This is what it looks like when day and night meet in a single image. Including the prep time, it took photographer Chris Kotsiopoloulos thirty hours to capture the hundreds photos needed to stitch this together. The shot was taken in Sounio, Greece. It got so cold at times that he had to use a hairdryer to keep the lens from fogging up. See the full post for more details! [more]
There are some styles of photography which have been beaten into the ground. Take, for example, the trip to an old asylum; it seems like we’ve all seen a thousand HDR images of the local loony bin. Graffiti-covered walls, derelict operating rooms and spooky wheelchairs ad-nauseum. But every once in awhile, something comes along which makes my jaw drop and revisits what is possible in an ages-old subject. Drew Geraci’s Asylum is exactly what I’m talking about.
These stunning nightscapes were captured by German advertising photographer Michael Schnabel. He calls the series “Stille Berge” which is German for “still mountains.” The images were taken in the Alps during the dead of night. It was so dark in fact that a one-hour exposure was required. At first glance they look a lot like film negatives, right?
National Geographic recently released this video of the creation of one of their cover shots. While there is no exact date on it, I’d bet that it was shot sometime in the early 2000s or late 1990s guessing from technology being used. Some real ingenuity was at work here, as evidenced by the custom-built pneumatic jaw, the hand-cast Tyrannosaurus skull, and not to mention what appears to be at least ten cameras all triggered at the same time via laser in an effort to capture the decisive moment. [more]
At long last, the scientific breakthrough many of us have long been waiting for: A pill that we can take to get us out of an editing slump, increase creativity, or help us deal with clients. But beware: side effects may include high blood pressure, insomnia, color blindness, neck pain, and occasional dizziness.
Photographer turned wet-plate artist Ian Ruhter basically dropped everything and cashed in his life’s savings to follow his passion, morphing his van into a massive camera and making enormous wet plate prints as he travels the country. From hand-making the silver emulsion to the financial risks of shooting at a whopping $500 a plate, this video “Silver & Light” gives an in-depth [more]
Shown at Sundance this year, the project called Bear 71 is unique spin on a documentary concept. Using an interactive graphical interface, the user can explore Canada’s Bow Valley, and click on points of interest like wolves and bears. It’s also a linear story being told through a warm, inviting voiceover, while video clips that move the story forward narrative are interspersed. The user fills in the gaps by exploring the valley and viewing images which give a glimpse into the hidden world of the wild. [more]
Canon Explorer of Light Tyler Stableford is making it into yet another post on Fstoppers. This time, he was out on a shoot testing the capabilities of the new Canon 1DX DSLR and the 600 EX RT (currently available for pre-order) by shooting some action shots of alpinist Steve House working with some ice climbing gear. In this video, Tyler shows us how he is using the Speedlite to get the look he wants, while having some fun with the new 1DX. [more]
Remember the World Press Photo contest winners from earlier this year? Well, World Press Photo recently introduced (just last year, actually) a similar contest for multimedia and video entries. The winner is a stark, harrowing, and sobering documentary view into the Kommandokorps in South Africa, an apartheid-era relic that still lingers in the country.
Adventure Photographer and Filmmaker Corey Rich prides himself on being an avid outdoor enthusiast as well as a world class visual artist. Featured recently on a project that put the new Nikon D4 through it’s paces on the Project “Why”, Corey has posted this new video that documents a team of 6 adventurers traveling to Northern Alaska to summit an amazing mountain range. [more]
Randy Gregg has started a Kickstarter campaign to fund the development of a digital camera that is built to look just like a hunting rifle. It’s completely non-lethal, and pulling the trigger will store your images, complete with crosshair overlay, onto an SD card. For hunters and law enforcement this might be useful, but something tells me I won’t see this in a lineup next to a bunch of DSLRs when shooting public events. Hit the jump for some renders of the product and Randy’s Kickstarter.
When I had first seen this video a few months ago, I was left in utter disbelief. Growing up on the east coast of the United States, I’d never seen anything like it. Every year in certain areas of Europe, thousands upon thousands of starlings gather in what is known as a murmuration; their movement resembling that of a school of fish swimming [more]
These invisible figures are the creation of artist Rob Mulholland, and unlike the Invisible Mercedes, they don’t use LED mapping or a DSLR. They are in fact, glass sculptures made out of a material called Perspex which distorts reflections of the nearby area. Looks like something out of a certain 1980’s Arnold Schwarzenegger film. Hit the jump for images of this interesting, but also creepy project.
Brothers Will and Matt Burrard-Lucas make quite the team. They’re wildlife photographers based in Britain who have devised some clever means to get closer to some of the world’s most dangerous animals. In 2009, they created a remote-controlled camera nicknamed BeetleCam and set out to photograph animals in their natural habitat. Armed with the knowledge they gained from the first trip, they went back a second time, and their results are nothing short of stunning. [more]
It goes without saying that besides the Superbowl commercials, we can pretty much expect the same run of the mill advertisements. Whether it’s cartoon bears with toilet paper stuck to their butts, or of babies talking like grown adults, this commercial really blew them all out of the water. Advertising film director, Bruno Aveillan, (along with a crew of about 50 people) spent two years putting together this epic 3.5 minute journey celebrating the 160 year history of luxury jeweler, Cartier. [more]