How One Lens Choice Changed My View of an Entire Camera System
Sometimes gear grows on you. And sometimes a piece of equipment’s effectiveness is less about specs and more about combinations.
Sometimes gear grows on you. And sometimes a piece of equipment’s effectiveness is less about specs and more about combinations.
While these two cameras are different in a whole host of ways, they have similar strengths insofar as they're both concerned with high resolution and for pixel peepers, it's an interesting comparison. However, what's more interesting — to me at least — is a real-world, artistic comparison; which produces more pleasing results?
I would have sworn that "affordable" and "medium format" were mutually exclusive. I would have been wrong.
Though it was introduced 50 years ago, the Mamiya RB67 is still one of the most beloved cameras out there, widely sought after by many film photographers. What makes this camera so special? This great video follows a photographer as he shoots with it for the first time.
You read that correctly. The brilliant Fujifilm medium format camera that was already shooting 100 megapixels, has just had an update to the firmware that introduces Pixel Shift Multi-Shot so you can capture 400 megapixel images.
The Hasselblad 907X 50C is quite the unique camera, leveraging a powerful medium format sensor, but eschewing a viewfinder entirely in favor of a waist-level shooting experience. This excellent video review takes a look at the experience of working with the camera and the kind of work you can produce with it.
The cameras in phones have come a long way, but can they stack up against the best of the best? When they both have over 100 megapixels, do they compare?
What photographer hasn't thought about getting into medium format photography? This comparison provides some useful side-by-side work for you to make your own comparisons.
The Mamiya RZ67 has something approaching legendary status in the world of medium format film photography, but it’s not to everyone’s taste, as this short video makes clear. Would you buy one?
As all medium format shooters know, moving fast with larger sensor cameras can be a challenge compared to their full frame counterparts. So, I recently tried out the Fuji GFX GF 45mm-100mm f/4 R LM OIS WR to see if it would speed my workflow and unlock additional potential in my Fuji GFX system.
The mid-range zoom is a staple for many working photographers. 24-70mm equivalent is one of those not-so-sexy-but-gets-the-job-done lenses that we all need in our bag from time to time. When it comes to M43, APS-C, or full-frame cameras, there are a plethora of options out there. In the form of the GF 45-100mm f/4, Fujifilm has attempted to address the lack of such a lens in the medium format world. So, how good is it?
After more than a year of waiting, Hasselblad recently started shipping its new 907X 50C. Educator and photographer Ted Forbes reckons it might be the best camera released so far this year. Check out this short video to see if you agree.
Today, we will have a brief battle between the two most compact prime lenses for the Fuji GFX system.
Can you get the same look from a 26-megapixel camera as you would from its 100-megapixel counterpart? What features can you expect to give up when you step up from a convenient and compact APS-C camera to a beefy medium format? This short video puts the Fujifilm X-T4 up against the Fujifilm GFX 100 to see just how similar the results can be.
The Pentax 645 is undoubtedly a great camera. It can be had at a relatively low cost while boasting great features with an excellent lens lineup, making this camera one of the best entry-level medium format cameras on the market.
Medium format cameras have become more and more accessible with regards to price and application. But which of the cheaper medium format bodies is best, and why?
For those interested in a extremely compact medium format camera that shoots the most iconic format, 6x6, the Zeiss Super Ikonta 534/16 is here for you.
If you need a rugged workhorse to take with you on your next trip to the mountains of Patagonia, you may want to consider the new Leica S3, a beast of a camera that, on reflection, is nowhere near as expensive as you might expect.
With a holiday where people are expected to gather in large groups taking place during a global pandemic, I went a different way for my Fourth of July weekend.
With medium format bodies more affordable than ever, but still much lighter on lenses than full frame, could one solution be to use lenses originally created for film bodies?
Hasselblad is working with imaging specialists from the University of Bologna and art historians from the Brera Academy of Fine Arts in Milan to capture incredibly detailed and accurate images of a copy by Andrea Appiani of the famous Leonardo da Vinci’s Vitruvian Man.
When it comes to shooting on medium format, you’d be forgiven for thinking that starting out involves a heavy investment. The Mamiya 645 Pro, by contrast, is refreshingly affordable and the modular design means you can tweak your setup to your heart’s content.
Scientists at the Rijksmuseum in the Netherlands have stitched together 528 photographs of one of Rembrandt’s most famous works to create an image that weighs in just shy of 45 gigapixels. You can now visit their website to zoom in far enough to see beyond even the brushstrokes.
For many photographers and videographers, part of the fun of having a mirrorless camera is the wide variety of lenses that can be adapted to the body due to the shorter flange distance made possible by removing the mirror. In this article, we'll be taking a look at one such adapter, the Steelsring Nikon F to Fujifilm GFX Smart Autofocus Adapter.
Back in the days of film, the 6x6 format was highly popular among a lot of photographers. Even today, a lot of photographers would still love to have a square format digital sensor. This great video discusses a wealth of 6x6 film cameras, what they are like to shoot with, and the sort of images you can take with them.
Phase One’s new XT is the modern-day version of the large format field camera, complete with field camera movements and spectacular large format style lenses. Its distinctive design combined with an IQ4 brain and its innovative tools make for a head-turning technical camera solution.
The Mamiya 645 Pro-TL is an all-around great medium format camera for those in search of a something customizable, compact, and affordable. It’s not just me saying it.
Fujifilm has revolutionized the medium format digital world. Their cameras came in at one-tenth of the cost of the existing players, and they want to make them even cheaper! I have worked with the GFX 50S for several months and own a GFX 50R, so when I had the chance to spend a couple of days with the GFX 100, I snapped it up. I'll share my experiences with it here.
Phase One Labs is a new function available for Phase One IQ4 150MP and 150 Achromatic digital back owners. The lab offers beta versions of features currently in development, allowing photographers to provide feedback for future releases. Even though it’s only in beta, the first feature is a doozy.
In a very open and broad-ranging interview, Fujifilm’s General Manager, Toshi Iida, has revealed exciting plans for the company's medium format GFX range of cameras.
Yes, it’s true. A medium format point and shoot camera actually exists. I wasn’t really into it at first, but have completely fallen in love with it after a few outings. It may well be the only camera I never sell.
Previously, we compared a 4x5 film camera to the Canon 5DS R, and the film camera was able to produce incredible results. We mostly focused on the differences in depth of field for that comparison. With 4x5, you're able to produce beautiful bokeh and extremely shallow depth of field. In this latest video, we decided to look at the differences in resolution.
Have you ever wanted to shoot medium format but don’t know where to start? Have you been wanting to try shooting film but 35mm doesn’t seem like it’ll be enough? The RB is here to help.
I recently got the chance to use the new Hasselblad X1D II for a week. It was my first experience with medium format and required a bit of adapting on a learning curve. Here are my first impressions about the body, design, lenses, and general usability of the camera.
For those of you who haven't heard of Hasselblad, they were one of the first cameras used to shoot from space and are known today to be one of the top medium format companies around. With a recent release of their X1D II and a unique digital back for their v-system, what is it like to shoot with one of these cameras?
Today, I’ll offer you my thoughts on the new Fujfilm GF 50mm f/3.5 R LM WR medium format lens.
Today, we have the conclusion of my three part series having a look at the Fuji GFX 100 in actual practice.
In my ramblings as a photographer over the last decade and a half, I've shot with almost every brand of commercial digital camera out there. However, most of my experience has been in the realm of common crop-sensor and full-frame cameras. I've always seen the more exotic offerings in medium format digital as beyond my reach and therefore, not worth thinking about.
This is part two of my three-part, unreasonably in-depth real world shooting review of the GFX 100 after having shot with it as my primary camera professionally for the last three months.
I have now been a proud owner of a Fuji GFX 100 medium format digital camera for three months now. So, was it all I hoped it would be?
To preface all of this, I shoot film 90% of the time (if not more). I firmly believe that my work is more meaningful because of it. I also believe that we all have our own thoughts/opinion and there is no universally observed benefit to shooting film.
Like them or not, medium format cameras are the truth when it comes to image quality. The latest 150 megapixel juggernaut from Phase One is another example of what these systems are capable of, but there's far more to this back than just sheer resolution. Ever shot long exposures at 1/125s?
Around this time last year Phase One released the IQ4 line of digital backs. The IQ4 expanded on the IQ3 and introduced a new Infinity Platform (the UI and operating system in the backs), as well as two brand new sensors: the 151 megapixel full frame medium format IQ4 150MP and 150MP...
Despite heavily investing in new cameras over the last couple years, it is the still excellent Nikon D850, purchased two years ago, which has suddenly become brand new to me.
Having now had the Fujifilm GFX 100 camera for a couple months now, I thought I might share a couple of the ways I’ve found most efficient for me to use the system. Perhaps some of the following tips may help you with the GFX 100 or other Fujifilm systems as well.
Today, I’ll take you for an in-depth look at a new extensive project I shot with the Fujifilm GFX 100. It will be a longer essay meant to give you a hands on experience to help decide if the camera is right for you.
If you have a good understanding of how light works, you may find that an expensive studio stuffed full of high-end strobes and funky diffusers is far from important when it comes to creating striking images. In this short video, photographer Irene Rudnyk shows you how to produce something remarkable using little more than a shed.
Venus Optics (Laowa), a small Chinese lens manufacturer founded in 2013, has risen to prominence with their sometimes off-beat, always different, and always high quality lineup of lenses for all the major lens mounts. They have launched niche lenses like the 24mm f/14 probe macro and a series of their flagship close-to-zero-distortion Zero-D lenses. Today’s topic is the latest in that line and the widest lens available for the Fujifilm GFX system, the Laowa 17mm f/4 Zero-D.
With the release of the Fujifilm GFX 50R, the Hasselblad X1D II 50C, as well as a burgeoning used market, digital medium format has become more attainable than ever by professional photographers wanting to step up to the next level in image quality. However, the full frame market is firing back on all cylinders, producing cameras that claim to rival medium format, such as the Sony a7R IV. Many medium format users are quick to point out that there is a medium format look that these high-end full-frame cameras are lacking. So, what is the medium format look? Is it real? Why, yes. Yes, it is.
I've been watching Linus Tech Tips for about six years. I'm not even a massive tech geek, but I do use it to get the latest low-down on new processors or graphics cards. But mostly, I just really like their content, and the way it's presented by the man himself, Linus.
With the medium format market becoming increasingly more saturated and accessible to photographers, deciding which to get is no longer a funnel leading to one or two brands.