It seems every day someone is creating an interesting timelapse that shows something we’ve never seen before. This one comes from the International Space Station as it orbits around the earth at night. The video was made from using data from the Gateway To Astronaut Photography Of Earth and stitched together with the open software Virtual Dub. It’s pretty amazing how much light pollution makes it to each exposure and look carefully for bursts of lightning over the Pacific Ocean. Props to the person who spots the satellite that makes the frame as well!
Photojournalists have always struggled with balancing subject sensitivity with truthful documentation after horrible moments in history. Almost six years ago to the day, the United States was hit by Hurricane Katrina resulting in the most costly natural disaster the country had ever witnessed. Photographer Richard Misrach went down to New Orleans to capture the devastation and the human response from the terrible event. This documentary gives an interesting perspective into the eyes of a photojournalist in the aftermath of Hurricane Katrina. It’s pretty amazing to see both the reoccurring responses from those affected within the community as well as humorous responses after such a life changing event. As a photographer it was also interesting to see how a 4 megapixel point and shoot camera came to be the main storytelling tool throughout Richard’s documentary.
If you have seen Peter Lik’s work in person then you understand that it’s impossible to put into words the look and quality of his prints. Peter’s photography (and his post production) is fantastic, but what really makes his work stand out is his printing and presentation. If his images were printed on standard photo paper at a standard size, his work would not have the same “wow” factor.
Right before a trip to Italy I went back into Peter’s studio for a little inspiration. After studying his work and speaking with a sales rep about his printing process I decided to shoot, print, and frame a shot in Italy for the absolute cheapest price without losing the “wow” factor that Peter’s work has. This is how I did it.
Footage like this scares the bejesus out of me but also makes me wish I knew how to surf. Tahiti is home of Teahupoo, the world’s most dangerous naturally occurring wave. If you’ve watched the documentary Riding Giants then you’ve seen how monsterous these waves can become. I’m not sure that Teahupoo is actually larger than Peahi or Mavericks but it must be called the most dangerous wave for a reason. This video was shot with the Phantom in all it’s slo-mo glory. Click the full post to see more footage in real time as 32 of the world’s top surfers try to wrangle the beast.
Tom Guilmette is now a pretty regular name on Fstoppers because his BTSVs in the field of video are some of the best we have seen. In the video below Tom travels out west with Eric Kessler to film BTS footage of some of the top timelapse shooters of our time. My personal favorite is Tom Lowe and we haven’t heard much from him in the last year because he is still working on his timelapse feature film. Check out the video below to learn from the best.
A few weeks ago Reese Moore interviewed Jimmy Chin for her column the Fstoppers Spotlight. Her Fstoppers interview revealed a lot about what makes Mr. Chin put himself in harms way as he climbs, rappels, and base jumps from assignment to assignment. In this behind the scenes video, Jimmy talks about the changing culture taking place within the sport of extreme rock climbing. He and his fellow climbers explore Yosemite National Park as he captures images for National Geographic. I dabble in climbing and think base jumping would be a huge thrill but I’m not sure I would ever have the guts to even hang with Jimmy for one day if this is his typical photoshoot. Check out 2:40 for some interesting off camera lighting while climbing!
There is no doubt that the RED’s Epic video camera produces some of the most crisp and surreal footage you are likely to see at a reasonably “budget” price point. Up until now, the only lenses you could use with the Epic had to have the PL lens mount found on cine lenses. Recently, photographer turned videographer Vincent Laforet was able to demo the new Canon lens adapter which allows the RED cameras to use most of the EOS mountable lenses. In the video below, Vincent shows what the RED/Canon combo can do out in the field. One particularly interesting combo is the Canon 600mm f/4 L lens mounted with the 2x Canon Teleconverter. Some estimates give this combo a 35mm equivalent of 3400mm with the crop factor but I think it’s actually a bit less than that (the RED should have around a 1.2x crop factor depending on the file output). Either way, the footage is pretty amazing and super exciting if you dream of using RED gear down the road with your existing Canon lenses. Any idea how he shot the video in low light? Looks like the lens would be at least at f8 which is almost unusable in anything but bright light.
This video is totally relevant this week after Ken’s post “If A Monkey Takes A Photo, Who Owns The Rights“. It’s really interested to see this Silverback play with this video camera from 2 angles. The most shocking part of the whole thing was that he actually throws it back after he’s done!
This video was emailed to us and I when I watched it I thought “wow I’ve never seen anything like this before!” We’ve all seen rainbows and you’ve probably had your fair share of experiences taking images of them. What’s so interesting about this video is it showcases the elusive “moonbow” formed as moonlight passes through the mist created by waterfalls. Yosemite National Park is known for it’s amazing rock formations, waterfalls, and forests but few people know how beautiful it can look after the sun has set.
This video has been passed around the internet a good bit in the last week but for those of you who have not seen it, enjoy. It really goes to show you just how small and light GoPros really are.
It’s summer time which means you probably are looking to get out of the house and find some adventure. For photographer Jerry Monkman that often means taking his DSLR cameras out with him on the water. In this short video, Jerry gives some great tips on how you can keep your camera safe from water while still keeping it within reach. Using the camera system made by Cotton Carrier, Jerry is able to keep his camera snug against him and out of the way. If you prefer to get a little more wet and wild, you can always opt for our personal favorite underwater housing by Iwa-Marine. I’m not going to give away the ending of this video but I’m sure you will find it as scary as I did watching Jerry casually rowing along during this video. Any of you guys doing nature photography that requires this sort of thing?
We have posted a lot of great time lapse videos here on Fstoppers but nothing quite like this. A standard time lapse by Stephane Guisard and Jose Francisco Salgado has been edited to show the earth moving and the stars remaining still (what is actually happening).
Vincent Laforet recently released a new short titled “Epic #308″ because this was the first test footage taken with his new Red Epic camera with the serial number of 308. The footage was shot in California, from Big Sur, to Ft Bragg back through Mono Lake and Death Valley. Check out the full post to see the finished product and head over to Vincent’s blog for the full gear list.
A few weeks ago we posted a video by SLR Lounge that we called “The New iPhone Fashion Shoot.” In that video a reflector was used to light a model and the results were fantastic. In the video below Pye takes us through a few of the ways that you can use a reflector to get similar results.
Many of you may know what a polarizer does in theory, but you may have never seen a side by side comparison like this. The video below from OliviaTech does a great job of showing examples of this filter in use. If you shoot outside, or reflective subjects, a polarizer like this one is a must have.