Natural Light

Dani Diamond is a talented portrait photographer based out of Connecticut and is also an active member of our Fstoppers Facebook Group. His headshot work is impeccable and eye-catching. Recently Dani has started a personal project coined simply as "The Project." His mission is to find fellow photographers from around the world, take their headshots and challenge his craft under the scrutiny of his talented peers.

Because most of us fear rejection to some degree, speaking to a complete stranger and asking them for something, let alone asking if you can photograph them, tends to be pretty challenging. I’ve never been one of those naturally confident people but over time I’ve developed some techniques that have provided me with the confidence to work with strangers, which has brought additional benefit when communicating with paying clients.

Photographic educator Dirk Fletcher decided his summer Modern Alternative Photographic Practices class would try and test the Holga camera and boldly send one where no Holga had gone before — space. To get a shot of the earth’s stratosphere, Fletcher and his students created a four Holga box unit to float by balloon into the lower stratosphere and capture an aerial of earth.

Joey Wright is a swim and lifestyle photographer based in Florida. Despite only picking up a camera a few years ago, Joey is a already regular contributor to SI.com with clients ranging from Callaway Golf, the Atlanta Falcons and the Seminole Hard Rock Hotel & Casino and is recognized as a Wescott Top Pro. He's also really, really likable.

There is a fine line between having a well defined photographic style, and constantly putting out the same stale, boring work week after week. A fine and dangerous line. A line that can make the difference between being a successful, inspiring photographer and a photographer who has lost his audience and has even lost interest in his/her own work.

Guest writer, Corey Rich is primarily an outdoor/adventure photographer, but last winter he decided to do something totally different and shoot CrossFit—the masochistic athletic craze sweeping the nation. More than anything, he was keen to experiment with heavy-duty artificial lighting in an indoor environment–not exactly what he's known for. His goals were simply to elevate his lighting skills, unlock his creativity in different ways, learn some new things, and have fun in the process.

Django Greenblatt-Seay and JJ Dreier joined together to form Tree Speed, self proclaimed as "A of couple of Mid-Western guys who spend vacation time traveling the country shooting time lapse photography."

Based out of Omaha, Nebraska, the duo recently took to the road and self produced a 10 day trip to Utah to create a series of time lapse videos. In order of appearance, the team shot in Latuda, Utah (a ghost town), Arches National Park, Canyonlands National Park, and Lake Oahe.

While on a kayaking trip in the Great Lakes, I stopped just after sunset to shoot some images on the beach. The sky was still bright and very saturated, while the sandy ground was losing light and getting dark in my exposures. My kit was small, and I had no graduated ND filter, but I came up with something that worked well in a pinch.

A few years ago we featured photographer Kevin Kozicki in a behind the scenes video using pointsettias for a beauty shoot. Kevin is back with an amazing glamor photo and video shoot with filmmaker Christopher Park in a beautiful pool location using the Phase One IQ180 that was featured in Sessions Magazine. We had the opportunity to speak with Kevin and get his insight on the shoot.

It felt like yesterday that we featured Underwater Dogs. Seth Casteel took those incredible photos and it definitely was a really memorable series of animal shots. How could you not love them? In fact, Seth is such a great animal photographer that he didn't just stop there. He's created some great tips on photographing animals for the intent of getting them adopted.

Wolfe Air is a company that specializes in creating air to air footage for airlines, big-budget movie productions, the military, and private commercial clients, and they recently released their updated reel, which is absolutely mindblowing. Not many people think about what might go into these shots, so as the Fstoppers designated aviation photography dork, I've decided to write up a reader's digest version of how they're made.

A few years ago when I was still new to the world of beauty photography and digital photo retouching, I prided myself on the ability to "fix it later in Photoshop." I would welcome retouching challenges as I was still learning, but things changed forever after I started working with professional teams and shooting for commercial clients.

There are a few unarguable reasons for getting it right in camera.

Many times when shooting objects in an uneven light (usually outside), we have to choose if we want to expose for the darker areas, or for the brighter areas. This means part of the image will be exposed 'correctly' while the other parts will be overexposed (or underexposed). There are few solutions that can help us avoid these issues like shooting HDR or adding artificial light. But these solutions are not always handy and not always something that can be done. This great tutorial shows you how to fix overexposed highlights in only few minutes.

This is the second part of the article on how to learn to "read" lighting in photography. If you haven't read the first part yet, please start here: How To "Read" Light In Photography - Part 1.

And for those of you who have been waiting for the second part, let's jump right back in and see what other cues we can use to breakdown lighting in other photographers' work.

Just recently Zach posted a guest article on 3 Nightmare Lighting Environments and How to Photograph Them with tips from top shooters Lindsay Adler and Erik Valind. This simple behind the scenes video takes a look at some amazing tips not only covered in the article, but in their book, Shooting in Sh*tty Light. You can catch their creativeLIVE workshop starting tomorrow.

Photographer Lukas Renlund shares with us the second installation in his "Steal My Photograph" series. I was very impressed with this idea when I posted his Copenhagen Exhibit last August but Lukas has added a humorous new twist to his Barcelona installation by hiding a GoPro camera behind his photos to capture the reactions of the unsuspecting, would-be-thieves. I got a chance to catch up with Lukas and asked him a few of the questions that have been on everyone's mind.

One of the first very important skills I acquired in my Australian Photography course was the ability to breakdown lighting and determine approximate camera settings in images taken by other photographers. If you understand how the direction of light and its degree of diffusion are controlled and how they affect images, it should be easy for you to train yourself to "read" lighting in the images you see in magazines, on billboards and in your favorite photographers’ portfolios.

In the fall of 2010, I decided to shoot my dream assignment. I knew that no one was going to pay me to go out and tackle this subject matter, and I had not seen any photographer do what I wanted to do, so I did it. At the time, I had no idea what the assignment would turn in to or how it would change me as a photographer and a person. Here is what I learned from photographing 35 College Football Tailgates.

I've been shooting commercial photography for years and despite any fancy gear I might have in my arsenal, I never walk on a set without at least one reflector with me. SLR Lounge put together a great tutorial showcasing the power of one of the most affordable photography tools that every photographer should learn to use.

Every time I go to state parks along the lakeshore, I always see a few people with DSLR cameras walking around taking shots. Anytime there's an interesting bird nearby, it often becomes the subject of their attention. These colorful creatures are as majestic as they are quick though, and don't usually tolerate humans being too close to them. In this video tutorial from Tony Northrup, he shares many tips to get up close to birds in the field or even your own backyard.

Not since Matthew Brady’s work documenting the Civil War has the tintype photographic process been used on the battlefield. Staff sergeant Ed Drew, an aerial gunner in the California Air National Guard, brought tintype back to the theater of war to photograph his fellow soldiers during his deployment from April to June in Afghanistan’s Helmand province.

As photographers, we usually use two different techniques to capture our images: The first is freezing the moment and capturing the split second we are witnessing. The other option is using a long exposure, to show movement, changes, or show things we don't normally see with our eyes. But what if you combined these two concepts - freezing a moment while adding movement? Check out these creative and unique portraits using this technique.

Photographer Mario Testino shoots my favorite super lady, Kate Upton, for the June 2013 Vogue. Kate keeps things super classy for her spread and even rocks some rather large, dark eyebrows with her look. I am certainly one that appreciates some curves on a model, so I am glad to see Vogue is beefing up to the competition (see what I did there) instead of the same ol' too-skinny girl. Click through to see the shots from her upcoming feature

Over the years, I have taught numerous workshops for photographers and during those classes one of the most appreciated techniques that we discuss is shooting proper white balance using Kelvin temperatures. If it is something new to you, it might at first seem a bit overwhelming but I guarantee it is actually quite simple to learn. Read on to learn just how easy it is and the benefits of shooting in Kelvin versus Auto White Balance.

Seven months ago I shared the trailer for a documentary about French Landscape Photographer Alexandre Deschaumes, as he creates stunning landscape images all over the world. His travels have taken him to Patagonia, Iceland, Austria, and more, while the time he spends in nature is the time where he seems to get the most creative. The hour long documentary is finally available (for a small fee.)

If the guy wasn't already talented enough, now Brad Pitt is showing off his ability to shoot photos of his gorgeous "wife" and family using black and white film. The photos are quite spectacular and give us all an interesting insight into his life behind closed doors. You will want to see these.

We received over 1000 submissions from our readers to our new POTD contest, and yes, we looked at every single one of them. There were some brilliant entries and it was incredibly tough to select the top 30 for the month of April, but they've all been chosen, and you can check out the gallery here

DSLR Video pioneer Vincent Laforet partnered with Canon to create a 4 part instructional video series where he shares many great tips for getting started with shooting timelapse sequences. He takes viewers with him on a shoot in Bryce Canyon and explains his setup, and also goes in to detail on: finding a subject matter, lens selection, how to calculate properly to get enough frames, using intervalometers, and so much more. This is loaded with tons of great tips, a must watch if you do any timelapse work.

Tim Kemple has "always been an adventurer, an explorer, a climber", but how did he make the transition into being a photographer? A new web mini-series from F-Stop Gear is setting out to tell the story of outdoor and adventure photographers. In this premier episode, Tim Kemple shares his background while running around the mountains in France, and he explains what it takes to capture images in those environments.

I'm a strobist by heart. When I first got into photography, I didn't even begin shooting portrait work until after I had gotten at least a flash. That purchase, quickly turned into studio strobe after studio strobe until I found that I was completely controlling all light sources during my shoots. So who better to review SLRLounge's latest DVD, 'Natural Light Couples Photography Workshop', right?

There is that popular phrase that goes "the best camera you have is the one on you." That phrase has never been more true in this day and age with considerably powered cell phone cameras living in the pockets of nearly every person you might come across. Even as professionals with thousands of dollars in gear, sometimes we will find ourselves in a situation we shoot on our mobile cameras, whether by choice or by circumstance. I spoke to the product manager of Lightroom to get his take on the best ways to bring the most out of your iPhone images.

Denver photographer Michael Sasser got some attention when this behind the scenes video showed how a simple setup could produce some great portraits. He dropped a new video, so I reconnected with him to see what he has been working on. Turns out he has a new slow-motion video camera, and is now offering video production to clients. This video will give you a taste of one of his shoots, and in the interview Michael shares some insight on his methods, gear, and experiences.

I know you all have seen tons of life style photographers, all the happy, smiley shots of girls wearing weird, fashionable clothing. However, I think each photographer who shoots these is able to tell a different story with them. Joseph Tyler is one of these photographer who is able to tell a different story then the others. These shots are not all happy, smiley, and fun looking. They are more on the serious side of things which is a nice little change from the ordinary life style shots.

Kevin Jairaj, wedding and sports photographer based in Dallas, is usually shooting for USA Today Sports Images or for different unknown couples. Recently Kevin was hired by one of the most famous girls in the world to shoot her new set of images, for her own portfolio. Her name is McKayla Maroney, and she has more Olympic Gold medals than you. Check out the BTS video, and the final results.

Bugs, rain, rough terrain and carrying gear– forget about all of that. Shift your focus and get creative all of a sudden. Think: how can you approach taking an image that you'll have just one chance to get, but also capture it in a unique way? One take is all Tim Kemple had, and using a Phase One camera, he scored this shot of kayaker Tyler Bradt going over a waterfall in the jungles of Mexico.

Shooting underwater is not a simple task, and usually not very affordable. To shoot underwater you need not only the knowledge, but also expensive DSLR housing (or point and shoot cameras designed to shoot underwater) and also underwater lighting system if you want to fully control the lighting. Once you get underwater with your subject, the water lets you create striking and beautiful images, that you can never create out in the fresh air. Check out these great examples of underwater photography.

Jay P. Morgan takes us out to the Bonneville Salt flats in Utah to teach us how camera angle affects body shape. Shooting with a 50mm and 24mm lens, Jay takes us through various heights and shows us the outcome from each level.

Most people think lifestyle photography is over rated. Just pictures of people hanging out having a good time and thats about it. Technically, yes that is it. However, it's more than just that. It's not that easy to just have the shots look like people hanging out. They have to work well with each other, you have to be able to tell a story with the images, show emotions, ect. Basil Vargas is one of the many Life-style photographers I really enjoy looking at.

This year my family and I escaped the cold of NYC and went to South Florida to celebrate the holidays. I was so glad to be heading to some warm weather, and I planned some shoots that wouldn't be typical of the winter weather up North. I had never shot underwater before, so I wanted to challenge myself and try it out. I contacted BorrowLenses to see if they had an Aquatech housing that I could

Last spring, I met a group of 4 cyclists planning a 35 day epic adventure from coast to coast across the US. Their goal was to cycle over 100 miles a day, resting only one day a week, in order to raise awareness and funds for the poor and needy in Burundi, Africa. I decided it would be awesome to tag along and film their journey.

Some people love filters. I personally really like neutral density filters and I know there are those who swear by UV filters. For those of us who love these little glass lens enhancers, we have to separate from that love when we use ultra wide-angle lenses. That is, we used to. Not anymore thanks to Fotodiox’s Wonderpana system which is designed to give us the freedom to use those filters even on convex front elements.

Photographer and Author Tony Northrup has put together a video tutorial on how to use your DSLR's histogram and exposure compensation to get proper exposure when working with backgrounds that are too dark or too bright. He also talks about spot metering vs. evaluative metering, and discusses when and why he chooses the different modes. There are a number of good tips in this video, and if you're out taking photos in the snowy North, you might find them helpful.

In this behind the scenes video, you can get a glimpse into the production of a short film and a series of spots for Cabela's new outfitter line. Tyler Stableford directed this project, and Anson Fogel was one of the Directors of Photography. The work done by their team resulted in some spectacular images that portray the connection that outdoor enthusiasts feel with their natural world. Click on for the final short and links to the interview series.

The Aurora Borealis (Also known as "The Northern Lights") is a light glow of the upper atmosphere caused by energetic particles that enter the atmosphere. There are 2 main colors associated with the glow: Green and Red, but because of limits of the human eye, we cant always see the red aurora. In order to see the aurora, the sky must be clear and dark, and to get it on film (or sensor) you need to shoot long exposure (between 10-30 seconds, depends how bright the Aurora is). Check out this collection of great images showing this phenomenon.

Have you had trouble taking pictures inside a kitchen? Don't worry you are in good company. Architects generally don’t think of photographers when designing a kitchen space. The line of a busy restaurant isn't the best place to take pictures. Tight corners combined with a mess of tungsten and fluorescent lights shining from a multitude of directions make it very difficult to create mouthwatering images.

It is pretty common knowledge that photography is based on understanding the principles of good lighting. It's also pretty common for the average photographer not to have the budget to afford a studio and light their subject from 8 different directions. Instead of worrying about not having enough, use the natural light you do have.