Ready to drop your jaw? Richard Kendall doesn’t really care if you’re ready or not, and he’s decided that it’s going to drop. This is seriously cool. He took the bullet-camera idea from The Matrix/X-Games (think the whole “40 cameras in a ring shooting simultaneously” thing that we’ve all seen a hundred times), [more]
Now this is pretty interesting. Recently at the 2012 SHOT show (tradeshow for outdoors and hunting), Foursevens revealed their new lithium powered LED light. Unlike typical LED lights, the XM18 produces an unprecedented 15,000 lumens of light. According to my simple calculations, the XM18 might be more powerful than your low to mid level Arri HMI lights!
Well it’s Christmas Eve here in the US and many of you are about to have a blast opening up some cool photography gadgets (or I hope so at least). But in the meantime, Eve Hazelton created a really thorough video on how to light an interview or one person scene easily and effectively. Eve is the director of photography for the film Underwater Realm which we’ve feature a ton on Fstoppers (check out their great BTS videos here). Her work is so helpful that Philip Bloom featured an interesting article on this video over on his blog. Check it out if you prefer an image breakdown of lighting instead of the video format. Hopefully you guys can start using some of these techniques in your own videos especially if you ever submit to our Behind The Scenes Contests down the road.
Who needs a clunky camera these days when you’ve got a 12 megapixel camera in your pocket. Shot using a Nokia N8, the guys over at Aardman (producers of Wallace & Gromit) broke the world record when they produced this short animation. The final video is only 1 minute and 31 seconds but it took them 5 days on the beach to shoot all the images. I think it goes without saying that the amount of time and effort it takes to produce a video like this is tremendous. Click the full post to see the final video.
Hey guys, my name is Lauren and I’m the newest addition to the Fstoppers team. Having lived in Charleston for a while, I have many friends who are huge surfers. This campaign video is super creative and it has really sparked my imagination. Even if you’re not the least bit interested in surfing, the use of these portable neon lights can be used for all sorts of photo projects. This glow-in-the-dark surf session was part of the cider company Strongbow’s “Welcome to Summer” campaign. Click the full post to watch a second video explaining how they used Electroluminescent wire (EL Wire) to light up their suits and boards. Maybe this will spark some imagination for those of you who still need to create a video for our Behind the Scenes Contest.
Most of the readers here at Fstoppers are photographers but we also have a lot of videographers as well. Most of us photographers are completely out of the loop when it comes to the tools videographers use day in and day out, and some of them are pretty cool. Mitch Gross demonstrates some of the features found in the new ARRI L7 LED Fresnel Lights and they look pretty awesome. Having WB control over your light color is pretty awesome and could come in handy for a lot of photography applications. These Fresnel lights are pretty expensive at $2700 but hopefully this technology will show up in other less expensive lights too. How cool would it be if our future speedlights had both strobe light and controlable LED lights for video (hint hint Nikon!)
The videos keep coming in for our 2011 Fstoppers Behind The Scenes Contest as we enter the final month of submissions. Most photographers use either strobe, fluorescent, or incandescent light to mold and sculpt their subjects. German photographer Julius Ise went a completely different route and used UV blacklights along with some gelled lights for separation to produce extremely vivid images. The shoot has an overall tribal theme and I really think the blacklight look brings something to the overall vibe. I’d say this is one of my top 5 submissions so far but Julius will have to impress our judges. What do you guys think? Leave Julius your thoughts below in the comments. Also check out Julius Ise’s full portfolio because it’s pretty awesome as well.
Yesterday we got an interesting email from our friend Pye Jirsa over at SLRLounge.com. Pye recently helped film a video campaign for a friend’s Kickstarter product launch called One and he decided to film a quick behind the scenes video on how he lit and filmed the different scenes. Pye is a big DIY guy and many of the lights he used on this production can be found for super cheap. We don’t usually post a lot of Kickstarter proposals but the lighting tips from this one were simply too good to pass up. Watch the BTS video below and then click the full post to view the final video.
After almost a year of work we have finally finished Peter Hurley: The Art Behind The Headshot. We created this to be a double DVD tutorial and we may eventually still make a physical copy but for now we have decided to begin with a digital download. I would like to thank each one of you that supported us by pre-ordering this video and I am so sorry it took so long to produce. Patrick and I filmed and edited this and it was far more complicated than we ever imagined. Creating this video has been the hardest project I have ever worked on but at the same time one of the most rewarding.
During the 5 days of filming this video Peter completely opened my eyes to a new way of shooting people. Peter helped me look past the technical side of the camera and the lighting to see the emotion and feeling that each of his clients were producing in each image. When his clients weren’t producing compelling images, Peter knew exactly how to coach them into creating that perfect “look.” This experience has changed my photography more profoundly than any other experience in my life and I hope that everyone who watches this video will feel the same way.
Fstoppers is full of new and free information every single day including the first video we did with Peter over a year ago. This video was created with the professional photographer in mind and it costs $300 for a digital download of the 4 hour video. We know that many of our readers are photography hobbyists and if you don’t shoot professionally you may not see the value in this download and that is fine. Please realize that this is a tool and a piece of education that will help (some) professionals take their business to the next level. If you don’t see the value in it, please do not buy it and enjoy all of the other free material on our site. If you do decide to buy this video, I would like to thank you so much for supporting this venture and Fstoppers.com. Never in a million years would I have thought we (two wedding photographers from South Carolina) could have created a 4 hour tutorial of this complexity. I know we will never make enough money from DVD sales to make up for the time spent producing it (for some reason we thought it would only take a few weeks to edit) but I hope that this video will impact the photographers who watch it in a huge way.
As we have said many times before, we are huge fans of the crew at StillMotion for their wedding work. In this video, the team steps outside of their standard job to shoot for Shedd Aquarium. They decided to film most of the project on the new Red Epic so that they could shoot at variable frame rates up to 300fps. In the video below, they take us behind the scenes of the creation of this project. Check out the full post to see the reel from the shoot.
If you were approached by a big client and asked to only shoot with one light, would you freak out or would you make the most of the situation? In Nike’s latest basketball commercial Basketball Never Stops, they only used one single hard light to tell the story how the game and fans go on even after the court lights turn off. I think videos like this are a great reminder that sometimes less is more. Sometimes a simple setup can still produce dramatic results (even if you have you substitute a helicopter for a lightstand). Check out the video below and click the full post to see a short Behind The Scenes video on the making of this latest Nike Ad.
The amount of effort that went into Sony’s 3D commercial Two Worlds is pretty unbelievable. I’ve watched this video twice now and still don’t know if I know what I’m seeing. The creative team filmed the actors at 2500 FPS which required more than half a million watts of lighting and some of the largest fabric grids I’ve ever seen. Then using green screen, they filmed tons of slow motion projectiles to help their CGI team in the rendering of the background and moving elements. Because super slow motion video often looks fake even if it’s real, making sense of what is real and what isn’t real in this video is what makes it so interesting to me. Check out the video below and click the full post to see how they created this commercial inspired by the legendary Leonard Cohen.
Eric Curry is a photographer who specializes in painting with light. Unlike using strobes to exposure your photos, painting with light requires you to use long exposures and constant light sources to effectively “paint” over your subject and capture it on your sensor. The newest image in Eric’s American Pride and Passion series is one of the most complex light painting images I’ve ever seen and the behind the scenes video shows just how much work goes into such a big project. Click the full post to see the final image and be sure to click on Eric’s website to see many more examples of his layered light painting photographs.
A green screen, also known as a chromakey, can make life really easy if you are doing a lot of video work and want a simple solution for dropping in different backgrounds. David Dugdale created a great tutorial for green screen which shows how to effectively light a chromakey background and key it out in Premiere. ReflecMedia has created a different solution for chromakeying with their Chroma Background Kit. It uses a green LED ringlight that illuminates their special background made up of glass beads. Even with the lovely Olivia Tech explaining how it works, I’m still a bit shocked that such a small ringlight can illuminate the background without affecting the subject. This system isn’t cheap but I can see the advantage of not having to carry extra lights just to evenly light a huge background especially out on location.
TheUnderwaterRealm.com is a blog that is following the production of an independent film that will take place completely underwater. Each week the guys and gals are releasing a BTSV which shows exactly what they have been working on. If you are interested in movie production, I highly suggest checking out their website. In the video below the team is forced to build an underwater Kino Flo lighting system. This video is 1 of 29 so there is a lot more quality content to be seen.