Vancouver-based company Tric is attempting to be the maker of the first wireless flash trigger exclusively for the iPhone. They are taking their new invention to Kickstarter in hopes that popular demand will help their aspiring iPhone wireless flash trigger dreams come true. As they say in their Kickstarter ad, "Taking professional photos on your iPhone is a challenge. Without a way to properly light your scene, photos turn out looking too dark or unevenly lit." Taking professional photos with your iPhone is indeed quite the challenge, but if you're one of those professional photographers who uses their iPhone for their shoots, this may be for you.
Rings can be considered one of the most important details of a wedding day. The groom may have spent months trying to find the right ring, and even longer saving up to purchase it. When the bride first announces their engagement, all of her friends can't wait to see the ring. It’s the only item from the wedding day that most couples will have their entire lives (besides the images of course). When I take pictures of the rings, I want to capture more than just the ring sitting on a table. I want something visually interesting and unique. Here is how I do it.
The era of 360-degree filmmaking is upon us. Google, in collaboration with The Mill and production company Bullitt, has released the 360-degree short film "HELP" for free on Google's mobile storytelling platform Spotlight Stories. The film is full of explosions, aliens, and action all within a beautiful 360-degree world.
This week, Phase One announced a brand-new camera platform, the Phase One XF, and three new IQ3 digital backs. Every photo media outlet in the world has the press release and various levels of speculation and information, all focused on those two main announcements. Here’s the thing: it was only one of a half dozen announcements Phase One made, and some of the best announcements are getting obscured by the announcement of their body and backs. Read on to see some of the other exciting stuff they have coming out this week.
With less expensive gear being introduced all the time, we have seen a boom in time-lapse films in recent years, making it easier for just about anyone to make their own time-lapse clips. But with the deluge of videos comes innovation and the need to differentiate yourself. Filmmakers have used time-lapse in some creative ways with production techniques like multi-axis motion and post-production software like After Effects to achieve wild results. A relatively new approach is compositing live-action footage over time-lapse video, and it is pretty easy to do.
The Shot on iPhone 6 World Gallery launched at the beginning of March and features some of Apple's favorite customer photos in a global outdoor and print campaign that spans 70 cities in 24 countries. It is a truly transformative year for videography and filmmaking, and we are now more than ever seeing more filmmakers achieve their vision by using the iPhone 6 as their weapon of choice to produce films. For example, "Modern Family" producer Steve Levitan shot an entire episode on iPhone and iPad earlier this year, opening the doors to more possibilities shooting with our mobile devices in a creative way.
RAID is often times one of the most misunderstood topics that photographers don’t take advantage of. So often I hear horror stories of photographers losing images or irreplaceable data from crashed hard drives. I’ve made a video explaining a few popular RAID options and a strategy to ensure your files never get lost.
Anyone who likes to bring a light or two on-location knows the frustration of wanting soft, controllable light that won't weigh you down or break the bank. The Westcott Apollo Orb is, without a doubt, one of my favorite lighting modifiers. As you'll see below, the Apollo Orb has just about every feature you could ask for in its unique, somewhat-brolly-box-style design, all at a modest price point.
A major announcement by Phase One has introduced an entire system of state-of-the-art products to their lineup. The all-new, highly anticipated Phase One XF camera body has arrived, along with new IQ3 digital backs, new Schneider Kreuznach 35mm f/3.5 and 120mm f/4 leaf shutter lenses, and an updated Capture One 8.3. This fully modular platform brings advancements in autofocus, power sharing digital backs, highly customizable user interfaces, and much more.
A couple of weeks ago I had a chance to shoot with the Broncolor Siros Monolights for the first time. Until now, my light of choice has been the Profoto D1. I, like many of you, have seen reviews on Broncolor's new monolight, and like many of you as well, have been a bit skeptical about their delve into competing with Profoto's D1 and B1 Series for the high-end monolight market. The Siros is available in two models, a 400W/s monolight and an 800W/s monolight, and for this shoot I used five Siros 800s. In this article I will give you my complete lighting setup, gear list, a retouching preview, and complete review of my experience with the Siros Monolight and BronControl app.
In my recent article "Why I Love My 20mm Lens to Shoot Weddings," I explained why I love the 20mm focal length and also explained some of the distortion effects to be wary of. What I didn’t explain is that some of these distortion effects could be fixed by using a tilt-shift lens. In the following video, Vincent Laforet explains the basics of how to use these lenses to fix distortion, as well as how to add interesting focus effects to your images.
One of the best camera backpack series just got an update, along with a few new bags. F-Stop Gear has been making quality backpacks for outdoor adventure filmmakers and photographers for a while now, and their latest products are looking to be even better. If you've owned or used the popular Loka series bag, you'll want to check out the new version, called the Ajna.
Pull up almost any lens review these days and one of the primary attributes people are judging is the oh-so-important bokeh. Purchases are made and lenses are brought back all because of the how a lens does or doesn't measure up in the bokeh department. Well I’m here to tell you, at least for portraiture, it’s just plain overrated.
Are you tired of using a kit lens for your video projects but don't know the first thing about what makes "Cinema" lenses all that special? In the latest video from Gear Dictionary, Zeke Kamm explains what makes these lenses different, and preferred, for filmmaking applications.