This shoot combines two things that I really love as a photographer: motorsports and incredible shoot locations. This comprehensive behind the scenes video captured by Ron Risman really gives you a great idea of how photographer Gregor Halenda put the campaign together. The resulting images were crisp and clean, showing off the bikes and locale. [more]
This is it. By now, You will have been inspired, honed your ideas, found the perfect location and booked your talent. You will have taken that little bit of inspiration and nurtured it into a full fledged shoot. If you are anything like me, you will have tossed out far more ideas than you kept and you will have spent hours upon hours solidifying the few that stuck with you. It is safe to say that the hard part is over. [more]
Recently I was lucky enough to have a day off, something that doesn’t happen too often. I woke up that morning feeling a little burnt out from the daily non-stop marathon that is living and working as a freelancer in New York City. I dragged myself out into the kitchen, made myself some bacon and eggs and sat down to eat. Over breakfast, I realized I hadn’t made a picture for myself in almost a full year. [more]
When it comes to architectural photography, there is one that stands above all: Julius Shulman. Not only was he responsible for creating the world’s most iconic images of architecture, but he was on the forefront of pushing the boundaries of the art form into what it is today. [more]
Once upon a time at brunch in Santa Monica, I created the biggest, most complex cheeseburger anyone had ever even attempted to ask a chef to make. I basically picked my top 10 things off the menu and asked the chef to put it between ciabatta bread. Then I ate the entire thing. It gave me severe meat sweats and rendered me unconscious afterwards, but it was the most delicious thing I had ever created. It’s my single greatest achievement in life. I learned a lot about myself that day and will tell the Epic Burger story to my great great great great grandkids. [more]
Last year, I decided to pursue a fun portrait series of Luchador fighters from the Chikara Pro Wrestling League, located on the East Coast of the US. I’ve always been fascinated with this style of fighting and entertainment. These big colorful characters take the ring to pummel each other to the great delight of their dedicated fans. Some may call it “fake” or a performance, but I can tell you first hand that I saw blood drawn during a match on more than one occasion. These fighters are dedicated to their craft and I wanted nothing more than to capture them on camera. [more]
There is a fine line between having a well defined photographic style, and constantly putting out the same stale, boring work week after week. A fine and dangerous line. A line that can make the difference between being a successful, inspiring photographer and a photographer who has lost his audience and has even lost interest in his/her own work. [more]
Sean Madden, creative director from the ad agency Brains On Fire, reached out to me earlier this year and asked if given an arsenal of stunt drivers, the newest high performance BMW’s, and a closed race course, could I create a 58 foot long composite print for BMW. My answer? “When can I start?” Watch the video and read the post below to learn how the shoot came together. [more]
Guest writer Josh LeClair is a commercial photographer based out of Marquette, MI. After seeing the stunning work done by Ian Ruhter with wet plate photography, he decided to try it for himself. LeClair does it on on a much smaller scale using a holga camera. [more]
A few years ago we featured photographer Kevin Kozicki in a behind the scenes video using pointsettias for a beauty shoot. Kevin is back with an amazing glamor photo and video shoot with filmmaker Christopher Park in a beautiful pool location using the Phase One IQ180 that was featured in Sessions Magazine. We had the opportunity to speak with Kevin and get his insight on the shoot. [more]
When Falken Tire decided they were going to run an all Honda ad on the back cover of Honda Tuning Magazine, their creative department, headed by James Yim, knew it had to make a statement. Their solution was to include a lot of cars…45 to be exact. Here’s how they did it. [more]
I’ve been working on a personal photo series capturing movie and television cars (real and replica) for about 5 years now under the title “The Unicorn Project”. I’ve posted about this before on Fstoppers (here, here, & here), as you may recall. Most recently, I had an opportunity to photograph a replica A-Team Van and KITT from Knight Rider while I was in Los Angeles. These happen to be two of my favorite television cars of all time. Watch the video and read the full post below to learn how it was done.
My good buddy and fantastic car photographer Richard Thompson (check out his facebook page) shared a unique shoot he just completed recently. He photographed over $20 million in rare exotic cars using the Phase One IQ180 (80 MP medium format monster) in an extremely rare and beautiful location over 3 days. Even better, the shoot benefitted a children’s charity. Check out the full post below to see more images & to learn more about how everything came together on this remarkable shoot! [more]
You may recall my previous automotive rig tutorial with the Green Hornet Black Beauty. My buddy, award-winning commercial photographer Nigel Harniman (www.harniman.com), recently put together another great automotive rig tutorial post using his Phase One ALPA and a Ferrari. I think the shot came out awesome and I definitely learned a few things, which you can read about below!
Phase One asked me to go on a speaking tour through China (Hong Kong, Shanghai, Beijing) to share about my photo career, creative inspiration, and being a Phase One shooter myself, to demo their innovative new IQ2 digital medium format camera back system. After flying in to Hong Kong from Washington DC just hours before, I had the great honor and pleasure to be a part of Digital Rev’s Cheap Camera Challenge. A broken Holga + jet lag + beer + a goof like myself = What could go wrong?