One of the most common things I get asked at my photography classes is, "What is depth of field?" or often a variation of: "I think I get depth of field, but can you explain it?" Explaining it without a visual wasn't always easy, but I made it work during the class and for the most part, I managed to convey the concept and people understood. After a while I sought out other DOF visualizations online to try to show my classes, finding examples that, to me, made perfect sense. However, one day on the back porch at home, it occured to me that perhaps simplifying a visual could help those still puzzled by DOF.
In today's world of hyper-exposure to media and art, it is a rare occurrence when a piece just grabs you by the heartstrings. Day in and day out you see another reiteration of the same old concept. But every once in a while, there's that moment when you come across another photographer’s work that leaves you in awe of their talent and unique vision. It's the kind of work that inspires you, and also makes you a bit jealous for not coming up with it yourself.
Ever since I started diving into studio photography the term “V-Flat” has been a big mystery to me. Google and YouTube have been the quintessential resource for photography knowledge and for whatever reason there isn't much detailed information on how to construct a V-Flat or what purpose they actually serve. It took time to sift through the noise of nonsensical DIY fabrication and even more time to unfold the enigma of this studio essential.
In this excellent installment of the B&H Prospectives video series, photographer Robert Rodriguez Jr. explains what goes in to taking successful landscape images, offers his thought process while out in the field, and dives in to some worthy ideas to inspire the development of your art.
In addition to lifestyle, I have an affinity for shooting natural light portraits/beauty/headshots - whatever you want to call them. It's not something I shoot often, but when I do, I'm reminded of how much I love it. In fact, you may recall a few months ago, I wrote an article detailing my ideal natural light setup for the black and white portrait / headshot photos that I occasionally shoot. In the article,
After becoming disenchanted by a mundane lifestyle in Sydney Australia 12 years ago, Julie Fletcher escaped and found solace in travelling throughout and photographing the remote and wild lands of Australia. Capturing the colours of the desert to the night sky, Fletcher has produced a formidable and impressive body of work which illustrates the majesty the Australian landscape exudes.
Magnanimous Media posted a video detailing some of RED's newest technology as they go through the performance of the sensor in the new 6K-capable Epic Dragon. In what is perhaps one of the most interesting and visually appealing ways to display RAW and ungraded vs. graded footage, Magnanimous Media's video shows quite some promise for the new sensor that promises better color, dynamic range, and low-light shooting with clean video at ISO 2000.
Too often people view lingerie or nude photography superficially and fail to see the photographic beauty behind it. While this stereotype is unjust, it’s also understandable. Too many photos of this genre forego the beauty and focus solely on tasteless sensuality. By sticking to the basics of what makes a compelling image, fellow Toronto based photographer Billie Chiasson reminds us just how tasteful and beautiful lingerie photography can be.
Twenty-seven year old nutritionist-turned-photographer Alessio Albi creates colorful, expressive portraits using natural light sources and outdoor settings around his home in Perugia, Italy. Incorporating aspects of conceptual and lifestyle photography, Albi’s portraits feature contemplative young women, emerging from within their natural surroundings.
This photographer not only creates situations that are unique and comical -- but sends you to a surreal universe in just a glance. John Wilhelm lives in Switzerland with the subjects of many of his works --his girlfriend and three daughters, he's also an IT director in the university there. His hobby is art. Aside from being technically perfect, his eccentric portraits each tell a story which will have you dumbfounded, but pining for more.
I recently noticed that a handful of photographers were producing images that had a look as if they were stills captured from films. A couple of the most well known photographers of this genre are based here in New York so I got them together and challenged them to not only come up with a dynamic personal project on the fly incorporating this cinematic look, but to share with us how it is achieved. Read on to find out how it all went down...
Toronto-based photographer Elaine Ling’s series “Abandoned, Namib Desert” documents the abandoned diamond mining town of Kolmanskop, located in the desert of southern Namibia. Ling’s series explores the relationship between man and nature as abandoned buildings are eroded by shifting sand and relentless wind.
We've been partnering with our pals at Viewbug to offer you guys great contests weekly, and one of those contests we run on a monthly basis gives you the chance to be featured here! The first winner of such a contest is Jeremy Vesely with his image "Three Brothers at Sunrise" which was also our photo of the day earlier this week.
In short, no it is not. But a few minor dealbreakers are all that stand between leaving this camera on the shelf, and making it best digital camera in its class.
After nearly a month of capturing video, stills, and timelapse media with the Panasonic GH4, I laughed, I cried, and I almost threw it off a mountain. At times it was a joy to shoot with, and other times it wouldn’t even power on with a full battery. I’ll give you a complete, unbiased rundown in my full review, complete with video samples.
Photographer Michael Salisbury’s stunning work captures the multifaceted urban landscape of Chicago, finding the symmetry and vivid color in often overlooked settings. Salisbury’s images showcase the intricate patterns of line and color created by the city’s massive buildings and public transportation systems; reminding us why, even in the busiest of urban environments, it pays to stop and look around.