Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.
RED Digital Cinema has announced the latest addition to its line of professional cameras, the RED RAVEN priced at $5,590. RED RAVEN is the lightest and cheapest camera among the RED Cinema lineup. This camera is capable of capturing 4K resolution footage at up to 120fps or 2K resolution at 240fps.
Recently, RGG EDU posted video reviews of the new iPhone 6s, which is getting major attention for its new video capabilities, namely its ability to record 4K video. In these two video reviews, RGG takes a look at the dynamic range and stabilization ability of the new phone, as well as its overall video quality. RGG, known for their video tutorials on photography topics, uses the iPhone on productions regularly, as I experienced firsthand, during the filming of the Dani Diamond Portrait Tutorial in my hometown of New Orleans.
The Fujifilm X-Series cameras have made quite a stir in the photography community over the past few years by asking us to take mirrorless cameras seriously. Since the debut of the X-Pro1, Fuji has released numerous iterations, but has really showed it was serious with the X-E2 and X-T1. Now, we have the X-T10, a scaled back X-T1. Where does it fit and who is it for?
Today I got an iPhone 6s and the only feature that really excites me is the option to shoot in 4k video. As I've said before, I don't care to export videos in 4k, I just want higher quality 1080p footage. I decided to do a quick test comparing the 4k capabilities of the iPhone 6s to the hottest camera on the market today, the Sony A7RII.
Aside from some people getting theirs early and others being in time zones where "today" was "yesterday," the iPhone comes out today in the U.S. And of course, those who have theirs have already spent plenty of time comparing various features. This new video by Giga Tech highlights the differences between the iPhone 6S' and 6S Plus' respective video qualities when it comes to video stabilization. The larger Plus model features optical stabilization as its predecessor did while the smaller size of the smaller 6S only leaves room for digital stabilization — and the difference is quite dramatic.
It comes up when I'm driving someone around and they ask where my car charger is (I don't have one). Or when I'm having a party at my house and my guests asks to go into my office to plug their iPhone into my computer. You don't have to live like this anymore. There is another way.
When people first get into wedding photography, one of the main pieces of advice they will hear over and over is, “You can’t reshoot a wedding." This instantly leads to photographers asking, “How do I protect my images?" Image backup and cataloging is sort of like baking a cake. Every photographer is going to have a different recipe to how they do things. Over the years my process has evolved into what it is today. This process came about in part from learning by fire, and another part came from learning from others. If you don't want to use my entire process, I at least hope part of it can become a helpful addition to your workflow.
The original Holga camera was made in 1981 as an ultra-cheap medium format camera for families in China. 35mm film came out soon after destroying the 120 film market, but the Holga camera was then picked up in foreign markets by photographers looking for surrealistic, lo-fi looking pictures. This camera comes full circle today with the creation of the Holga Digital.
For almost 40 years, Tamrac has been producing bags aimed towards photographers who embraced the great outdoors. Their brand new collection of Anvil backpacks — which replaces the Expedition line — continues their tradition while making a number of exciting design choices that make this collection their best ever. In this review, I take a look at the Anvil Slim 15, which is sized for photographers who have entered the exploding mirrorless market, but shares the same look and feature set of the rest of the Anvil collection.
I love great camera deals. Lee loves great camera deals. Casey is a big 'ol Debbie Downer about camera deals, but he lives in Seattle so he's required to be a contrarian. For those of you who also love camera deals, today is a great day because those killer prices on new Nikon D810s and D750s are back!
It was some time ago now that I reviewed one of Lowepro's first ProTactic AW bags when it first came out, and it was quite well received on this end. Today, Lowepro announced the addition of four new bags to the ProTactic line which are easily recognizable and known for their external SlipLock-compatible accessory and webbing system and semi-rigid, premium build. Today's newest bags come in smaller sizes and, for the first time, in shoulder-bag variants — all maintaining the all-weather (AW) design with smaller mirrorless or single-body kits in mind. For the commuters or über-mobile that don't need room for multiple bodies and half a dozen lenses in addition to a 15-inch laptop, these smaller options may be the best choice now that they're on the market.
If you're a mirrorless camera user in search of a third party lens, you could be in luck. Today, Rokinon announced the release of their new high speed 21mm f/1.4 ED AS UMC Compact and the 50mm f/1.2 AS UMC Compact “made for mirrorless” lenses. The lenses are designed specifically for mirrorless interchangeable lens cameras and compact system cameras and will be available in mounts for Sony E, Micro 4/3, Fuji X, and Canon M. The lens will also be available in black or silver.