One year after the announcement of the original Sony Alpha a7, the new Sony a7II takes calculated steps towards improving function and ergonomics in their full-frame compact system camera series. With its revised exterior design now fashioning a pronounced grip with a DSLR-like forward-angled shutter button as well as the internal introduction of five-axis sensor-shift image stabilization, Sony turns their base model a7 into a not-so-basic specialist of its own. In this Fstoppers review, I examine the good and bad of how the Sony a7II performs with real-world use.
It goes without saying as photographers we prefer gear to be highly attractive in both form and function. Usually taking a hit in one department or the other due in part by price or depth in features, it's never a flawless combination. These two things for many companies is difficult as they balance high-end product design with outstanding thought in function all while fitting it inside an appropriate price point. Enter the perfect blend of both with the Union Street Camera Bag by ONA. It's not just another accessory in the world of camera gear, but rather a perfect pairing of design and functionality that I can truly stand behind and wear with distinction.
The Fstoppers FlashDisc has become one of the most popular off camera flash modifiers on Amazon and BH Photo. Many of our readers have been asking for international shipping, and I am excited to announce that the FlashDisc is now available through the Amazon.co.uk store. This means anyone in living throughout the European Union can have the FlashDisc shipped to their country without having to pay for expensive shipping from the US.
Recently announced at the head of WPPI a couple weeks ago, was the Profoto B2 strobe system. The unit, small in comparison of its competitors, was arguably the most exciting product announcement this year at the popular photography convention. However, the burning question everyone has been asking is… is 250Ws enough for on location work like Profoto suggests?
We've had one hell of a cold, long winter this year here in North America. On top of that, I live in Houston, Texas, so this business of freezing rain in March can go die in a fire already. I enjoyed shooting moody styles outside during this extended drabness in recent months, if I'm honest. However, sunny days are coming and I couldn't happier it because summer means outdoor swimwear projects begin, which is one of my favorite styles to shoot. However, having been so bleak for so long this winter, have you gotten yourself prepped for this most popular of fashion and glamour photography seasons?
Yongnuo recently released a 50mm F1.8 auto focus lens to compete with the very popular Canon version. The Canon 50mm F1.8 is already considered a bargain lens, so with the Yongnuo coming in at half the already bargain basement price, can it possibly perform equally or even better? Tony Northrup put together a fantastic and comprehensive video that pits these two lenses side by side in a comparison that will answer all your questions.
The photographer makes the photo, not the gear. That being said, it’s essential to have the best tools for your career. Would a doctor go into surgery with a blunt scalpel? There's a lot of debate when it comes to the topic "best portrait lens." Personally, my choice of lens until now has been the Nikon 85mm 1.4G. A few months ago I decided to rethink my choice of lens and tried the Nikon 200mm f2 and Nikon 135mm f2. Here are the pros and cons for both lenses and examples of what they can do.
We share over 1.8 billion photos per day, and thanks to the ever-growing technology in cameras paired with the expansive world of social media platforms it's become increasingly easy to add the title "photographer" to the resume. Apple has searched high and low for the world's absolute best photographers and their work that spans the planet. The "Shot on iPhone 6" World Gallery features photos from creatives spanning 70 cities in 24 countries, and brings the mobile photography community front and center proving again that the best camera is the one that's with you.
"I'm really starting to get tired of how blurry and pixellated my 4k image looks," said no one ever. But in the never ending quest to squeeze the most resolute, highest quality image possible out of our (relatively) inexpensive cameras, Art Sanchez was able to get 8k video from a $2,000 Nikon D800.
The humble memory card is perhaps one of the most overlooked and neglected pieces of gear. It has the incredibly important and difficult task of accurately, quickly, and securely recording and storing all the data our cameras capture and it must do so time and time again. All this is demanded from something that we generally see as a disposable item, and one which we are prepared to save money on, but is that really the right mindset for something so important? Linus of LinusTechTips.com has put together an incredibly informative comparison video that explains it all!
I have spent the last 6 years cultivating a photography service brand and working to hone my image making skills on a daily basis, but the fact remains that photography is a relatively new endeavor for me. I was a graphics designer from 1990 or so until arguably 2012 (or today), with the occasional design job popping up that I cannot say no to. However, there was also this era in the 1990's where I was a videographer and video editor, shooting everything from local TV spots to interactive media clips to weddings. The embryonic days of digital video are mercifully long gone, but what happens when an old dog jumps into the modern world of video? I aimed to find out.
Elinchrom has been the brand of choice for years many Europeans and Australians photographers alike. They are cheaper than Profoto or Broncolor, offer a good range of modifiers and – unlike Paul C. Buff – have service centers outside of the USA. To many photographers they also have been a great way to get into studio photography before moving up to Broncolor or Profoto. With the Elinchrom ELC Pro HD, it seems like the brand wants to change that and offer a higher-...
With the recent announcement of the Profoto B2, Elinchrom's position in the ultra-portrable strobe pack market was somewhat overshadowed as the former exceeded the Elinchrom Quadra Hybrid in many aspects. Not to be outdone, Elinchrom has now announced the release of its next generation on-location pack and head kit known as the ELB 400.
Leave it to the same university that would probably save our world from an apocalypse to, until that need arises, create better, smaller lenses. Harvard’s School for Engineering and Applied Sciences (SEAS) recently expanded on a previous design for flat optics by adding nano silicone antennae that actually bend the light. The result is an incredibly thin and completely flat glass lens capable of the same light bending properties as our current lenses, but with virtually zero chromatic aberration.
Four new full-frame E-mount lenses have been announced by Sony which include a 35mm f/1.4, 90mm f/2.8 Macro, 24–240mm f/3.5–6.3, and 28mm f/2. In addition to these lenses, two lens converters were also unveiled for the newly announced FE 28mm, turning it into either a 21mm f/2.8 ultra-wide or a 16mm f/3.5 fisheye. Along with the announcement comes software updates for many of the current FE lenses on the market which will shorten start-up time on E-mount cameras.