Created for the creative, MIOPS is a promising new accessory used to easily trigger your camera or flash unit for high-speed photography scenarios. The MIOPS team have launched a Kickstarter to acquire funding for their new high-tech device in which they declare is “not the first trigger in the market, but it is going to be the best.”
Announced less than a month ago, the new Nikon D810 has made video DSLR shooters foam at the mouth with its long list of cinema-centric features. The crew from Cinescapes Collective got their hands on an early release of the D810 and put together a short film for Nikon Professional Services. Watch the BTS video to hear their thoughts on the Nikon D810, then read on for the final film and stills from the production.
This war has been waging for years now, but when it comes down to it and you just want to get out and shoot for yourself, which do you prefer, your phone or your top of the line pro gear? Kim Thomas, an incredible nature and portrait photographer based in New York, has brought the battle to a head up at her blog with some comparison shots taken straight out of camera with both her Canon 5D Mark III and her iPhone 5s.
What is Auto Exposure Bracketing? (AEB) is the setting on many DSLR cameras which allows you to take three different exposed images in quick succession. Often one image is under exposed, the second is mid range and the last is over exposed. AEB is commonly used for creating HDR (High Dynamic Range) images or giving you a range of options so that you are able to get the correct exposure in post processing.
When the MōVI came to market, it changed the video world instantly. It was, quite simply, an unimaginably amazing stabilization rig that looked to defy physics. We all wanted one, but at the asking price of $5000, many thought it was a bit too steep to rationalize. That's why the DJI competitor, the Ronin, had so many excited. Now there is even more to look forward to, as it's set to retail for only $1500 less than originally announced.
The Sony a7S has been the subject of a hotbed of conversation for the past four or five months as a camera with a lot of potential to really shake up the cinema world. This of course was extremely interesting to me as a videographer. I've finally gotten my hands on the camera and after a few days shooting with it on set, I'm not quite ready to write a review, but I do think it is important to address a feature about which I feel lied to: 4K.
Lighting isn't easy, a world-class-perfectly-lit studio portrait happens with a lot of instinct and experience. A strong grasp of lighting comes with experimentation and practice. Those that know my aesthetic know I'm a huge fan of one light photography. With that said, every image I produce I try and maintain the look of one light, even though it very well be lit with six lights. If I'm shooting for a hair, the hair needs to be well lit. If I'm shooting for makeup, the light needs to fill the face and really show detail. The same applies to product photography or fashion. I always give the client what they need, but always retain my dramatic lighting style.
Back in 2004 I was given the Nikon D100 digital camera for Christmas and I started making money with the camera within a few months. I fell into wedding photography and within 2 years I was making almost 100% of my income shooting them. In the last 10 years I never learned how to process a RAW file (effectively) or use Lightroom until last week.
Chris Niccolls and Jordan Drake over at The Camera Store take us to the Calgary Stampede to demonstrate the improved features of the Nikon D810. While "10 Amazing Changes in the Nikon D810" makes for a catchy title, the truth is Chris and Jordan provide a full-fledged, hands-on field test. They go into considerable depth about what you can expect from Nikon's latest offering.
I don't know about you guys, but I sometimes get some pretty questionable packing from Amazon, but this far exceeds anything I've ever encountered. Youtuber Ottar Gilason works for a camera store and the amount of packaging DHL included on an order for a single camera battery charger is downright hilarious.
Slow motion is, certainly, one of the most beautiful cinematic inventions of all time. It can show us so many things that are not normally visible and can make any "normal" scene look magical and unique. For the past few years the slow motion technologies have continued to improve, and just last year the Phantom Flex4K Digital Cinema Camera was announced introducing some groundbreaking slow motion abilities like shooting at 1,000fps at at 4K resolution. Shortly after its release, Director Brendan Bellomo and cinematographer Greg Wilson got their hands on the camera and took it for a test and created this beautiful video called "Let Me Know When You See Fire."
Regret is the worst feeling in the world but as humans, we feel it. There are times we all look back at, kicking ourselves thinking "if only I had known… I would've done it differently." I remember telling myself if I was ever given the opportunity to be heard, I'd collect a list of tips to share with others so they don't have to feel the frustration that often comes along with regret.
Yes, you heard right. The newly announced Fotodiox Excell +1 speedbooster (reminiciant of the Metabones Speedbooster) will allow you to mount your Nikon F and Canon FD glass to your MFT body while optically adjusting for crop-factor and giving you a whole extra stop of light. At an introductory price of $160 the Fotodiox blows the Metabones, which sells for between $400 to $600, out of the water and you can get that extra stop of light on a budget.