Gear

Fuji Reveals X-Mount Lens Roadmap Through 2015

Fuji Reveals X-Mount Lens Roadmap Through 2015

Fuji has sent out a updated road map for X-mount interchangeable lenses through th efirst half of 2015. A large-diameter medium telephoto lens (the XF90mmF2.0R) features for the first time and the next available lens will be the XF50-140mm F2.8 R OIS WR. Following on from the XF18-135mm lens, this will be Fujifilm’s second weather resistant lens designed to partner its X-T1 camera.

No Tape, No Bands, No Velcro- DIY Custom Fitting Gels for Your Profoto B1/D1 Monolights

No Tape, No Bands, No Velcro- DIY Custom Fitting Gels for Your Profoto B1/D1 Monolights

One of our loyal readers, Rogier van Bakel, recently contacted us with an article suggestion that we decided to share with you. Rogier is a wedding photographer based near Bar Harbor, Maine and he has a custom tip on how to gel Profoto B1 or Profoto D1 monolights without the use of any tape, rubber bands, or Velcro. His method allows the lights use of modifiers since they're free of obstruction and keeps them looking good too, as tape and Velcro have a tendency to scratch at surfaces and leave unnecessary residues behind.

Freefly Shipping New MoVI Controller

Freefly Shipping New MoVI Controller

Freefly systems, makers of the game-changing MōVI 3-axis stabilizer, is now shipping their MōVI Controller, designed to enhance and make a true two-person stabilizer setup. The second user can now control the pan, tilt, roll, focus, iris and zoom of a MōVI-mounted camera while the main operator holds the system. It is shipping for the M5, M10 and soon to be releleased M15 systems.

Fstoppers Reviews the FoCal Autofocus Calibration Software

Fstoppers Reviews the FoCal Autofocus Calibration Software

There are few things we, as photographers, are more OCD about than tack-sharp focus. We invest so many of our hard-earned dollars into nice glass, painstakingly focus, then spend hours in post afterwards pulling our hair out when the eyes aren’t sharp. While of course sometimes OOF images are due to user error, small variations in the lens and camera can result in less-than-sharp images. These discrepancies in camera / lens combination can be dialed in to get perfectly sharp images more consistently. Enter FoCal, a [semi]automated focus calibration software.

Hasselblad Launches the CFV-50c CMOS Back for V-System Cameras

Hasselblad Launches the CFV-50c CMOS Back for V-System Cameras

Today, Hasselblad launched the CFV-50c -- a medium format back using the same 50-megapixel CMOS censor in the H5D-50c that can be attached to any existing V-system camera. With no external cables required to connect the backs, the back is incredibly well priced at €11,000. While we're not quite sure what that means for the US market, the new back seems poised to be an incredibly affordable 50MP CMOS medium format system.

Fstoppers Review Of The Panasonic Lumix GH4: Is It Ready For Professional Use?

Fstoppers Review Of The Panasonic Lumix GH4: Is It Ready For Professional Use?

In short, no it is not. But a few minor dealbreakers are all that stand between leaving this camera on the shelf, and making it best digital camera in its class.

After nearly a month of capturing video, stills, and timelapse media with the Panasonic GH4, I laughed, I cried, and I almost threw it off a mountain. At times it was a joy to shoot with, and other times it wouldn’t even power on with a full battery. I’ll give you a complete, unbiased rundown in my full review, complete with video samples.

Behind The Scenes With The Nikon D810 For "Every Moment Counts"

Behind The Scenes With The Nikon D810 For "Every Moment Counts"

Announced less than a month ago, the new Nikon D810 has made video DSLR shooters foam at the mouth with its long list of cinema-centric features. The crew from Cinescapes Collective got their hands on an early release of the D810 and put together a short film for Nikon Professional Services. Watch the BTS video to hear their thoughts on the Nikon D810, then read on for the final film and stills from the production.

iPhone 5S vs Canon 5D Mark III- Which Do You Prefer Here?

iPhone 5S vs Canon 5D Mark III- Which Do You Prefer Here?

This war has been waging for years now, but when it comes down to it and you just want to get out and shoot for yourself, which do you prefer, your phone or your top of the line pro gear? Kim Thomas, an incredible nature and portrait photographer based in New York, has brought the battle to a head up at her blog with some comparison shots taken straight out of camera with both her Canon 5D Mark III and her iPhone 5s.

Everything You Need to Know About Auto Exposure Bracketing

Everything You Need to Know About Auto Exposure Bracketing

What is Auto Exposure Bracketing? (AEB) is the setting on many DSLR cameras which allows you to take three different exposed images in quick succession. Often one image is under exposed, the second is mid range and the last is over exposed. AEB is commonly used for creating HDR (High Dynamic Range) images or giving you a range of options so that you are able to get the correct exposure in post processing.

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