One of the biggest niches in commercial photography today is food photography. We've all had the same experience, walk into a small local restaurant and ask to see their menu. The photos look atrocious and you wonder to yourself, "who took these photos?" You know you can probably do a better job, but how much better can you really do? "Photographing Food" an ebook series by Taylor Mathis helps you take ordinary food photos and makes them extraordinary.
Like many of us, Adrian Klein enjoyed photography while doing other activities. Once that became his primary focus, he needed to figure out how to document what he was doing at a higher level. Today, he is a successful landscape photographer and workshop instructor. In this video, Adrian tells his story of how capturing the journey is more important than just chasing the sunrise.
Corey Rich's work spans both photography and video, often using Nikon DSLRs to capture both. His projects take him to hard to reach places, and being able to manage his gear in both modes quickly, enables him to come away with great images. In this video, Corey explains his choices for gear and shooting style on a climbing trip in Pakistan.
We all have cameras and know how to operate them. But how well do you understand the image forming principles? Modern technologies spoil us and we are often not required to possess any knowledge about the process behind the functions of a device. However, such knowledge can lead you to fun experiments like the one I am going to share with you today.
Michael Belcher is a young New York-based cinematographer who is creating beautiful and compelling work, with a rich and varied visual vocabulary. Come behind the scenes on his latest shoot with this Fstoppers exclusive, and find out what we can all learn from his philosophy, experience and insight.
This is it. By now, You will have been inspired, honed your ideas, found the perfect location and booked your talent. You will have taken that little bit of inspiration and nurtured it into a full fledged shoot. If you are anything like me, you will have tossed out far more ideas than you kept and you will have spent hours upon hours solidifying the few that stuck with you. It is safe to say that the hard part is over.
How would you feel if you were given a paid commission to wander around and shoot whatever you fancied for one of the world’s leading whisky companies? Most of us would probably agree that this wouldn't be such a terrible gig. Unfortunately this sort of dream commission will probably remain little more than a dream for most of us. For Elliott Erwitt, on the other hand, this was just another day on the job.
The [Framed] Network recently teamed up with photographers Brooke Shaden and Lindsay Adler for a very interesting show - "The Concept". In this show, they give Lindsay and Brooke the same missions, and they together have to decide on the concept and location. Both Lindsay and Brooke are leading names in the industry and both are amazing photographers, so it's very interesting to see how each one of them tackles the concept in a very different way. Both results are epic yet so different.
After 2 years of planning we are extremely excited to announce Fstoppers Workshop Atlantis, our first ever live workshop event. We have 10 incredible instructors and we will be limiting the size of the event to around 200 students. The best part is the location; we are throwing this event at Atlantis Resort in the Bahamas.
Recently I was lucky enough to have a day off, something that doesn't happen too often. I woke up that morning feeling a little burnt out from the daily non-stop marathon that is living and working as a freelancer in New York City. I dragged myself out into the kitchen, made myself some bacon and eggs and sat down to eat. Over breakfast, I realized I hadn't made a picture for myself in almost a full year.
Whether you’re a photographer or you focus on video, this article highlights the high octane visual set piece created by Slaughterhouse Pictures, who successfully combined principles of both stills and motion work to create high impact visual media with zero budget and very limited resources. Read the exclusive FStoppers article and watch the BTS video to get some simple and highly effective little tips that you will be able to apply to all aspects of your own work.
When it comes to photography, it often takes a lot to truly drop my jaw, but the first image I saw of Nick Brandt's series of calcified animals from his new book "Across The Ravaged Land" (Abrams 2013) floored me. The images depict deceased animals from Lake Natron in northern Tanzania. These have to be some of the most beautifully captured images of death I have ever seen.
Berlin-based artist/photographer Sebastian Bieniek created photo series, "Doublefaced", depicting the routines of a two-faced girl as she goes about her daily life.
Sebastian's visual effect is surprisingly effective given that the make-up work was created simply by drawing on the side of his model's face with an eye lining pencil and lipstick. The results are undeniable striking.
Whether we shoot stills, video or both, better utilizing light is probably the single quickest and most effective way to boost the quality of our work. I recently came across the beautiful work of cinematographer and DP Matthias Koenigswieser. If you love to shoot natural or ambient light and want to see just how beautiful applying lighting to achieve a natural light look can be, you’re in for a treat.
When I first started shooting, I would spend absolutely no time planning my shots. I would focus tons of time and energy into every other aspect (location, wardrobe, mood, etc) but in some weird turn of events, it must have slipped my mind that the end goal is "The Shot." How that slipped my mind still baffles me. Instead of putting in the effort to plan what my actual finished images would look like, I found a model, found a location and showed up on shoot day with a plan to wing it.