Kiliii Fish, Seattle-based commercial photographer, was always fascinated by how people interact with nature and how they use it to live their lives. Aside from being a full time photographer Fish is also an avid rock climber. Recently he decided to combine these 3 things he loves to a unique photography project showing the grace, power, beauty and vulnerability that goes into rock climbing. Kiliii spent days in each location and worked for months to complete the series. The results are absolutely amazing.
Often as photographers we put in long hours on our feet, walk quite a bit, bend, crouch, shimmy and shake all while carrying heavy gear on our shoulders and back. At the end of the day my feet would be sore, my legs tired, my thighs chaffed and my back aching. If you have felt the same way, here are three things that will help you be more comfortable and pain free while out on long shoots.
It's nice to have friends from far off places. Especially when they are talented, hard working photographers who have something interesting to share. Such is the case with Helsinki-based photographer Anders Lönnfeldt. Anders started out working in radio, TV and short films but these days his focus is on commercials, music videos, portrait and concert photography. In this post, Anders demonstrates how to knock out character rich portraits for a magazine
New technology really doesn't do much for me, I have to be honest. Until I see it applied in a creative way, at which point everything changes. When you place new tech in the hands of inspired, creative minds to see what they can come up with, it can produce fascinating results. What you're about to see is probably the most serene and hypnotic journey through the streets of New York City you're ever likely to experience.
Peter Lindbergh is one of my all-time favorite photographers. I often refer to his work for inspiration not only for the technique but for the amazing beauty that exudes from his work. Not too long ago I found this little clip of Peter shooting Amber Valletta (a legend in her own right) for Vogue Italia. What I've found interesting about this video is the level of production that goes into a shoot like this, when the final image appears so effortless.
In my work, I do a lot of traveling for shoots and one of the most tedious and difficult parts of going to a new place to produce a shoot is the location scouting. There is a reason that people can turn location scouting into a lucrative profession. It is very time consuming, costs money (gas) and is constantly changing (because of season, construction, whatever).
Because most of us fear rejection to some degree, speaking to a complete stranger and asking them for something, let alone asking if you can photograph them, tends to be pretty challenging. I’ve never been one of those naturally confident people but over time I’ve developed some techniques that have provided me with the confidence to work with strangers, which has brought additional benefit when communicating with paying clients.
Lately I've been scouting locations for a calendar project I'm working on, and it got me thinking how little content I've come across online on how to go about it. Location scouting isn't really a science, there are a lot of ways to go about it, but there are a few simple tricks and tools to maximizing productivity in your efforts.
Tomer Jacobson and Maxim Golovanov, conceptual photographers based in Israel, recently started a very interesting project together: they take songs they like, and transform them into visual photographs. They analyze each song, and try to understand who are the characters and what is the story behind them. Their most recent song-photoshoot was "Lost In The Flood" by Bruce Springsteen and the E street band. This was a complicated shoot and it involved shooting out in the water with a lot of equipment and many people. Check out the behind the scenes video and the awesome final result inside!
Guest writer Felix Hernandez R. is a commercial photographer based in Cancún, Mexico. He is a very active member of our Fstoppers Facebook group and is well known for his stunning composite work and food photography. In this article he explains how accomplished his amazing series, 'Magic Moments' with the use of compositing and underwater photography.
It's always a great day when a massive leopard seal decides not to eat you whole. It's an even weirder day when that same leopard seal decides to feed you a fresh penguin. In this video, National Geographic photographer Paul Nicklen was on assignment in Antartica to capture leopard seals in the wild when he was approached by a massive female with jaws twice as big as a grizzly bear. What happened next is nothing short of epic.
As a wedding photographer, the engagement session is probably one of the best ways to get to know your clients before spending 8 or more hours with them on their wedding day. These sessions are about the two of them as a couple and how they fell in love. Most of my sessions are held about 2 hours before the sun sets, but what about when you have a couple that wants to shoot at sunrise? I have to admit, I hardly ever get up any earlier than 9 AM most days, so the thought of being functional at 6 AM was terrifying. But the results? The light was beautiful and completely worth it.
We all know there's some die hard breaking bad fans out there, especially with the impending end of the series. So we thought we'd give you your weekly dose a little early. Recently someone took the Breaking Bad tour of Albuquerque and took some overlay photos that are sure to make you feel like you were there.
Most photographers know that a cloudy or overcast day produces really soft light that can be flattering on the human face. But many of my wedding clients naively say "Oh it's overcast today, the photos will turn out much better!" Sometimes Most of the time overcast light is actually pretty boring and removes any and all contrast from your scene. There is a little trick I explain in our Wedding Tutorial that has saved me from producing boring, flat images on a cloudy day, and I think all photographers should have this technique in their bag of tricks.