Weapons of Mass Production’s Kevin Good walks us through the in’s and out’s of four of the most popular lens brands on the market, in one of the most popular focal ranges… the 24-70mm. Brace yourself as only one of these lenses will be spared John Pellett’s bat. [more]
It’s becoming that time of year again, and we photographers are difficult to buy for. There is just so much in the market, it’s hard to know what we will love. Not to worry, Fstoppers is here to help. Not only are we compiling a list of the best stuff for photographers, we break it down by price so you don’t break the bank. Over the next few weeks we will be releasing updates to our Holiday Gear Guide, first starting with the lower-cost items and working our way up to the premium stuff. This week, let’s look at the best ideas under $100. [more]
If you’ve ever dropped your camera, and I have, you’ll know that sickening sound of plastic and metal hitting concrete and the immediate surge of fear that follows when you realize that many thousands of dollars of delicate equipment could now be mangled beyond repair. In my case it was a Nikon D3 with a Nikon 17-35mm f/2.8 attached falling from about 3 feet on to concrete. Ouch. But what if there was a camera that was DESIGNED to be dropped and even thrown?
Today ONA released two new bags that, as far as I am concerned, just look freaking sexy: the Brixton and the Palma. Both bags are over-the-shoulder design and seem to be trying to appeal to our desire to not only shoot, but shoot in style. I can’t speak to the comfort, usability or lifespan of the product (as I haven’t gotten my hands on one of the bags yet), but I can say that they certainly are pleasant to look at. Did I mention they’re pretty? [more]
A little earlier this year, Fotodiox released a new series of filter systems for use specifically for wide angle lenses, lenses that traditionally are unable to accept filters due to a protruding front element. Though somewhat pricey, the WonderPana line addresses a need that I’m certain some of you have been looking for. [more]
Anyone getting started out in DSLR video production can tell you that one of the biggest frustrations for them is changing focus during a shot. This is where FocusMaker comes in. It attaches to any lens and in just a few minutes you can have focus points marked on the big ruler, and easily jump back and forth from focus point to focus point.
Adobe released the new Lightroom 4.3 and Camera Raw 7.3 release candidates through Adobe Labs, today, giving support for the Retina MacBook Pro displays as well as full support for the Nikon D600 and more! [more]
BTS On The International Space Station: Discussing The Cameras, Techniques, And Difficulties Involved When Shooting In Space
Astronaut Donald Pettit has spent more than a year of his life in space. Between two long-term stays on the ISS and a six-week Space Shuttle trip, he’s racked up an incredible 370 days living, working, and photographing in the most hostile environment known to man. In this video, Donald shows us the techniques he’s developed to create some of the jaw-dropping images and timelapses that he’s created [more]
I teamed up with Luquire George Andrews, an ad agency in Charlotte, NC, to create four images for a corporate brochure for Lincoln Harris, a commercial real estate company with properties in 26 states. LGA wanted to feature b/w photographs of executives in Lincoln Harris’ properties. [more]
Sigma has just released the pricing of the highly anticipated 35mm f/1.4 DG HSM lens, something we have all been curious about since we first heard about this lens. It’s available “immediately” for $900 MAP. Given the release of the Canon 35mm f/2 less than 48 hours ago, it is going to be hard to not to compare these two lenses. [more]
Tamron’s updated 90mm f/2.8 1:1 macro lens that was announced at Photokina got a price tag today, and will ship on November 30 of this year. You can get this new lens for a pretty low $850, which is great considering the prices that Canon and Nikon can ask for their branded lenses. Tamron also released the pricing for their new 70-200mm f/2.8 lens released at the same time for $1500. [more]
When Canon released the upgraded 24-70mm f/2.8 II lens earlier this year, it was met with a serious mix of emotions. Why was it so expensive, and where the HECK was the image stabilization? And sure, the lens performs magnificently, but it left a lot to be desired. Last night, Canon announced a new member to the lens family, and many of us are confused as to where a 24-70mm f/4 IS fits into the picture between the 24-105 f/4 IS and the 24-70mm f/2.8 II. [more]
You’ve likely read the rumors, and now Canon has made those a reality in officially announcing the availability of two new lenses: the 24-70mm f/4 IS and the 35mm f/2 IS. The EF 24-70mm f/4L IS USM is expected to be available in December for an approximate retail price of $1,499.00, and the The EF 35mm f/2 IS USM lens is expected to be available in December for an approximate retail price of $849.99. [more]