UPDATE: Rich Tully works directly with Clark Little and just sent us this much better video. Click the full post for the original video posted:
One thing I love about running a website like Fstoppers is that I am introduced to all sorts of photography I would never have come across on my own. Such is the case with professional wave photographer Clark Little (you must check out his website). I owe a thanks to my dad who first told me about Clark’s work and now we have a video that shows what it is like to be directly in contact with a huge wave crashing over you. If Clark comes across this post, we’d love to see a formal behind the scenes made with interviews and some information about how your approach to ‘wave photography’ has evolved. Perhaps Fstoppers needs to head out to Hawaii this spring!
Have you ever watched a scary movie where the only part of the scene you can see is being lit by a small flash light or candle from five feet away? Well those are the conditions cave photographer Stephen Alvarez regularly works in when he climbs below the earth’s surface. Together with his team of assistants, Stephen is able to light his photographs in majestic fashion by strategically placing his lights throughout large caverns. I have really never seen anything like this before, and it makes me appreciate my easy work environments in comparison. Be sure to head over to Stephen’s website to check out more cave images as well as his photojournalistic work through National Geographic.
Have you ever wanted to shoot aerial photos or video but thought that the cost would be too high? Well Tom Guilmette just did something that Patrick and I were considering doing in one of our upcoming Fstoppers originals. I’m glad he did it first though because now I realize our plan wouldn’t work. For some reason I thought a single helium balloon would be enough to lift a GoPro… I would have been about 29 balloons short.
Part of me thinks that Walmart helium is only about 10% helium and 90% air though.
This video was released earlier this year but I really loved watching it so I figured you would too. It’s a pretty clever way to advertise a product like waterproof shoes and would have make for an excellent commercial concept for an advertising ad. Click the full post to view a BTS video about this crazy new sport called Liquid Mountaineering.
As a commercial wedding photographer, I know very little about how to take compelling underwater images. Luckily underwater photographer Brian Skerry and National Geographic have shared this short BTS video on what it’s like diving with fish and swimming over coral reefs. I think it’s interesting how simple but necessary the lighting setup is for this field of photography; most of us “land photographer” probably take for granted the complex lighting setups we can easily construct. Most of us also don’t bring “backup gear” to our shoots because we expect our gear to break! Hopefully we will see more videos like this from other underwater photographers.
Adam Boozer is an amazingly talented videographer right here in Charleston, SC. His company Jewell and Ginnie has been making a big splash with very cinematic video here in the low country and throughout the southeast. Last night Adam emailed us a BTS video he created on how he sets up his camera for these incredible aerial shots. Besides having the access to a Robinson R44 Helicopter, the actual setup isn’t that complicated: A Canon 5D MKII, a Zucato Follow Focus, a Marshall Monitor, and the piece that stabilizes it all together, the Tyler Mini Gyro. I’ve posted the highlight reel here so click the full post to see the BTS video on how Adam is getting these shots!
A few editors of National Geographic sat down to talk about a few of their favorite images. What is it that makes an image memorable and interesting? Most everyone said it was something they have never seen before. Some fields of photography don’t have to be ground breaking but if you want to take your own images to the next level try to imagine shooting something you have never seen published before. I’m afraid too many photographers get wrapped up in the lighting, gear, location, and very picky details. Before you even pull out your camera, think to yourself, “what have I not seen done before?” Obviously this video applies mainly to naturally occurring events in nature but I think the same principles can be applied to planned shoots. What do you guys think?
Bob Poole is a DP (Director of Photography for you still shooters) who often works for National Geographic. While filming researcher Jake Wall who is studying the migration of African elephants, Bob and his team came across one of the most amazing things I’ve ever seen capture on video. You gotta watch this video to believe it but Bob was trapped in a sand storm in Mail for 4 hours while the sun was all but completely blocked by the flying debris. It always amazes me when I see photographers or videographers capture nature at it’s best.
The Fstoppers team just got back from Miami and the Bahamas, and while we were there we came across Peter Lik‘s newest art gallery in Miami Beach. I was first introduced to Peter’s amazing landscape photos at his Las Vegas gallery in the Venetian Hotel, and I’m always blown away every time I step into one of his galleries. Peter uses large format panoramic cameras (some film some digital) and then prints them LARGE with his own special printing process. When his prints are displayed under gallery lighting the images pop off the wall unlike anything I’ve ever seen before. You can even dim the lights to reveal different qualities in the prints. Check out this video of Peter talking about what makes a good landscape photo and click the full post to see how you can see Peter on your television soon!
With a bunch of hurricanes heading our way, I figured it might be fun to show everyone that rainy days do not mean you cannot still pick up your camera. Jim Reed has made a career out of extreme weather photography and has some pretty wild videos to document his craft. Some may call it a craft and others may just call it being out of your mind but either way it puts a smile on my face. Click the full post to watch Jim run straight up into a tornado.
Sometimes videos don’t require a BTS because although they are a unique idea, they don’t necessarily have to be complicated. Danny writes “Everyone has experienced fireworks. It is truly a magical sight. I set out to capture them, not as we know them normally, but in a way that many of you may not have seen them before. For this, I used Bokeh, which originates from the Japanese word “boke”, which means “blur” or “haze”.”
Philip Bloom is an amazing British DP, Director, and Film Maker who also works hard to bring us some neat gadget to use out in the field when filming DSLR video. When I saw this timelapse video of Monument Valley out in Utah, I knew this BTS video/audio would appeal to our landscape photographers who are often stuck watching fashion and commercial videos. So in an effort to change it up a bit, go ahead and load both the audio and video tracks (hit play and then pause) and start with the audio track. Philip also outlines a lot of the gear used in this timelapse over at his blog so check that out too. Enjoy