A lot of my work is on the road, which is why I spent a long time looking for the best mobile storage options before eventually landing on the WD My Passport Pro and the LaCie Rugged SSD. But when I'm not on the road, I'm at my desk editing a wide range of video. It's here that I realized I needed not only a reliable backup, but also a powerful and fast working drive to burn through edits. What I found was the G-Speed Studio, and I love it.
I live in constant fear of either accidently formatting a card or having data corruption of information before I get back to my main workstation. Because of this somewhat totally rational fear, I tend to back up cards on location during or right after shoots. To fill this remote backup need, I tested the LaCie Rugged 500GB SSD which offers USB 3 and Thunderbolt 2 speeds in a tiny package.
Sometimes we have the luxury of being at an entire game or tournament or match to get action shots of athletes performing their best. Yet occasionally, if we're like Brett Wilhelm, we are asked to cover the World of X Games Cam Zink Mammoth Flip that only happens once and lasts all of a few seconds. Under that kind of pressure with no "redos," Wilhelm takes us through a refreshingly in-depth BTS video that covers everything from basic composition to gear and how one man can cover three cameras.
With the rise of smartphones and lack of expandable storage locally, many manufactors have been creating storage solutions with options to access over a wireless network connection. While this isn't anything new, it appears as Western Digital is releasing a one-step solution for photographers needing to backup SD cards on location.
Case Logic has been making bags, tablet sleeves and accessory holders for quite some time, but this was my first time reviewing, and using, a dedicated camera bag from the company. The Luminosity DSLR Split Backpack is a hearty, sturdy bag with a few neat compartments and a unique design that is aimed toward either the professional photographer or pro-sumer who needs to protect their gear while on the go. When considering this bag, know that protection was at the forefront.
A new line of manual-focus lenses, designated with the Loxia title, have been announced by Zeiss. The initial compact lenses to be released later this year, a 50mm f/2 and a 35mm f/2, are crafted specifically for Sony’s E-mount full-frame α7 cameras. Christophe Casenave, product manager at Zeiss, says there is “growing desire for a digital manual-focus experience” on Sony Alpha 7/7R/7S cameras and that the Loxia line is “ready to exceed those expectations.”
Pictured above are the two lenses currently available from Moment that I stumbled across while browsing Kickstarter and immediately knew I had to have. The 60mm Tele and 18mm Wide are small enough to fit in the palm of your hand, while maintaining the sturdiness and incredible optics of products ten times their size. The following are my first impressions after they landed on my porch.
Though we have no confirmations that the price drops are permenant, we can probably assume them to last a long time if not forever. Canon has cut prices from $1000 on the higher-end lenses to $50 on the more affordable glass across their product line. In all, there are 26 lenses discounted as of today.
If music and EDM photography is your dream job, this next interview is just for you. The fourth session in the Fstoppers series over at the TogTools Podcast is finally up, and it's a very unique and interesting one. This week's guest is Fstoppers Staff Writer Rebecca Britt who is an amazing commercial and EDM photographer based in Texas. Aside from being with Fstoppers for a very long time, Rebecca is also a team member at Retouching Academy and runs the largest collective of EDM photographers on social media. In this interview, Rebecca shares her own story and gives a lot of useful tips on how to be a successful music/commercial photographer.
Olympus announced the successor to the successful micro four thirds E-PL5, creatively named the E-PL7. It has a few new features that MFT photographers will like, but the flip down screen will be getting most of the attention. Olympus designed the screen with optimal selfie composition in mind. The styling of the camera screams "vintage modern," the oxymoron of choice for many camera makers in that market.
With a saturated market for photographers, there are so many pitfalls a photographer can plunge into that can prevent them from being successful. Taking a step back to analyzing yourself and your business can be the first step to improve and guarantee chances of success for the future. Here are a number of things to look out for, these things can be what is preventing you from reaching your potential.
Fujifilm announced the replacement for the X20, today -- the X30. While the camera still features a 12-megapixel 2/3" CMOS X-Trans sensor combined with the EXR Processor II, the X30 almost doubles battery life, continues the X20's quest for snappier performance, features numerous refinements to the controls and body as a whole, and offers full 1080p video recording at 60fps.
As much as I like to rely on Tamron VC for moving video shots, it only make the footage less shakey and doesn't make the footage more fluid. This is where camera stabilizers like the Steadicam and the Glidecam have come in, but both options tend to be extremely heavy and take a long time to properly calibrate. There have been a few new innovations in camera stabilization, the latest of which is the Casper Mini which solves both the aforementioned problems and works ideally with smaller cameras, what I think are the future of filmmaking.
One of the most overlooked, yet most used items in a photographer's arsenal, is the grip kit. A grip kit isn't something most photographers set out to buy, build, or assemble, it's generally born from necessity. Over the years we find ourselves on jobs needing certain things that we don't have readily available and we end up improvising to get the job done. Usually we make a mental note of how we can be more prepared in the future, which often times leads to adding small "grip" items to our pack list. When we collect enough of these items, they typically make their way into some sort of crate, bag, or box also known as a grip kit.