Coming off of its previous reputation as an extreme budget brand when it came to DSLR lenses, Sigma has now had well over two years to fend off quality concerns with their restructured Global Vision lineup that began with the superb 35mm f/1.4 Art lens. Since then, Sigma’s Art-, Contemporary-, and Sport-series lenses have proven themselves better than or on par with their Nikon and Canon counterparts for far less capital; and the 24mm f/1.4 Art gives us no reason to suspect the new direction doesn’t have a clear vision to go global.
CrossFit is taking the world by storm. With 11,000 affiliates and growing, it has become a great way to get into shape and is an untapped resource for photographers to sharpen their skills. I started shooting CrossFit as a member in 2010 and learned many things along the way. This is what I learned and how you can improve your skill set.
The legendary photography company Leica has announced the new M Monochom (type 246) camera, a follow up to the M Monochrome black-and-white shooting rangefinder. The new digital camera boasts a faster Maestro image processor, 2 GB buffer memory, 24-megapixel black-and-white full-frame sensor, live-view zoom, focus peaking, and 1080p Full-HD video.
If you aren’t familiar with the work of Dave Lehl, it’s about time that you change that. Dave is not only one of the top photographers in the snowboard industry, but he consistently creates work that transcends genres and has landed him gigs shooting for a list of clients that includes the likes of Red Bull, Nike, and Lamborghini. He has been published in nearly every major snowboard magazine including the covers of Pleasure Mag and Transworld Japan’s photo annuals.
GoPro today announced it has plans to acquire the virtual reality software company Kolor. The France based company develops tools for spherical 360-degree videos and panoramas. With the rise in VR technology hardware like the Oculus Rift, purchased by Facebook in 2014 for $2 Billion, it's easy to see what GoPro has planned for their acquisition.
Sony today announced a price drop in their inaugural a7, making it Sony's first full-frame, mirrorless camera below $1,000. This $300 instant savings over the original $1,300 price tag is fantastic news for photographers looking to add a solid mirrorless camera to their gear bag. Retailers like B&H, are selling the body for $998 with free shipping. Check out Fstoppers' take on the a7 and a7R when first announced back in November 2013.
Do you want your sensor to shift in-body to create a higher-resolution image? Want 4.5-stop image stabilization built into the body so we can benefit from its use with any lens? Want to be able to decide for every shot exactly what level of anti-aliasing you want in order to balance moiré and sharpness? It’s all possible with the new 24-megapixel, APS-C Pentax K-3 II. And, it'll likely be possible in their rumored full-frame camera. Pentax is great, but why aren’t we seeing the “bigger” brands pony up with groundbreaking features?
With budget options for aerial video becoming more affordable, while the quality and abilities of the cameras they host getting better, I knew it was only a matter or time until I got my hands on such a system. Even though I was a little skeptical from the onset, I’m pleased to say that the DJI Inspire is a phenomenal drone/quadcopter unit for adding dramatic footage to video or still projects, even for first time users.
Ever used a drone? If you have, you've almost certainly had that "oh sh*t" moment as your expensive, and admittedly, super awesome toy narrowly escaped a crash that would inevitably end its life. Well, Ryan Chatfield knows that feeling exactly. He was on a beach capturing a beautiful Western Australian sunset when his drone's batteries begin to die. Watch this video to see him race across the beach to save it before it plummets into the rocks and waves below!
Zeiss has announced a new line of autofocus lenses designed for Sony full-frame E-mount cameras. Shipping this summer, the Zeiss Batis line will initially include two lenses, the 2/25 and the 1.8/85. Always innovating, each of these lenses feature something you don’t see everyday: an OLED display screen which shows focal distance and depth of field.
Post-Production and Retouching is just as much an integral part of creating a great image or series of images as pre-production and the actual shoot, especially when you are shooting for a client and not just for yourself. Each genre of imagery, advertising, beauty, fashion, etc. has a slightly different set of rules and parameters when it comes to retouching. In this tutorial we will look at the complete start to finish of a fashion editorial image. Last week I posted the complete gear list for this exact shoot. This week we will look at the first part of retouching, including cleaning up our white seamless and correcting distractions in our image.
Zeke Kamm, a veteran filmmaker and creator of the Aviator Camera Gear, has spent the last year creating a series of informational videos designed to give aspiring filmmakers a great educational reference on the gear that is often used. The first two videos have dropped, with more to come.