One of the unfortunate problems with running a website is you are inevitably going to send traffic to a misdirected URL or even worse a page that flat out doesn’t exist. You are probably used to seeing pages that look something like this. Well the guys over at Nosh.me came up with a funny little way to track down their own 404 pages and fix the issue or flat out take them down. Check out the final video below and hit the full post to see some BTS on how the guys conceptualized the scenes. If you really enjoy this sort of thing then you will find some really helpful tips about color grading, after effects, and detailed production notes over at the 404 process page. Who knew it was so violent behind each of our websites?
Remember the Lytro Camera that made it’s viral rounds a few weeks ago? The camera that lets you focus after you take the photo has finally showed its head. Photographer Eric Chen has apparently been given a prototype of the miracle camera to test and put through the ringer. Shockingly enough, Eric did not use the camera at all for macro or multi-layered compositions that would best suit the Lytro. Instead he went into the streets of New York to shot fashion shots of super model Coco Rocha with little more than a reflector for lighting. I’ll have to admit I wasn’t too impressed with the image quality from this camera even with Eric giving his best efforts. What do you guys think; is this “focus after you take a photo” technology from Lytro ever going to live up to its promise? Either way, be sure to check out Eric’s portfolio and and hit the full post to see the final Lytro images with variable focus points.
Last time we featured a video from Mike Tittel, he was showcasing his edgy lighting look on some female tennis players. This time he has taken his photography team to the salt flats of Utah to photography the Brazilian sport Capoeira. For this shoot, Mike pulls out a few Profoto 7Bs with 2×3′ gridded softboxes for many of the shots. However it’s his natural lit shots that really grabbed my attention which he lit using the very helpful 4×6 California Sunbounce to fill his subjects. After the video, head over to Mike Tittel’s Website to check out more of his work and click on the full post to read how Mike lit these shots in his own words.
This video was emailed to us and I when I watched it I thought “wow I’ve never seen anything like this before!” We’ve all seen rainbows and you’ve probably had your fair share of experiences taking images of them. What’s so interesting about this video is it showcases the elusive “moonbow” formed as moonlight passes through the mist created by waterfalls. Yosemite National Park is known for it’s amazing rock formations, waterfalls, and forests but few people know how beautiful it can look after the sun has set.
Vincent Laforet recently released a new short titled “Epic #308″ because this was the first test footage taken with his new Red Epic camera with the serial number of 308. The footage was shot in California, from Big Sur, to Ft Bragg back through Mono Lake and Death Valley. Check out the full post to see the finished product and head over to Vincent’s blog for the full gear list.
Every now and then it’s fun to go back in time to see how photographers approached photoshoots requiring a large amount of production. Back in 1988 Brian King was on the cutting edge of digital photography with his use of Sitex imaging computers. Well before the advent of Photoshop, Brian was able to piece together multiple images by scanning negatives and turning them into primitive digital media. By today’s standards, the final product is pretty comical but this is what the first results of ‘digital photography’ looked like in the advertising world. I have to say, if a single photograph took this much effort and planning today I would probably have given up on commercial photography a long time ago.
A few weeks ago we posted a video by SLR Lounge that we called “The New iPhone Fashion Shoot.” In that video a reflector was used to light a model and the results were fantastic. In the video below Pye takes us through a few of the ways that you can use a reflector to get similar results.
Sally Mann is an American photographer who has pushed the limits of black and white fine art. Early in her career, Sally captured both real and staged moments of her children’s youth that quickly became subject of much controversy. Immediate Family, a collection of images of her children under the age of 10, showcased mainly normal, happy childhood moments. However other images featured her kids unclothed with themes of depression, anxiety, and even death. Obviously Sally’s work sparked strong emotions, and the debate about what is exploitation and what is art became synonymous with her name. The acclaimed What Remains: The Life and Work of Sally Mann is an interesting documentary that focuses on Sally’s work and how she approaches her craft. Now a praised nature photographer, Sally discusses her contraversal early images as well as many of her current projects including landscapes in the deep south and portraits of her husband as he deals with muscular dystrophy. Check out Sally Mann’s bookstore for great reading material from this revolutionary photographer. Click the full post for the full documentary.
When I first saw this video I was completely blown away. Michael Levin is an outstanding black and white landscape photographer. Recently Michael teamed up with Brad Kremer to produce the most artistic behind the scenes video I’ve ever seen showing a day in the life of a photographer. I really really wish there was more technical information to this video but unfortunately like most landscape photographers their secrets are hard to pull from them. Brad shot this whole video on a Canon 5D Mark II and the highly praised Dynamic Perception Dolly. Michael is primarily shooting on a Hasselblad body but that shouldn’t come as any surprise. Make sure you check out Michael’s portfolio — much of his work features spectacular locations around Japan.
Have you ever seen a car ad in a magazine and wondered “how did they do that?” The car itself seems to be glowing and the location is always perfect. I’ve always known that tons of photoshop is involved by I didn’t know if the car was actually shot in that location or if it was shot in the studio and dropped into the scene in post. In the case below, the car was shot on location and lit with a very simple rig (umbrella on a stick). The magic happens in Photoshop afterwards.
Have you ever tried to shoot an interior photograph and have it look like the shots in magazines or high end property brochures? If so then you probably know there are two routes to go: HDR or Flash. Photographer Dom Bower recently made a video showing the differences in both techniques and how you can combine them both to create a sort of hybrid image. Keep in mind that Dom is only using one single speedlight directly above the camera. Many of the amazing images you see for high end hotels and expensive properties often have dozens of light sources accenting very specific elements in the image. What techniques have you guys used in your interior photos? If you have examples, feel free to post your images in the comments below and check out Dom’s final photos in the full post.
Terje Sørgjerd has created a few timelapse videos that we have featured on FS but this may be the best. Terje writes; “My favorite natural phenomenon is one I do not even know the name of, even after talking to meteorologists and astrophysicists I am none the wiser.What I am talking about I have decided to call The Arctic Light and it is a natural phenomenon occurring 2-4 weeks before you can see the Midnight Sun.”
“I had numerous setbacks including: airline lost my
luggage, struggling to swim ashore after falling into the Arctic sea: twice, breaking lenses, filters, tripod, computer, losing the whole dolly rig and controller into the sea, and even falling off a rather tall rock and ending up in the hospital. As much as I wanted to give up, the best way out is always “through”. I am glad I stuck it through though because there were some amazing sunrises waiting.”
Ben Canales is one of those photographers who enjoys taking photographs in total darkness. He also enjoys shooting when the skies are the clearest and the stars are the brightest which also happens to be when it’s freezing outside. At some point you have probably seen these amazing night images and maybe you have even tried your hand at a few. Well Ben has a made a rather simple but exhaustive tutorial on how you too can capture the earth and the skies at night. Some of his tips like the 600 rule and how to easily setup a nice composition in near darkness are really insightful and almost makes me want to try my hand at a few long exposure shots next winter. Check out his other star tutorials, and hopefully this post helped you forget about the blazing summer heatwave going around!
Many photographers first pick up a camera and head out to the streets to capture people in their own city. Well before there are studio lights to consider, models to coach, wardrobes and makeup to style, or locations to scout, there is only a photographer and the streets. Henri Cartier-Bresson is perhaps the earliest and most well known street photographer. Born in France in 1908, Henri created “surreal” images that would later become known as a photojournalistic approach to photography. His most well known publication, The Decisive Moment, features historic images from both the East and the West during his coverage of Gandhi’s funeral, the end of the Chinese Civil War, and the liberation of Indonesia from the Dutch. In this short documentary, Henri describes his ideas on portraits and photojournalism and how he thinks subjects are best approached. I love the psychology of photography presented in this video; what do you guys think?
Over the weekend, one of our readers sent us this amazing behind the scenes video for the bicycle saddle manufacturer Brooks England. The basic concept for the photoshoot was a couple saving a fox from a bunch of hunting hounds while out in the British countryside. Photographer Frank Herholdt and his team had to balance two models, a tamed fox, four hounds, forest smoke, well placed studio strobes, and the natural elements to pull of this classic looking image. This is such a great example of taking your photography to the next level by pushing your concept and focusing on production value rather than just lighting a simple subject correctly. If any of our readers have any opinions on one of these saddles specifically, let us know on our Twitter because I’m in need of a new bike seat myself!