GoPro released updates v02.00.00 for the HERO4 Black and HERO4 Silver cameras yesterday. The updates bring a smattering of new features to the cameras, notably higher frame rate video modes, a Time Lapse mode, auto image rotation, and the ability to add HiLight Tags during playback using the LCD Touch BacPac, as well as other smaller features. All of the new features are supported by the HERO4 Black camera, while the HERO4 Silver sees a slightly more limited expansion of features from the update.
Announced early this morning, Samsung has unveiled the newest in their camera lineup with the NX500. With a 28mp CMOS sensor, it's hard to believe this brilliant little camera can also shoot video at 4K resolution, all while packed into a small, nearly pocketable system. Pairing that with Bluetooth technology, built in WiFi, and ISO expandable up to 51,200, Samsung has us impressed, with only an announcement.
Canon's flagship DSLR video body, the EOS-1D C, had its price slashed by the huge sum of $4,000 yesterday. The 4K shooting machine was selling for $11,999 since its release date two years ago. Recent price changes went into effect in Hong Kong two weeks ago and then North America starting February 1.
The Venus 60mm f/2.8 2:1 Macro lens has many wondering if the relatively small price tag ($379), coupled with the intriguing 2x magnification and 14 blade aperture, is as good of a deal as it seems. Macro photographer Thomas Shahan was sent one of these lenses to try out, and his results look promising.
This month I posted an article asking how you would build a new photo kit from the ground up with only a thousand bucks. The responses were all awesome (if you haven't left one yourself be sure to check it out, I'd love to hear from you), but they had one thing in common: everyone bought used gear. Buying used equipment can be awesome, but unless you're in an area with a nice local camera shop, you're stuck ordering online. While eBay and Amazon were traditionally the go-to sites for picking up used equipment, recently a lot of photographers have turned to buy-and-sell groups on Facebook.
One of the most intimidating things to learn when it comes to lighting is how to choose the right light modifiers. There are countless umbrellas, softboxes, octaboxes, stripboxes, and beauty dishes offered. All these contraptions help shape the way light spreads in different ways, and the appearance of the people and objects we photograph will be affected by this. The decision can be crippling. Thankfully there is an easy way to choose, and it’s all about understanding the language of light.
As a photographer, my skill set is constantly put to the test. In most cases, I’m handed an idea on a slab of wood and the mission is to hand that idea translated to a tangible artifact back to my client on a silver platter. It’s never an easy process, but it’s a part of my job.
Since launching their two mobile photography lenses last year, the Moment team in Seattle has been working hard to improve other aspects of the mobile photography experience. They have revealed their newest creation, the Moment Case, which works in conjunction with their mobile app and current two lenses. With the Moment team’s success with using Kickstarter on their last project, they have decided to turn back to the site to fund the Moment Case as well. The best part is, it’s available for order as of today, and lucky for me I had the pleasure of being the sole individual outside of the Moment team, to test the prototype case prior to today’s launch. However, it’s currently only available for the iPhone 6, which is making me wish I didn’t pick up the 6+ a few months back.
The CASE remote is a wireless device that creates a mobile hotspot attached to your camera, providing you with live-view connectivity on your mobile device. One can easily control shutter triggering, HDR, focus stacking, time-lapse, and photo transfers from your iPhone, Android, or tablet. Fstoppers had the opportunity to give this device a spin and here's what we thought.
This week DigitalRev put up a video challenging Kai and Lok to build a decent photo kit from scratch for a thousand bucks. While $1,000 is a decent amount of coin for most people (certainly including myself), it wouldn't put too much of a dent in any pro's photo kit. Just two days ago, Michael Woloszynowicz posted an article showing off his fleet of awesome Broncolor lighting gear - a $20K setup! While I wouldn't care to start my own (small) kit over from scratch, I think it's a fun little mental experiment. Here's what I've come up with.
As the old adage goes, it’s not the gear, it’s the photographer that takes a good photo. While this is generally true, is there something to be said about $20,000 worth of Broncolor lighting gear? I mean a flash of light is a flash of light, right? Or is it?
Photography equipment is expensive, and regardless of whether we are amateurs or full-time professionals, losing your equipment to theft or damage could be catastrophic. A single event (be it theft, natural disaster, etc.) could completely devastate your business and leave you without means of income to recover the loss. Fortunately, DSLR Video Shooter has recently published a video and article aimed at helping those photographers who currently have uninsured equipment find a plan to protect themselves in case of such an event.
Accomplished Forth Worth, Texas-based wedding photographer, Hiram Trillo recently turned his attention to another craft, namely leather work. His newly-opened company, Trillo and Son, specializes in creating high-quality, pass-it-down-to-your-grandkid, small-batch camera straps designed with the working professional in mind. I had the opportunity to spend the better part of a month with a trio of these straps, a Warhol in cognac, a Bresson in natural leather, and a Capa in oak.
Nikon issued a service advisory today for the D750 flare issue documented by many users of Nikon's newest full-frame DSLR and reported by Nikonrumors before Thanksgiving. The issue happens when light reflects from a small reflective piece of metal that isn't covered inside the body, resulting in a horizontal linear flare in the upper portion of the image when a direct light source is at a certain angle relative to the lens.
Patrick Hall shared some opinions about what features our professional DSLRs absolutely should have, but don’t, going into 2015. And he was right. But as happy as having those features would make us, not one or even all of them would allow any single company to become the next Apple or Google of the photography world. However, there’s something bigger that no one is thinking about — or at least there aren’t any signs of it. Canon, Nikon, Sony, Fujifilm, Phase One, Hasselblad; no one seems to be doing what it would really take.