Gear

The Canon EOS R8 full frame mirrorless camera is one of the more affordable options out there, but it is not so cheap that it does not come with many of the features professionals need. The EOS R8 sits in an intriguing position, offering a nice balance of capabilities and price, and this excellent video review takes a look at the features and performance you can expect from it in practice.

24-70mm f/2.8 lenses are the standard tool of choice for countless creatives, offering a versatile focal length range in tandem with a wide maximum aperture, making them suitable for a huge range of applications. However, such lenses are rarely cheap, often running north of $2,000. The Sony FE 20-70mm f/4 G trades a stop of aperture for extra reach and a significant discount, making it an intriguing alternative. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.

Micro four thirds, once a bit of an outlier in the APS-C, full frame, and medium format race, is enjoying a bit of a moment in the spotlight right now, with innovative cameras and portable, affordable gear making it the format of choice for many photographers and filmmakers. Why does micro four thirds have some of the most fiercely loyal enthusiasts? This interesting video takes a look.

The Fujifilm GFX line of medium format mirrorless cameras reinvigorated larger-than-full-frame cameras for the industry by offering a range of modern features and conveniences usually reserved for smaller formats and doing so at aggressively competitive prices. The GFX 100S sits at the top of that line, offering the company's top-level sensor in a body that comfortably competes with the costs of upper-level full frame cameras. This great video review takes a look at how the camera holds up for paid work after a week of usage.

The Fujifilm X-S20 is here, and it truly feels like a complete package for enthusiasts, hobbyists, vloggers, content creators, and a combination of all of the above. It's a small camera body packed with many professional features. So what’s the catch? Is there one?

Recently, I had the opportunity to try out the Fujifilm GF 23mm f/4 lens along with two other lenses and a GFX 100S, and I have to admit it has left a lasting impression on me. As landscape photographers, we value wide angle lenses for capturing wider vistas with stunning detail, and this lens didn't disappoint.

Landscape photographers put a high priority on resolution and dynamic range, but on the other hand, in a genre that often requires a lot of physical effort to get to a location, every ounce of weight counts. That is what makes the Hasselblad X2D 100C, as it offers the ultra-high levels of detail and quality one would expect from a medium format in a very small and portable package. Is it the ultimate package for landscape photographers? This excellent video review takes a look.

Over the past few years, Viltrox has quietly grown into a leader for third-party lenses that often punch well above their weights in terms of their price-to-quality ratios. Their latest offering, the AF 16mm f/1.8 FE, promises to continue that trend by offering an ultra-wide focal length in tandem with a particularly wide aperture, making it useful for quite a few applications. This excellent video review takes a look at the new lens and the sort of performance and image quality you can expect from it in practice.

Can combining ND filters and a flash elevate your portrait images? Miguel Quiles takes us through this technique in depth and provides great advice on how you can make the most of this setup.

Magnets have long been used for their quick and sometimes strong holds. But is a magnetic camera strap a good idea?

Manny Ortiz is well known for his urban portraiture on the streets of Chicago, and this time, the windy city becomes the rainy city, as he captures some beautiful portraits of his model, Elizabeth, with the new Nikon Z8.

The latest camera in Fujifilm's highly respected X Series line of mirrorless cameras, the X-S20, is here, and it brings with it some great features at a reasonable price, making it an appealing option for many photographers and filmmakers alike. This great video review takes a look at the new camera and the sort of performance and image quality you can expect from it in practice.

Sony has announced the release of two new high capacity CFexpress Type A cards, a 960 GB and 1,920 GB version, which are currently available for preorder now.

While apertures like f/1.4 are totally normal for full frame and APS-C cameras, they are almost unheard of in medium format, where most lenses open as wide as f/4 or maybe f/2.8. And so, that makes the Mitakon Zhongyi Speedmaster 65mm f/1.4 quite the intriguing lens right off the bat. Add in its very affordable price, and it becomes an option almost every Fujifilm GFX user should at least take a look at. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in usage.

Camouflaged to the max, Morten Hilmer is going full stealth mode on his farmland with the brand new Nikon Z8 for wildlife photography. Join Hilmer as he captures some magnificent wildlife with this new offering from Nikon.

LED video lights have made remarkable strides in the last few years, and you can now get professional-level options at affordable options. One example of this is the new Colbor 220W Bi-color COB LED video light, which offers impressive features and performance at a very affordable price. This excellent video review takes a look at the light and how it holds up in usage.

The Fujifilm X Series features some of the most respected cameras on the market, with the X-T5 sitting atop the lineup, bringing with it some of the company's most advanced design and capabilities in tandem with the series' classic design. How does it hold up in practice? This excellent video review takes a look at the sort of performance and image quality you can expect from it.

A cheap, vintage-looking lens that you can make at home sounds too good to be true, right? Thankfully, for us, a new camera lens is just a few easy steps away.

The Canon RF 100-500mm f/4.5-7.1L IS USM is a highly respected lens, offering some of the company's best performance and image quality, but at nearly $3,000, it is a rather expensive option. The RF 100-400mm f/5.6-8 IS USM offers a similar focal length range at a price not even a quarter that of the 100-500mm, making it an intriguing alternative. How does it hold up? This great video comparison takes a look at both lenses to help you decide.

One of the nicest features of mirrorless cameras is the electronic shutter, which allows you to shoot in total silence, a fantastic option for situations where being discreet is key. That does not mean electronic shutters are without faults, however. Knowing when to use an electronic shutter and when to use a mechanical is important, and this great video tutorial will show you everything you need to know.

The new TTArtisan 100mm f/2.8 2x Macro Tilt Shift lens offers some of the most versatility ever seen in a lens: high levels of magnification and tilt-shift capabilities, all wrapped up in a popular focal length and an affordable price. Can it deliver on all those fronts it promises? This great video review takes a look at the performance and image quality you will be able to expect from this intriguing lens.

Today, Nikon has announced a new addition to its APS-C/DX line of lenses for its Z series mirrorless cameras.

The Canon EOS R10 mirrorless camera offers an affordable entry point into the RF mount system, making it a nice first camera or backup body. If you are interested in how the EOS R10 might fit into your workflow, check out this great video review that takes a look at the sort of performance and image quality you can expect from it in practice.

Many photographers who get into medium format come to it with large collections of full frame lenses, and as such, it would be great if they could work on their new gear. Two of the best candidates are Canon's TS-E 17mm f/4L Tilt-Shift lens and TS-E 24mm f/3.5L II Tilt-Shift lens, and these helpful videos take a look at how they hold up on a Fujifilm medium format sensor.

The Sigma 56mm f/1.4 DC DN Contemporary lens for Fujifilm was first released in 2022 and added to their growing line of X Mount prime lenses, which also includes the 16mm and 30mm. This trio of contemporary lenses is designed to be compact while delivering high-quality results at an affordable price. While these lenses offer slightly less features than the Art series of lenses, making them more affordable to a wider audience, the image quality is not compromised in any way, and these relatively inexpensive prime lenses make them a compelling option to explore.

Any photographer who walks long distances or spends hours on their feet with their equipment knows that every last ounce matters. And so, the idea of a single lens that can cover just about every focal length is quite intriguing. Tamron's 18-300mm f/3.5-6.3 Di III-A VC VXD makes that promise, and this excellent video review takes a look at it and the image quality and performance you can expect from it in usage.

The Sigma 60-600mm f/4.5-6.3 DG DN OS Sports lens promises to be one of the most versatile lenses you can own, covering a huge focal length range and making it an appealing option for sports, bird, and wildlife photographers. With such an extreme focal length range, you might wonder if it can keep up with the performance and image quality demands of professional photographers. This great video review takes a look to answer that question.

I'm not one to obsess over gear; I've never suffered from GAS. Frankly, the seemingly endless discussions around cameras, lenses, and various bits of kit that just keep multiplying year after year, couldn't interest me less. And now that I've said that, I'm going to write about gear.

The Viltrox 13mm f/1.4 lens is a thoughtfully designed super wide-angle lens for Fujifilm X-Mount cameras. Featuring a physical aperture ring, compact design, and solid construction, it is an excellent option for Fujifilm users. In this article and the accompanying video, I will share my experience using the 13mm primarily as a portrait lens.

Many creatives are on the go quite a lot, and as such, they want to be able to work whenever and wherever they are with enough power to tackle heavy photo and video tasks but not a lot of bulk. If you are looking for such a laptop, check out this great video comparison that will show you three of the best options in 2023.

I got an opportunity to use the brand-new Canon RF 100-300mm f/2.8L IS USM zoom lens. This expensive and large zoom lens with a large aperture is even more amazing than I initially expected. In this article, I share my experience and thoughts on this lens from real-world use.

I’ve gotten the great pleasure of getting to spend the last two weeks with Nikon’s brand new, Z8 mirrorless camera. Here are a few reasons why this might be the camera for you.

At $1,499, the Canon EOS R8 is not the cheapest full frame camera available, but it is certain on the more affordable side of things and offers a lot of features that make it a worthwhile upgrade. Is it the best affordable full frame camera on the market at the moment? This great video review takes a look.

I’ll admit I was seduced by digital medium format, with its ridiculous resolution and that “medium format look.” It has been two years of full-time use. Do I still think it was worth it? Better yet, should you drop $10K+ for a medium format digital camera kit?

I’m done with it. Seriously.

In the last few years, Canon has released some rather innovative lenses that push the boundaries of optical design and allow photographer capabilities not previously possible. It seems that philosophy is not just being applied to lenses, however, as another clever device is likely on the way in the coming months.

The Fujifilm X-S20 mirrorless camera and XF 8mm f/3.5 R WR lens are here, and they bring with them the promise of great performance and excellent image quality. How do they hold up in practice? This excellent video takes a first look at what you can expect from both.

Leica has just released their long-awaited update to the fan-favorite Q line-up called the Leica Q3. I’ve been using it for a couple of hours each day for the past three days. So, how does it feel to shoot with it, and should you want one?

Loved by many when it came out and adored by a solid user base today, the Fujifilm X-Pro2 was truly a hit camera made so well that it still has not truly been replaced even by the newer X-Pro3. And thanks to its age it is finally attainable even for the ones not willing to spend a ton on a quality camera.

Being a photographer can be a very expensive endeavor. Seeing pros on the internet have the latest and greatest gear in large quantities makes you wonder if this is what you need to be one of them. The truth is, no. Here is our list of basic gear that you need to start a business.

Back in the mid-2000s, The Flip Video camera was all the rage, a vertically held, brick of a camera that was purpose-built for easy video in an age where video wasn't easy. With the Canon PowerShot V10, the company seems to want to channel some of that magic, but I have to ask: Why?

Filters are some of the most transformational tools when it comes to creating possibilities in landscape photography. Aside from the intended exposure effects, there are some things you might need to learn about using them that will help you achieve better-quality images.

In recent years, we have seen budget full frame cameras become more affordable while medium format prices have become competitive with upper-level full frame options. At the same time, APS-C cameras have continued to grow in capabilities and performance, and micro four thirds is enjoying a resurgence. So, should a new photographer follow the old wisdom of using a larger sensor for the best image quality or consider the benefits of a smaller system? This great video makes a case for the latter.

Today, Canon has announced a highly affordable mirrorless camera and lens, the EOS R100 and the RF 28mm f/2.8 STM.

When you get into wide and ultra-wide angle lenses, two of the most common focal lengths are 16mm and 24mm. There is a significant difference between those focal lengths, though, and something in between can be just the ticket, which is where the 20mm focal length comes in. With many options, you might wonder which is right for you. This fantastic video review features an experienced lens tester detailing five of the sharpest 20mm options you can purchase.

A new breed of camera has recently hit the market, specifically designed for content creators. And the pocket-sized offering from Sony just got an upgrade with the Sony ZV-1M II.