Von Wong has been featured on our site many times because he is constantly coming up with unique ideas. In this video Von Wong sets out on an unplanned photoshoot with a couple of dancers. Sometimes too much planning can actually limit your creativity. While many of us would have worked on a single shot, Von Wong came away with a group of excellent and completely different images. I asked why this video wasn’t a contest entry and Von Wong said “Not epic enough!” I hope this means that an epic entry is on the way.
For any of you DSLR video shooters out there, you might not know why you may need some of the equipment you often see on some of the larger rigs found on major studio sets. Well the guys over at Cinevate show you exactly why you might need one of those tools called a mattebox. Matteboxes are essentially barn doors for your camera lens and allow you to control flares and the subtleties of light that make a good film into a great film. Cinevate also shows you how using different filters can really make parts of your movie stand out.
Read the full post to see some side by side examples so you can really examine the differences closely.
So I am going through some of the slow-mo HD camera options that are on the market right now for an adventure I will be taking soon, and I stumbled upon the new GoPro HD Hero2. On their site they have one of the illest trailers I have ever seen for a camera, and I had to watch it several times. This isn’t an ad for the camera and I am not saying that this is the one I will buy, but man what else compares? With that said, watch this trailer, it really is rad to see what kind of punch that tiny package can deliver! (that’s what she said)
As we have said many times before, we are huge fans of the crew at StillMotion for their wedding work. In this video, the team steps outside of their standard job to shoot for Shedd Aquarium. They decided to film most of the project on the new Red Epic so that they could shoot at variable frame rates up to 300fps. In the video below, they take us behind the scenes of the creation of this project. Check out the full post to see the reel from the shoot.
Jay P. Morgan is a commercial photographer based out in Los Angeles. His behind the scenes videos have been a hit with our readers because they always feature some useful lighting or photoshopping technique. In his latest video, Jay shuts down a highway ramp in order to light an 18 wheeler truck against the LA skyline. It’s pretty interesting that an image like this is shot in camera and not completely photoshopped but that’s what makes Jay P. Morgan a hero around the office. If you enjoy this video be sure to check out some of his other videos here.
Joel Grimes is a commercial advertising photographer who is most known for his composite portraits. In his recent interview with [Framed], Joel discusses how he got started with his career, how he uses 16bit HDR images in his workflow, does a full photoshoot, and even shows off his musical talents. The video is long so take your time watching it because he gives a lot of useful tips. I’m trying to persuade Sean Armenta to create an Fstoppers Post Production Tutorial on this type of composite editing so if you have questions leave them in the comments below. [more]
Eric Curry is a photographer who specializes in painting with light. Unlike using strobes to exposure your photos, painting with light requires you to use long exposures and constant light sources to effectively “paint” over your subject and capture it on your sensor. The newest image in Eric’s American Pride and Passion series is one of the most complex light painting images I’ve ever seen and the behind the scenes video shows just how much work goes into such a big project. Click the full post to see the final image and be sure to click on Eric’s website to see many more examples of his layered light painting photographs.
In the video below National Geographic photographer Dewitt Jones talks about looking for the “right answers” during every photoshoot. As professionals we are always put in the position to take the best possible image even if that image may not be easy to capture. Dewitt explains what it takes for him to not just get a decent shot, but continue to get the “right” shot over and over in every situation. How confident are you that you can deliver amazing photography in any situation?
This video by Trey Ratcliff is a pretty cool idea. Trey traveled across the world in 80 days and documented his adventures with over 8,000 photographs. I hardly ever travel with a camera when I’m on vacation and even if I did, I’m not sure if I could ever force myself to take so many images in the moment. But then again I probably won’t ever have anything this cool. Click the the full post to watch how Trey made this video.
In Jay P. Morgan’s newest video he shows us how he uses a crane to bump up production value by using a crane. Now I know you might be thinking there’s no way you can afford a crane but you would be wrong. Last month we posted this video review of a $125 crane that anyone can afford. I purchased one and I am really excited to try it out in the near future.
What could be more fun than drifting a MINI Coupé around Rio, Brasil during Carnival? Director Paulo Martins takes you behind the scenes in the latest MINI commercial from the Another Day, Another Adventure campaign. Instead of filming the commercial during the annual Carnival in February, Paulo recreated the festival months later so he could drive the car directly into the parade. I have to admit I was a bit nervous watching the stunt drivers weave in an out of the city but it does make me envy one of these small cars.. Click the full post to watch the final commercial and head over to the MINI Youtube Channel to watch other commercials in the series from Honk Kong and Iceland.
I’m sure many of you have heard the saying “overcast skies make for amazing photos”. While it’s true that soft overcast light is usually more flattering on people’s faces, it can also make your photos super boring and even gloomy. So what can you do with your bag of tricks to spice up a photo session during cold, rainy, or overcast days? Damien Lovegrove explains how you can use a “dingle” (or more commonly a Cookie) to bring some pseudo-sunlight into your portraits . This clip is from Damien’s Speedlight Mastery DVD and he does a great job explaining this super useful technique that can be applied to many of your own shoots at almost zero cost. Next time you see those interesting shadow patterns while thumping through your girlfriend’s fashion magazines you can imagine the dingle that created them!
Recently Petapixel featured a rather amusing video of photographer Fabio Pires out of London. Fabio is a street photographer who shoots spontaneous photos off the cuff. Unlike the video we featured of Clay Enos’s street setup, Fabio’s approach is more in your face, candid, and potentially more risky. In Fabio’s opinion, the best shots come from strange and interesting people who aren’t expecting to have their photo taken. I dunno, maybe in England this isn’t frowned upon as much as it is in the United States?
If you have seen Peter Lik’s work in person then you understand that it’s impossible to put into words the look and quality of his prints. Peter’s photography (and his post production) is fantastic, but what really makes his work stand out is his printing and presentation. If his images were printed on standard photo paper at a standard size, his work would not have the same “wow” factor.
Right before a trip to Italy I went back into Peter’s studio for a little inspiration. After studying his work and speaking with a sales rep about his printing process I decided to shoot, print, and frame a shot in Italy for the absolute cheapest price without losing the “wow” factor that Peter’s work has. This is how I did it.
Footage like this scares the bejesus out of me but also makes me wish I knew how to surf. Tahiti is home of Teahupoo, the world’s most dangerous naturally occurring wave. If you’ve watched the documentary Riding Giants then you’ve seen how monsterous these waves can become. I’m not sure that Teahupoo is actually larger than Peahi or Mavericks but it must be called the most dangerous wave for a reason. This video was shot with the Phantom in all it’s slo-mo glory. Click the full post to see more footage in real time as 32 of the world’s top surfers try to wrangle the beast.