to editing right away. To be able to use the RAW video, you have to convert the RAW files to DNG. Here is a quick workflow tutorial on how to do that. It’s really not that hard to do, just a little time consuming. [more]

Think Tank Photo Announces New Large Capacity Rolling Bag

Think Tank fans, rejoice! The Santa Rosa, CA-based bag manufacturer has just announced the Logistics Manager 30, a high capacity roller bag with a lage, roomy internal dimensions of 13.75”W x 27.5”H x 8.25 – 10”D (35 x 70 x 21 – 25.5cm) that will allow it to hold multiple combinations of cameras and lenses, lighting gear such as strobes and reflectors and accessories of all kinds. [more]

Fstoppers Reviews the Benro S2 and S4 Video Monopods

Monopods, once really only useful in a handful of situations, have evolved into irreplaceable members of our creative arsenals due to the advent of high quality video being produced in DSLRs. The idea of a “video monopod” might frighten video purists, but there are those such as Patrick Hall and myself who swear by them. Manfrotto’s version was a fantastic foray into the medium, but slightly pricey. Benro recently released their more affordable versions, and I was more than ready to see if they were able to hold their own. [more]

Nikon Announces a 32mm f/1.2 Lens for Mirrorless Camera System

Fans of the Nikon 1 series mirrorless cameras will wake up to a nice little bit of news today with the announcement of the 32mm f/1.2 lens. The lens itself equates to about an ~86mm field of view, finally giving the 1 series a great portrait lens to use. It also features silent wave motor technology, making it the fastest autofocus lens Nikon has ever made. [more]

Have Money to Burn? Canon’s New 200-400mm f/4 L USM Announced for $11,800

Canon has announced their answer to Nikon’s 200-400mm with their new 200-400mm f/4 L USM. It boasts a built-in 1.4x extender which, with the flip of a switch, extends the lens to a 280-560mm f/5.6. Measuring in at 5.0 x 14.4 inches and 127.7 oz, the specs on this beast look amazing, but the price tag is a little surprising. It’s expected to retail for $11,800, nearly twice what Nikon’s is selling for. [more]

Think Twice Before Taking Your DSLR To A “Color Run” Race

I was just talking with a designer friend of mine who was planning to take some photos at an upcoming Color Run event. Early morning sunlight, vibrant colors, and smiling faces seems like a winning combination for some interesting images like these. However, in a recent article by Roger Cicala over at LensRentals.com, he warns that you might want to consider the dangers of getting your gear covered in colored powder. [more]

Olympus Announces New Flagship Camera: PEN E-P5

Olympus is following up their hugely successful PEN line with an all new member: the PEN E-P5, a digital update of a classic film camera designed new tech and performance advancements. Designed for photographers looking for superior image quality in a portable body, the PEN E-P5 delivers a unique shooting experience for photographers looking to keep things compact, including offering a shutter speed of 1/8000th of a second, a first for the compact camera market. [more]

Watch Adobe Explain Projects Mighty & Napoleon

We learned a lot about Adobe at Adobe MAX earlier this week. We learned that they are moving to a cloud-based system that will remove support for perpetual licenses. We learned about new features that are really something special. And we also learned just a little bit about Project Mighty and Project Napoleon, Adobe’s push into hardware through a pen and ruler that link to the digital world. [more]

Adobe Unveils New Versions of Premiere, After Effects and Speed Grade

The new Photoshop features are not the only changes that were announced from Adobe MAX: videographers are in for a few treats themselves. Adobe is looking to solidify their dominance in the video editing market by introducing welcome additions to Adobe Premiere, After Effects and Speed Grade. There are a huge number of new features, so let’s look at them one by one to give you a clear picture of what to expect. [more]

Behance Brings Social Integration to Adobe Creative Cloud

When we first discussed Adobe’s acquisition of Behance earlier this year, there was speculation that the purpose was to add social to the Creative Cloud. Adobe has proved that speculation correct, as Behance plays a pivotal role in Adobe’s new CC-branded software with live feeds to your Behance buddies. [more]

What is Camera Shake Reduction and How Does it Work?

Adobe Photoshop’s new feature “Camera Shake Reduction” has been has been carrying a ton of hype, likely due to the publicity Adobe has been putting behind it since last year (and more recently just a couple weeks ago). However, what it actually is and how it works is somewhat misunderstood. Many were prepared to hate the program, thinking it a panacea for all bad, blurry images. It’s not the all-healing-blur-fixing-magic-of-the-gods some of you might think it is, but it’s still really flipping amazing. [more]

Adobe Advances to “CC” in Lieu of “CS7″

Adobe has announced that in lieu of continuing with the “Creative Suite” naming convention, they have instead changed the outlook of the popular suite of creative software to “Creative Cloud,” a move that should not surprise those of you who have followed Adobe over the course of the last year. [more]

Adobe Photoshop CC Adds 10 Sweet New Features

Photoshop has become a powerhouse in terms of editing software, easily the number one choice in the industry. They haven’t gotten there by being complacent, and Photoshop CC introduces new and awesome features that expand the power of the biggest name in post production such as Camera Shake Reduction, Camera RAW as a filter, and their new Smart Sharpen. [more]

Follow the Fstoppers Live Tweets from Adobe MAX

Rebecca, Mike and I are all at Adobe MAX, ready to bring you the news as it breaks. To follow the story, either watch the live stream at Adobe.com and Fstoppers on Twitter to hear our thoughts on what Adobe is bringing to the table this year. [more]

Kessler Reveals New Automatic Panning Add-On For Sliders: The Parallax

Known for their industry leading camera sliders and portable jibs, Kessler continues to innovate by creating useful products for filmmakers. Their latest creation is called the Parallax, and in this video, Eric Kessler demonstrates how it works to create a motor-less, controlled panning action on your existing slider. This can make a move where during your camera’s horizontal move, the head pans to stay with its subject. [more]

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