When I saw this wedding shoot I was stunned into silence for a few moments. I really didn't know what to think of it! In my mind, when I think of wedding photography, I think of a world of immaculate white dresses, expensive shoes, thoughtful furnishings and of course, smiling wedding couples and their guests.
As a viewer, you rarely look at a photo and say “wow, that shutter speed and ISO really moved me,” right? The most memorable and moving photos may not be technically perfect at all. Adrian McDonald is the quintessential photographer, with photos that resonate with the viewers because of the way it makes them feel. That’s how you remember a photo.
Gabe McClintock is an internationally known award-winning wedding and boudoir photographer based out of Alberta, Canada. His work carries an incredible amount of intimate nuances with a tonality that shifts towards dark and atmospheric. With so much emphasis out there about his wedding work, I took a bit of time to talk with McClintock in regards to his absolutely beautiful boudoir photography in hopes to better understand his approach and workflow.
Shooting in harsh sunlight is always a challenge. Recently I shot a test while out on a trip in Los Angeles. Due to scheduling we had to start shooting around 4 p.m., so we were dealing with hard sunlight. In this post we will look at five different setups you can use to shoot in and manipulate these less than ideal lighting conditions. In a previous post, I showed how to quickly scrim hard lighting. In this quick tutorial we will look five different ways to light while in the same environment and conditions in order to alter the look of our image.
I rarely write in first person but because this is a topic I feel very strongly about, I want to tell you about my personal experience. When I was reminiscing with my wife about the one thing that changed my photography, it was the day I saw the light. Literally. The only way I was able to conceptually grasp light and the way it works was because I started retouching. There is no way to deny it, as I mastered retouching my photography was taken to the next level.
Dana Pennington is a Los Angeles-based Fashion photographer. He recently moved to become a permanent resident in Los Angeles, from his home town Denver, Colorado. I had the chance to sit down with Pennington during my first trip to L.A., over the past weekend, and talk to him about his journey into the fashion photography industry.
Some of our Fstoppers readers may have noticed that for nearly a month, specifically after March 28, I dropped off the map in terms of posting new articles. Some have asked why, and in the interest of transparency, I have opted to write this article today explaining this near-tragedy and subsequent fallout from it, as well thanking the photo and video community for their continued generosity and support during this difficult time. On top of that, I have a special offer (in the form of your donation) for my video tutorials.
RGG EDU just wrapped a week of shooting video in New Orleans, where they captured content of Dani Diamond teaching his approach and style to natural light portrait photography. This behind the scenes video takes you along for the ride and shows you the locations, models, and gear we got to use, and what it takes to make a video tutorial come to life.
Markus Andersen is back at it again on the streets of Sydney, Australia… but this time he has teamed up with fellow street photographer Elif Suyabatmaz of Istanbul, Turkey. The pair of photographers has just wrapped up a three year long project titled Mirrored where they responded to one another’s images by presenting a similar viewpoint from their respective nations. The final collection echoes the differences and similarities within the Australian and Turkish cultures through the mirrored interpretations each photographer presents.
Warm smiles and serene sun flares seem to be landing on the shoulders of portraits all over the internet nowadays. Complimented with beautiful bokeh from a shallow depth of field, the allure of a sun-kissed image image is easy to see. What happens when mother nature doesn't seem to be on your side? In this article, I am going to show you how to master "faking" sun flare.
The one and only Pepper Yandell, based in Dallas, Texas, could be called the rising star of automotive photography for some time now, and for good reason. Yandell produces some of the most striking and commercially viable automobile images I've ever seen, so recently when BMW handed him the keys to a factory fresh 2 Series and told him to get lost for 24 solid hours, it was pretty clear that this rising star had ascended to a new level.
We've had one hell of a cold, long winter this year here in North America. On top of that, I live in Houston, Texas, so this business of freezing rain in March can go die in a fire already. I enjoyed shooting moody styles outside during this extended drabness in recent months, if I'm honest. However, sunny days are coming and I couldn't happier it because summer means outdoor swimwear projects begin, which is one of my favorite styles to shoot. However, having been so bleak for so long this winter, have you gotten yourself prepped for this most popular of fashion and glamour photography seasons?
I have spent the last 6 years cultivating a photography service brand and working to hone my image making skills on a daily basis, but the fact remains that photography is a relatively new endeavor for me. I was a graphics designer from 1990 or so until arguably 2012 (or today), with the occasional design job popping up that I cannot say no to. However, there was also this era in the 1990's where I was a videographer and video editor, shooting everything from local TV spots to interactive media clips to weddings. The embryonic days of digital video are mercifully long gone, but what happens when an old dog jumps into the modern world of video? I aimed to find out.
Aaron Eveland, the videographer of the wedding duo in Hawaii known as Makai Creative, set out to recreate the classic look of The Endless Summer movie poster – gigantic sunsets behind surfers on the beach – and that he did with the help of a Canon 800mm f/5.6 lens, a 2x Extender, and a lot of trial and error. It’s all worth it as you can see in his short film, Sunchasers.