Gear

Panasonic Announces 4K Mirrorless Lumix, the DMC-GH4

Panasonic Announces 4K Mirrorless Lumix, the DMC-GH4

I always thought the point of mirrorless was to make things compact, but Panasonic looks like they want to expand my mind and believe it also means raw power, as they have announced the Lumix DMC-GH4, a new camera that features 4K 24p cinematic video (4096x2160), plus 4K 3840x2160 30p/24p with 49 points of autofocus. The build is all metal, and it's obviously aimed at the professional market.

The New Pentax 645D Medium Format Is Coming!

The New Pentax 645D Medium Format Is Coming!

As far as digital products from Pentax go, the 645D Medium Format has always been the king of the hill for the company. Fans of Pentax, such as myself, have been anxiously awaiting an update to the original digital medium format offering from Pentax which was released nearly 4 years ago in 2010. Nipping at the heels of the recent Hasselblad and Phase One CMOS Medium Format announcements it appears Pentax finally has its own Medium Format announcement to make... and a 50MP CMOS no less.

Rumored Nikon D4s Details

Rumored Nikon D4s Details

The Nikon D4s seems to be all the buzz lately. Nothing is official yet, but rumors are going around that match up across multiple sources. Nikon displayed the new D4s body at CES this year and since then we have been able to find some rumored information about the camera and what is to come. Officially, we are told that the D4s will include a new image processor and “more advanced autofocusing performance”. Which both, in themselves, are great announcements.

Tamron Announces Two New Lenses: 16-300mm f/3.5-6.3 & 28-300mm f/3.5-6.3

Tamron Announces Two New Lenses: 16-300mm f/3.5-6.3 & 28-300mm f/3.5-6.3

Ahead of the Japanese trade show CP+, Tamron has announced two more mega-zoom lenses, the 28-300mm F/3.5-6.3 Di VC PZD (Model A010) and the 16-300mm F/3.5-6.3 Di II VC PZD MACRO (Model B016). The lenses follow the 150-600mm f/5-6.3 announced in late 2013. The two new lenses feature Tamron's Vibration Compensation and a PZD (Piezo Drive) which will supposedly deliver faster, quieter autofocus.

Using Your Camera's Pointless Features To Get The Most Out Of Your Shots

Using Your Camera's Pointless Features To Get The Most Out Of Your Shots

With modern technology within Adobe Camera Raw, you're limiting yourself considerably when shooting in JPEG. However, by shooting in Raw, you're removing the purpose of many of the features within the camera. Settings such as 'Picture Style' serve no real purpose when shooting in Raw, because all the adjustments added to photos, will be stripped when put on your computer. Regardless, I shoot in monochromatic, and it has helped my work considerably.

Hasselblad Stays the Course on Sony Rebrands, Releases "Hasselblad HV"

Hasselblad Stays the Course on Sony Rebrands, Releases "Hasselblad HV"

Well despite the CMOS back announcement last month, Hasselblad hasn't done much in the ways of innovating (and it can be argued they haven't really done anything yet since the back was only announced, but no specs or information on it has been released). That didn't change yesterday when they announced the Hasselblad HV, a rebranded and reskinned Sony a99 that will retail for €8500.

FS Review: Sigma Hits Success Again with 24-105mm f/4 OS HSM Lens

FS Review: Sigma Hits Success Again with 24-105mm f/4 OS HSM Lens

I don’t know about you guys, but when Sigma announced the 24-105mm f/4 lens last year, I got very excited. The Canon 24-105mm f/4 was one of my favorite video lenses early on. It’s an extremely versatile focal length that, besides the slow f/4 constant aperture, was largely pretty usable in nearly any environment. Sadly, the lens was only good for video because it just wasn’t very sharp. That’s why Sigma’s attempt got me so jazzed. Based on prior experience with their Art line, I had high expectations for Sigma's new zoom lens.

How To Clean Dust Off Your DSLR Sensor: Sensor Gel Stick

How To Clean Dust Off Your DSLR Sensor:  Sensor Gel Stick

Over time every DSLR will collect dust on its CMOS or CCD sensor; there really isn't anyway around it. Cleaning your own camera's sensor with liquid wipes or other wet processes has always been a bit risky. Luckily the Sensor Gel Stick is a safe and easy product that top manufacturers like Leica, Nikon, and Canon have been using in their own factories for years. Now YOU can use it too!

Fstoppers Reviews the Flashpoint 14" Fluorescent Dimmable Ring Light

Fstoppers Reviews the Flashpoint 14" Fluorescent Dimmable Ring Light

Flashpoint’s 14” Fluorescent Dimmable Ring Light ($140) is by no means a perfect product. It’s not the sturdiest of creations; it seems to have about as much metal in it as a pair of sunglasses. It’s bright but not powerful; bright enough to want those sunglasses if you find yourself on the business end. With all that said, this light may be the best value in the lighting market today.

Pages