Most of us love natural light and feel comfortable shooting with it – but how well do you really know how to utilize it effectively and to control it with precision? I just spent the day with Erik Valind, a New York City-based lifestyle photographer in his 'Controling Natural Light' workshop. Here are 17 simple ways to help get great results from better understanding and utliizing natural light.
French photographer Vladimir Antaki documents The Guardians of local shops he's visited in 9 different cities around the world including London, Beirut, Las Vegas, New York and Paris. This is all just part of an ongoing project in which Vladimir plans to take on the road as a traveling exhibition in the Fall of 2014. His use of centering his subjects in the middle of the frame helps to further illustrate the beautiful environment they are surrounded by every day.
Back in 2004 I was given the Nikon D100 digital camera for Christmas and I started making money with the camera within a few months. I fell into wedding photography and within 2 years I was making almost 100% of my income shooting them. In the last 10 years I never learned how to process a RAW file (effectively) or use Lightroom until last week.
It is no surprise, we have a trash problem in America. The U.S. Environmental Protection Agency found that the average American produces more than 4 lbs of trash per day, which has doubled since the 1960's. Gregg Segal decided to tackle this problem, by photographing a series of people lying in their own trash in efforts to show the waste in our daily lives.
New Orleans, Louisiana. If you’ve been following along, you may remember me mentioning at some point that starting around the beginning of July, my girlfriend Holly, our dog Olive, and I, will be giving up our apartment, putting almost everything we own into storage, and hitting the open road for at least two to six months.
His client list reads like a who's-who in iconic businesses: Pearl Vision, American Standard, Shell Oil, Virgin Galactic, AOL, Wells Fargo, Salesforce, Red Bull, Minute Maid, Costco, and Allstate. He has even photographed celebrities like Kevin Spacey, Richard Branson, and Al Gore. No doubt you've seen the remarkable work of Chris Crisman in the past, but photographers want to know how does he do it? What does his studio look like? What equipment does he use?
Last year Mercedes-Benz USA (@MBUSA) ran a very successful social media campaign using Instagram and some of its top influencers to spread the word about the new CLA which you can read about here. Now, they are at it again with a new approach on the much anticipated Mercedes GLA. What better way to advertise than to hit social media with some absolutely stunning adventure photos?
If you’re like me, you believe that within every photo there are a multitude of layers that exist. Whether it’s the eyes of our model, the body language of the engaged couple, or the overwhelming joy and love we see expressed in the smile of a groom seeing his bride for the first time, each photo we take, each photo we see,
Buying expensive gear and mastering lighting and technique play an important role in photography but ultimately, these things are secondary in achieving a solid portrait when facial expressions are factored in. No matter the genre of photography, whether it's fashion, weddings or family portraits, connecting to the subject is far more important than any other detail in shooting portraits. When portraying a personality or specific mood, there is a necessity to connect and extract emotions and moods.
Twenty-eight year old photographer Antoine Bruy’s ongoing project “Scrublands” documents the lives of those who have chosen a tranquil, isolated existence far removed from developed society. Farming and foraging and living in handmade shelters made from recycled materials, the individuals in Bruy’s photographs have thrown off the comforts-and the expectations-of fast-paced modern life in favor of peace and simplicity.
A few weeks ago, I had the pleasure of testing out the Phase One IQ250, and so I thought I would put together a practical write up of my time spent the Phase One IQ250 Camera System, the Capture One software, and whether or not either one has found a permanent place in my workflow.
A few weeks ago, I was chatting with a new friend via Facebook and he asked me to describe my most creative period of time and, if I could talk about what led to those circumstances. “Easy,” I said. “That moment is now - it’s right this minute.” I went on to describe how I’ve never been happier nor more focused on what I’m doing, how my work is being well-received, etc. But, later, when I thought about it, I realized that I was wrong (sort of).
A number of years ago, I read on a photography/marketing blog that there are reasons why we, as photographers, should think about working for free. As I was just then beginning my journey with my brand-new DSLR, I took the information with a grain of salt and imagined a day where getting paid to do what I love wasn’t some far-off pipe dream,
It was something I’d been thinking about for a while. Casually admiring others and how they went about it so naturally. Watching from afar, admiring the differences between them and me and wondering if there every was going to be a day when I was comfortable enough to do it myself. The more I watched, the more interested I became. Soon, I began visiting websites, looking at the photos and day dreaming what it would be like when I had the nerve to do it myself.