Adam Taylor is a very talented photographer that I have followed here and there for the past few years. His portfolio has really grown as he has created some fantastic work in his campaign portfolio. But what I really like is the mystery that he brings to the table in his landscape photography. I love the muted tones and dark feel of most of these images. Enjoy! [more]
Trey Ratcliff is perhaps one of the most well known and adored HDR photographers today. The High Dynamic Range images he creates are not subtle by any means and he takes no apologies when it comes to creating images he personally enjoys. In this video, Trey talks about his gear (mainly Nikkor 12-24 and Really Right Stuff Tripods) and how he thinks through his compositions as he visits the beautiful Gorda in the Virgin Islands. Watch the 2nd video in the full post [more]
Check out this beautiful series of images by South Carolina-based photographer Marco Suarez. I’m sure these Irish landscapes would probably be just as great in a normal crop. But the circles add something nice to the composition. It’s not something I see too often, and I think it’s very appropriately used in this case. They have a nice mood to them, and I’m more drawn to slightly desaturated landscapes. [more]
If you read Fstoppers, you might be a seasoned professional, or you might have just purchased your first camera and are eager to learn. Whatever your skill level, I’m sure that you’ve all been bitten by the travel bug at least once before, and as a camera owner, you’ve been inspired to bring home the best you can when shooting in a foreign location. A friend of mine recently sent me a video made by DSLR Traveler which is packed full of tips for anyone interested in improving their travel photography. [more]
Animal photography requires a great deal of time, patience, and let’s just say it … it takes a bit of luck. This post has some of the best examples of perfectly timed animal photos which seem like pure luck. Most of these shots are so incredible that if you blinked you would have missed it! [more]
Halvor Angvik and Jeff Nebelkopf created this video with the help of Red Bull and JokkeSommer. The fact that Red Bull sponsored it should tell you all that you need to know: It’s absolutely incredible. I’ve seen some crazy wingsuit stunts before, but [more]
Digital cinema powerhouse, Brain Farm, released its new 2012 reel a few days ago online. As a photographer and someone who isn’t heavily involved in video production, it’s hard for me to get excited about video reels. But Brain Farm left me wanting more and more of their footage. I was in awe as I watched this reel. Kudos to the whole BF team, and I look forward to seeing you guys take over the world someday. Enjoy!
Videographer/Photographer/Artist Shawn Reeder spent two years in Yosemite creating the footage that would be cut to make this video. Shot mostly under moonlight and with a variety of dollies and cranes, the end result is a masterclass in the art of the outdoor timelapse. It’s not often that we get to see such an intimate portrait of a location shot over such a long time period. Be sure to view fullscreen, with HD enabled.
This is what it looks like when day and night meet in a single image. Including the prep time, it took photographer Chris Kotsiopoloulos thirty hours to capture the hundreds photos needed to stitch this together. The shot was taken in Sounio, Greece. It got so cold at times that he had to use a hairdryer to keep the lens from fogging up. See the full post for more details! [more]
There are some styles of photography which have been beaten into the ground. Take, for example, the trip to an old asylum; it seems like we’ve all seen a thousand HDR images of the local loony bin. Graffiti-covered walls, derelict operating rooms and spooky wheelchairs ad-nauseum. But every once in awhile, something comes along which makes my jaw drop and revisits what is possible in an ages-old subject. Drew Geraci’s Asylum is exactly what I’m talking about.
These stunning nightscapes were captured by German advertising photographer Michael Schnabel. He calls the series “Stille Berge” which is German for “still mountains.” The images were taken in the Alps during the dead of night. It was so dark in fact that a one-hour exposure was required. At first glance they look a lot like film negatives, right?
National Geographic recently released this video of the creation of one of their cover shots. While there is no exact date on it, I’d bet that it was shot sometime in the early 2000s or late 1990s guessing from technology being used. Some real ingenuity was at work here, as evidenced by the custom-built pneumatic jaw, the hand-cast Tyrannosaurus skull, and not to mention what appears to be at least ten cameras all triggered at the same time via laser in an effort to capture the decisive moment. [more]
At long last, the scientific breakthrough many of us have long been waiting for: A pill that we can take to get us out of an editing slump, increase creativity, or help us deal with clients. But beware: side effects may include high blood pressure, insomnia, color blindness, neck pain, and occasional dizziness.
Photographer turned wet-plate artist Ian Ruhter basically dropped everything and cashed in his life’s savings to follow his passion, morphing his van into a massive camera and making enormous wet plate prints as he travels the country. From hand-making the silver emulsion to the financial risks of shooting at a whopping $500 a plate, this video “Silver & Light” gives an in-depth [more]
Shown at Sundance this year, the project called Bear 71 is unique spin on a documentary concept. Using an interactive graphical interface, the user can explore Canada’s Bow Valley, and click on points of interest like wolves and bears. It’s also a linear story being told through a warm, inviting voiceover, while video clips that move the story forward narrative are interspersed. The user fills in the gaps by exploring the valley and viewing images which give a glimpse into the hidden world of the wild. [more]