This year my family and I escaped the cold of NYC and went to South Florida to celebrate the holidays. I was so glad to be heading to some warm weather, and I planned some shoots that wouldn't be typical of the winter weather up North. I had never shot underwater before, so I wanted to challenge myself and try it out. I contacted BorrowLenses to see if they had an Aquatech housing that I could
Last spring, I met a group of 4 cyclists planning a 35 day epic adventure from coast to coast across the US. Their goal was to cycle over 100 miles a day, resting only one day a week, in order to raise awareness and funds for the poor and needy in Burundi, Africa. I decided it would be awesome to tag along and film their journey.
Some people love filters. I personally really like neutral density filters and I know there are those who swear by UV filters. For those of us who love these little glass lens enhancers, we have to separate from that love when we use ultra wide-angle lenses. That is, we used to. Not anymore thanks to Fotodiox’s Wonderpana system which is designed to give us the freedom to use those filters even on convex front elements.
Photographer and Author Tony Northrup has put together a video tutorial on how to use your DSLR's histogram and exposure compensation to get proper exposure when working with backgrounds that are too dark or too bright. He also talks about spot metering vs. evaluative metering, and discusses when and why he chooses the different modes. There are a number of good tips in this video, and if you're out taking photos in the snowy North, you might find them helpful.
In this behind the scenes video, you can get a glimpse into the production of a short film and a series of spots for Cabela's new outfitter line. Tyler Stableford directed this project, and Anson Fogel was one of the Directors of Photography. The work done by their team resulted in some spectacular images that portray the connection that outdoor enthusiasts feel with their natural world. Click on for the final short and links to the interview series.
The Aurora Borealis (Also known as "The Northern Lights") is a light glow of the upper atmosphere caused by energetic particles that enter the atmosphere. There are 2 main colors associated with the glow: Green and Red, but because of limits of the human eye, we cant always see the red aurora. In order to see the aurora, the sky must be clear and dark, and to get it on film (or sensor) you need to shoot long exposure (between 10-30 seconds, depends how bright the Aurora is). Check out this collection of great images showing this phenomenon.
Have you had trouble taking pictures inside a kitchen? Don't worry you are in good company. Architects generally don’t think of photographers when designing a kitchen space. The line of a busy restaurant isn't the best place to take pictures. Tight corners combined with a mess of tungsten and fluorescent lights shining from a multitude of directions make it very difficult to create mouthwatering images.
It is pretty common knowledge that photography is based on understanding the principles of good lighting. It's also pretty common for the average photographer not to have the budget to afford a studio and light their subject from 8 different directions. Instead of worrying about not having enough, use the natural light you do have.
Israeli based photographer Dima Vazinovich is specializing in news, documentary and wedding photography. One thing that separates him from other photographers in the industry is the unique and creative look his photography has. Recently Dima decided to try adding a new kind of look to his portfolio, and the results are truly amazing. The idea: “Freelensing” / tilt shifting with a cheap broken 50mm 1.8 lens to create magical images.
Nikon Pro Photographer Craig Kolesky went to Capetown and packed in his bag not only the Nikon D4, but their Coolpix P7700. His subject for the shoot was Redbull Athlete Sifiso Nhlapo, a BMX racer from the South African Olympic team. In this video, you can see Craig working in various environments, from dirty racing tracks to a small studio setting with ring lights.
Documentary photography is something I have always wanted to get into. I do not go on enough trips to really get great shots that really bring emotion to the viewer. Azli Jamil does an amazing job of this exact thing. Just by looking at these shots, you almost feel what the subjects in the image are feeling.
How's that for a tongue-twisting title? We have all seen plenty of so-called iPhone shooters, some more impressive than others, come and go over the last couple of years. But Brett Amory has taken it a step further, and creates tangible pieces of fine art from his iPhone images, and that extra attention and care transforms his iPhone snaps into fully-fledged artworks with mood, rhythm, and style.
David Loftus has been working with food television star, Jamie Oliver, for over 15 years taking dynamic imagery of the culinary masterpieces that Jamie creates in his kitchen. In this behind the scenes video David is shooting with the Nikon D4. In a few short cuts Jamie is also seen trying his hand at taking his own food shots with the Nikon D3200.
Macro photography is already difficult enough to master in my opinion. You have very small subjects that are usually moving around and capturing them at the closest possible distance takes loads of practice, and patience. Russian photographer Andrew Osokin has obviously put it some serious time honing his craft. He shoots wonderful images of your standard flowers and insects, but in my opinion his winter work is where he truly stands out.
Lomography is into film revivals lately, recently releasing something quite similar to Kodak's discontinued Aerochrome film, Lomography Purple. What's so special about Lomography Purple? It changes all of your greens into a bright purple color. Surely such psychedelic effects will be revered by hipsters, lomographers, and acid-dropping enthusiasts around the world, but what is the actual use of such a film? Believe it or not, there is one (or two)...