There is no doubt that the RED’s Epic video camera produces some of the most crisp and surreal footage you are likely to see at a reasonably “budget” price point. Up until now, the only lenses you could use with the Epic had to have the PL lens mount found on cine lenses. Recently, photographer turned videographer Vincent Laforet was able to demo the new Canon lens adapter which allows the RED cameras to use most of the EOS mountable lenses. In the video below, Vincent shows what the RED/Canon combo can do out in the field. One particularly interesting combo is the Canon 600mm f/4 L lens mounted with the 2x Canon Teleconverter. Some estimates give this combo a 35mm equivalent of 3400mm with the crop factor but I think it’s actually a bit less than that (the RED should have around a 1.2x crop factor depending on the file output). Either way, the footage is pretty amazing and super exciting if you dream of using RED gear down the road with your existing Canon lenses. Any idea how he shot the video in low light? Looks like the lens would be at least at f8 which is almost unusable in anything but bright light.
This video is totally relevant this week after Ken’s post “If A Monkey Takes A Photo, Who Owns The Rights“. It’s really interested to see this Silverback play with this video camera from 2 angles. The most shocking part of the whole thing was that he actually throws it back after he’s done!
This video was emailed to us and I when I watched it I thought “wow I’ve never seen anything like this before!” We’ve all seen rainbows and you’ve probably had your fair share of experiences taking images of them. What’s so interesting about this video is it showcases the elusive “moonbow” formed as moonlight passes through the mist created by waterfalls. Yosemite National Park is known for it’s amazing rock formations, waterfalls, and forests but few people know how beautiful it can look after the sun has set.
This video has been passed around the internet a good bit in the last week but for those of you who have not seen it, enjoy. It really goes to show you just how small and light GoPros really are.
It’s summer time which means you probably are looking to get out of the house and find some adventure. For photographer Jerry Monkman that often means taking his DSLR cameras out with him on the water. In this short video, Jerry gives some great tips on how you can keep your camera safe from water while still keeping it within reach. Using the camera system made by Cotton Carrier, Jerry is able to keep his camera snug against him and out of the way. If you prefer to get a little more wet and wild, you can always opt for our personal favorite underwater housing by Iwa-Marine. I’m not going to give away the ending of this video but I’m sure you will find it as scary as I did watching Jerry casually rowing along during this video. Any of you guys doing nature photography that requires this sort of thing?
We have posted a lot of great time lapse videos here on Fstoppers but nothing quite like this. A standard time lapse by Stephane Guisard and Jose Francisco Salgado has been edited to show the earth moving and the stars remaining still (what is actually happening).
Vincent Laforet recently released a new short titled “Epic #308″ because this was the first test footage taken with his new Red Epic camera with the serial number of 308. The footage was shot in California, from Big Sur, to Ft Bragg back through Mono Lake and Death Valley. Check out the full post to see the finished product and head over to Vincent’s blog for the full gear list.
A few weeks ago we posted a video by SLR Lounge that we called “The New iPhone Fashion Shoot.” In that video a reflector was used to light a model and the results were fantastic. In the video below Pye takes us through a few of the ways that you can use a reflector to get similar results.
Many of you may know what a polarizer does in theory, but you may have never seen a side by side comparison like this. The video below from OliviaTech does a great job of showing examples of this filter in use. If you shoot outside, or reflective subjects, a polarizer like this one is a must have.
When I first saw this video I was completely blown away. Michael Levin is an outstanding black and white landscape photographer. Recently Michael teamed up with Brad Kremer to produce the most artistic behind the scenes video I’ve ever seen showing a day in the life of a photographer. I really really wish there was more technical information to this video but unfortunately like most landscape photographers their secrets are hard to pull from them. Brad shot this whole video on a Canon 5D Mark II and the highly praised Dynamic Perception Dolly. Michael is primarily shooting on a Hasselblad body but that shouldn’t come as any surprise. Make sure you check out Michael’s portfolio — much of his work features spectacular locations around Japan.
Ben Canales is one of those photographers who enjoys taking photographs in total darkness. He also enjoys shooting when the skies are the clearest and the stars are the brightest which also happens to be when it’s freezing outside. At some point you have probably seen these amazing night images and maybe you have even tried your hand at a few. Well Ben has a made a rather simple but exhaustive tutorial on how you too can capture the earth and the skies at night. Some of his tips like the 600 rule and how to easily setup a nice composition in near darkness are really insightful and almost makes me want to try my hand at a few long exposure shots next winter. Check out his other star tutorials, and hopefully this post helped you forget about the blazing summer heatwave going around!
You feel butterflies in your stomach, adrenalin in your viens and joy in your heart. As a photographer this means you either just fell in love OR you just got, “the shot”. Marc Montocchio of Occhioinc.com sent me his video of how he fell in love… no wait, of how he got the shot, shown below. Come to think of it, he does seem pretty obsessed with marlin so it’s hard to tell either way.
Over the weekend, one of our readers sent us this amazing behind the scenes video for the bicycle saddle manufacturer Brooks England. The basic concept for the photoshoot was a couple saving a fox from a bunch of hunting hounds while out in the British countryside. Photographer Frank Herholdt and his team had to balance two models, a tamed fox, four hounds, forest smoke, well placed studio strobes, and the natural elements to pull of this classic looking image. This is such a great example of taking your photography to the next level by pushing your concept and focusing on production value rather than just lighting a simple subject correctly. If any of our readers have any opinions on one of these saddles specifically, let us know on our Twitter because I’m in need of a new bike seat myself!
In the video below writer Ransom Riggs gives us an artistic tour of the Salton Sea in California. With a tripod, 5DmII, Steadicam Merlin, 24mm, and 100mm, Riggs creates a powerful look at a deserted town in desert of California.
Darren Samuelson created a “great big camera.” Although it isn’t quite as big as another camera we have featured on FS, it is still just as interesting. Darren’s camera shoots on 14x36inch X-Ray negative film.