Broncolor has announced two new products at Photokina - a compact, portable flash system called, "Siros" and an HMI called the "F1600." The Siros looks to be a direct competitor with the Profoto D1s while the F1600 looks to add to Broncolor's existing line of continuous, high-output lights. Siros will come as two power configurations - 400 and 800 Ws. It features an easy-to-use knob and digital display system (similar to the D1) and can be controlled directly by Broncolor's "bronControl" app. The Siros and F1600 will be compatible with all existing Broncolor modifiers.
Think Tank has announced a set of new bag offerings at Photokina including the massive 15.7” x 40” x 12.6” Production Manager roller case, designed specifically to carry large amounts of lighting equipment long distances. It is a large roller with room for multiple flash heads, power packs, monoblocks, softboxes, and light-stands. They also released a premium quality limited edition roller and shoulder bags.
Following up their massive 512GB SD card announcement last week at IBC, SanDisk today announced that they are releasing the fastest microSD cards on the market, capable of producing 95MB/s transfer speeds and intended for use with 4K capable cameras.
Profoto just released a video showcasing their popular B1 units on location with wedding photographer Brian Marcus. Marcus shows how he uses the lights through new York with ease, obviously taking advantage of the size and weight of the B1 heads. This particular video focuses on the NIkon TTL Air remotes that were just released.
At a $5,000 "discount" compared to the IQ250, the IQ150 seems almost identical in every way. While we don't currently have much information, we do know that the IQ150 features the same Sony 50MP CMOS sensor that is featured in the IQ250, Hasselblad H5D-50c, Mamiya Leaf Credo 50, and Pentax 645z, boasting the same native and useable ISO range of 100-6400. The only [in]visible difference is the lack of WiFi and $29,990 price tag (compared to the IQ250's $34,990).
In a perhaps not-so-surprising turn of events, Leica has entered the medium format CMOS market with their new Leica S. At 37.5 megapixels, this doesn't seem to be the same 50-megapixel Sony sensor everyone else is using, naturally. This time, Leica means business with a weather-sealed magnesium body capable of 4K video at 60fps and 3.5fps still shooting between ISO 200 and 6400. Looking for the more traditional CCD version? Leica updated that, too, with the new breakout S-E.
I don’t do a lot of gear reviews, in fact, this is my first for Fstoppers (bear with me). But Lumu is a product I’ve been following since it’s launch on Kickstarter back in 2013. I didn’t invest back then, I’ll tell you why later, but it's a great concept that has become a reality so I’m here to give you my honest thoughts and a short video we hacked together using the meter in the field.
Two weeks back Sony released a teaser image for the Zeiss 16-35mm f/4.0 FE zoom lens for their α7 line of cameras. This lens rounds out the "Holy Trinity" of zooms, the 16-35mm wide-angle, the 24-70mm standard, and the 70-200mm telephoto. The lens is immediately available for preorder for $1,349.99.
Breaking: The guys over at Sony Alpha Rumors have reported on the four newly announced lenses offered by Sony for their FE mount α7 series cameras. According to Sony Alpha Rumors the long-speculated Zeiss fast-aperture prime is a 35mm f/1.4 distagon. While details are still incoming we now know that the lens I had hoped would be an 85mm is, in fact, a 35mm. Heartbreak.
In addition to the 35mm f/1.4 Sony also...
Panasonic announced their new breakthrough product, the advanced point and shoot Panasonic LX100, which can record 4K on a 16.8MP 4/3rds sensor with an optically image established fast zoom lens designed by Leica and includes a 2.7K EVF. It's even designed with lines mimicking classic cameras so it looks good too. All this and it can still fit in your jacket pocket.
Along side the announcement of the much anticipated 7d Mark II, Canon also highlights three new lenses to their lineup - the 400mm f/4 DO IS II USM, the 24-105mm f/3.5-5.6 IS STM, and the 24mm f/2.8 STM Pancake lens. With many of them sporting the STM autofocus, it's obvious that Canon is looking to compliment those with video in mind.
Can't decide which lens to take? Why not take them all! With Lowepro's new Pro Trekker 650 AW, you'll likely have to buy more lenses and accessories to fill this behemoth of a camera backpack. I got to test drive this bag for several video and timelapse shoots, so I got a pretty good idea about how it performs. In my full review I'll cover the build, features, and whether it was helpful to have or simply too bulky to deal with.
Perhaps some of the biggest news to come out of Photokina so far this year is the announcement of the Panasonic Lumix CM1 - an Android equipped smartphone with a powerful sensor and even more powerful lens. Showing off it's 1 inch sensor, the CM1 has taken the crown for the largest sensor found in a phone, a size typically found inside the Sony RX100 and Nikon's 1 series. However, the big talking point comes from Leica, with their f/2.8 monstrous lens mounted to the back.
I bought the original Canon 7D in 2011, and spent 3 years with it until literally last week. It was time to buy a new body, and eventually deliberations led me to the 6D, which arrived just last week in time for a magazine shoot. During said deliberations, however, the curiosity of whether or not the blasted 7D Mark II rumors were ever going to come to fruition delayed my purchase of the 6D for weeks. Well, as it turns out, not only is the 7D Mark II a reality now, but I also made the right decision in getting the 6D. But still, the 7D Mark II sounds pretty good in it's own right.