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How To Light An Interview On A Budget

If you are planning a behind the scenes video for our 2011 photo contest, you probably also need to setup an interesting interview segment to explain the details of your photoshoot. Most photographers spend a lot of money on their flash equipment but often don’t have much in the way of constant lights. The guys over at SLRlounge have come up with a great BTS video on how you can create an interesting interview set on a budget. In this video, Pye Jirsa used basic work lights mixed with natural ambient light. In our contest video we either shot completely natural light or mixed in some of these inexpensive LED lights to make it a little more interesting. Taking a little bit of time to make your interview footage look good always goes a long way and is often just as fun designing as the actual photoshoot itself.

BTS Of Nike Chosen Campaign: Extreme Sports At Night

I just ran across an incredible ad by Nike called “Nike Chosen.” The concept was to grab the best surfers, snowboarders, skaters, motocross, and BMX riders and film them doing their thing at night. The BTS footage (that can be found in the full post) is not as informative as I would like but if you pay attention to the details, there is a lot to be learned. The lighting, especially for the surfing session, is really amazing and although you may not ever do a shoot of this size, the same techniques could be used for your still photography at night.



Monte Isom Uses Nikon D3s For Stop Motion Video In NYC

Monte Isom had one of the most populars videos on Fstoppers back in February. Well he is back with a fun stop motion video for NYC comedian Colin Kane. Monte filmed this entire video on the Nikon D3s with just a few Litepanel 1×1 bicolor constant lights. The final video was made with 14,000 still images to create the final 90 second promo. Below is the final video but you can check out the BTS video in the Full Post as well as read Monte’s own words on how he approached this shoot.

How To Create A Pure White Background For Video Or Stills

Everyone claims that they know how to shoot subjects on pure white but many of them still struggle with the background light washing out their subject. In the video below, Olivia Speranza shows us how she created the look for a video but the same techniques apply to flash as well. The key is to light the background as evenly as possible and expose it so that it is just barely pure white. If your background is a few stops past pure white, the light will begin to eat into your subject.



Peter Hurley: The Art Behind The Headshot DVD Pre-Order Begins Now

A few months ago Patrick and I flew up to NYC and filmed our first ever full length DVD (dual DVD actually) with Peter Hurley. The DVD is still being edited but we can finally see an end in sight.

Initially we didn’t plan on having a pre-order but when Peter Hurley decided to start teaching workshops, we decided to create a special pre-order deal. When the dual DVD is released, it will cost $300. If you purchase it before October 1st, 2011, we will give you a $300 credit towards any of Peter’s workshops (and this can be used at any time) so you are actually getting the DVD for free. Peter is also going to personally sign all of the pre-ordered DVDs. Patrick and I are working as fast as we can to edit this DVD while managing Fstoppers.com and also shooting a wedding every weekend. Things are busy but we hope to have this DVD released sometime this summer. Head over to Hurley’s website to sign up for “The Headshot Intensive,” his new 2 day workshop. There are currently 4 slots left for his first workshop on May 21-22.



Vintage Lights For A Vintage Shoot

R. J. Kern and Amanda Tipton are both photographers from Denver Colorado. Together they setup a vintage “Mad Men” style photoshoot at the Cruise Room within the Oxford Hotel. They give a lot of useful information about how to achieve a true throw back look by using Fresnel Hot Lights, vintage clothing, and a classic 1950′s style location. By shooting with hot lights, RJ and Amanda are both able to shoot at the same time without having to worry about recycle rates or light contamination as they work on sets in close proximity to each other. You can check out Amanda’s images HERE and RJ’s image HERE. I think both sessions turned out great but if you have a preference for one style over another, let us know in the comments.

Inspired by Light: Behind the Scenes of a Vintage Shoot from R. J. Kern on Vimeo.

A Glimpse Of Shooting Commercial Ads With Hot Lights

I was a little on the fence whether this video was good enough for the front page of Fstoppers or not. Although there is no technical information in this video, I think the final photos by Thomas Vassort are outstanding and should inspire us all to raise the bar on our commercial style shoots. I really love the aviation vibe Daniel Hechter went with on their Spring 2011 clothing campaign. It appears most if not all of these images were shot using natural light along with hot lights or HMIs which is probably a lighting style few of us have used. It also appears these were all shot on a regular old Canon DSLR (somewhat rare for campaigns like this). Check out the final photos in the full post.

The Black Keys Behind The Scenes

One of my favorite bands recently is The Black Keys (ironically, I like most bands with the world Black in them). They have really exploded in popularity with the release of their current album Brothers, and the latest video to come from that album is Howlin’ For You. In a nutshell, this video is ridiculously badass; I’ve never seen a music video completely bury the music under a fake trailer before! The Black Keys are pretty good about making BTSVs, and in this one Chris Marrs Piliero explains the concept behind probably his best video to date. There’s not a lot of technical talk in this clip but the overall concept and great directing make it worth watching. Pick up at least one Black Keys record if you think about it and check out the final music video in the full post.

Megan Fox In Underwear, Armani Underwear

I was going to post a video showing Rafael Nadal’s latest Armani underwear shoot but figured Megan Fox might be a little easier on the eyes. Now you are probably thinking that any photoshoot with Megan Fox wearing little to nothing would probably produce strong images from any photographer and you’d be right. But what I found interesting was the way photographers Mert and Marcus used hotlights and large scrims to light the entire set creating a natural light feel. You can see the setup around :35 seconds. Not everyone has access to large HMI lights but it’s still an interesting way to shoot and could probably be reproduced firing strobes into white walls in a room. Click the full post to see the final video and you can see the photos here.

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