Just the other day, Canon announced the 16-35mm f/4L IS lens. The general announcement was left with confusion, anger, annoyance and felt an awful lot like when Canon announced the unnecessary 24-70mm f/4 IS back in 2012. Between these announcements and others much like it, as well as general quietness on announcing an updated 50mm lens, we have to ask...What’s the problem, Canon?
Nikon provided a new video highlighting the benefits of using its fluorine coating, first used on the just-announced updated 400mm f/2.8 lens. In addition to adding a certain clarity to the image because of its antireflective properties, the new 400mm f/2.8 benefits from the fluorine coating's ability to repel just about anything that might hit it. I want this on all of my lenses!
Sony, a company I think many of us really want to succeed in the imaging space, posted their fiscal year results that ended March 31, 2014. The company reported a $1.29 billion loss overall with the imaging division down 2% over last year, the third straight year of losses for the division.
Finally, the last Nikon product announcement for the day: Nikon has just rolled out the new Nikon 1 S2 mirrorless camera system, an update to the 2013 Nikon 1 S1. The new S2 features a 14.2 MP sensor (up around 4 MP from the S1), shoots full-HD 1020p video, and fires at 20 FPS. It comes in four colors, and will have a price of $446.95 (including the kit 11-27.5 f/3.5-5.6 kit lens).
If you plan on picking up the newly announced Nikon 400mm f/2.8E you'll definitely be interested in looking into the new TC-14E III, Nikon's latest 1.4x teleconverter. This baby will boost the focal length of your lens by 1.4x, only reducing the light by one stop. This will effectively turn your 70-200 f/2.8 into a 98-280 f/4.0, or that new 400 f/2.8 into a crazy 560mm f/4.0.
There has been significant chatter on both the Fstoppers staff and in the general comments we've been hearing and reading regarding Canon's move to introduce slower lens iterations, but with image stabilization, of their older faster glass. We've heard arguments on both sides of the table, but we're curious: what do you think?
During an initial meeting with local publication NFocus Magazine, the Editor-In-Chief asked for a unique aesthetic on Louisville's theater and arts community and wanted a massive group shot, but not your traditional group shot. I threw out the idea to shoot actors and their "characters" from directly overhead on a theater floor, as if they were action figures laid out and organized. Two seconds after I uttered the idea, I realized I had no clue how I would pull it all off.
When you’re backed by the likes of Silicon Valley superstars like Youtube co-founder Jawed Karim, Y-Combinator, and a half-dozen or so other techie entrepreneurs, you know you’ve got something good. That something good is Lumoid, which rents photo gear at unheard-of prices, especially when you add in a few perks...
Today, Nikon released a major firmware update for their D800 and D800E HDSLRs as well as minor patches for the UT-1 transmitter and a few CoolPix cameras. This is the first significant update for the D800(E) since about this time last year. The update (v. A 1.10, B 1.10) brings with it something that I wish all Nikon cameras had.
Announced tonight, Canon adds the 16-35mm f/4L IS to it's prestigious L series line of lenses. With an Optical Image Stabilizer system, the 16-35mm f/4 IS adds up to 4 stops of correction for great performance, even in low light. While this announcement is exciting for many of us, it also has many of us scratching our heads in confusion.
Canon has added another STM (stepping motor) lens to their lineup for those of you who are already fans of the 70D and Rebel T5i (though the T5i does not take advantage of the STM technology nearly to the degree the 70D Dual Pixel Sensor does). The 10-18mm f/4.5-5.6 EF-S IS STM LENS has just been announced, and though it's not what many of us desire in a lens, being the unpleasant combination of variable aperture and slow, it does come in at a very enticing price point.
David Talley is a photographer from Los Angeles who recently had the one experience no photographer ever wants to have happen: all of his gear was stolen. Fstoppers, together with InMyBag.net, are helping David recount what happened, tell the story of how he internalized the emotions and explain how he plans to move forward after the tools he uses to make his living were taken from him.
Edelkrone raised a few interested eyebrows with their unique slider design a while back, but with their recent add-on items, the latest of which is the "Action Module," both filmmakers and manufacturers alike are taking a long look at these innovate products. The Action Module not only brings timelapse and repeatable moves, it does so in a simple, intuitive way.
If you've been a long time reader of Fstoppers, you might recall one of my original editorial pieces: How China Changed the American Lighting Industry. At the time of its publication, I had just come off a recent spell of a few years at an American photographic lighting company and got to see first hand how American greed led to a Chinese takeover of the industry. In the years following that article, the problem hasn't gotten any better. If anything, it's gotten far worse, and to the detriment of you as a consumer.