French newspaper, Libération, published their November 14th issue without a single photograph. The stark blanket of text is all that is left of the issue. Their reasoning for leaving out the photos? They wanted to show their support of photographers who help bring the paper to life. They decided to publish on the same day as Paris Photo’s opening day, to make a stand for photojournalists who risk everything and receive very little in return. [more]
I’m calling it. This commercial for Volvo Trucks that came out today is the best commercial of 2013. What makes it – or other commercial shoots – so successful? Beautiful, simple ideas, a great concept, seamless execution, a bit of good old nostalgia and a pinch of the unexpected all mix beautifully to give us 70 seconds of pure brilliance. With
four eight twelve twenty four thirty million views and counting, let’s take a look and see why this ad has been so successful. [more]
Currently the only black and white instant film available in the 3×4 size is the Fujifilm 3000b, and it’s being discontinued. Yes, you read that right. One of the single most popular instant films will no longer be around. The photography industry isn’t a stranger to films being discontinued. It happened with Kodak, so it was only time before it trickled to other manufacturers.
We’ve all heard the news already, Adobe was hacked. But surprisingly I have found that a lot of photographers haven’t taken the 30 seconds to go and reset their password. Have you? If the answer is no, I would highly recommend you doing it now. Even if you haven’t yet heard from Adobe. Over 150,000,000 user accounts were in the stolen database, good chance you were one of them. [more]
In this video Canon Australia challenges singer-songwriter Guy Sebastian and Canon Master photographer Graham Monro to change the story of three different scenes simply by changing between lenses. Specifically the macro Canon EF-S 60mm f/2.8 Macro USM Lens, the portrait Canon EF 50mm f/1.4 USM Lens , the landscape Canon EF-S 10-22mm f/3.5-4.5 USM Lens and the sports Canon EF 70-300mm f/4-5.6L IS USM Lens. [more]
For the opening of the new Tate Britain art gallery, Miles Aldridge set out to reimagine the painting ‘Merry-Go-Round’ by Mark Gertler. The painting was originally created in 1916 while photography was still pretty much in infancy and hardly considered an artistic medium by many. Aldridge’s approach was to take elements of the painting and create a series of photographs that hold the true form of the original while still delivering something definitively Miles Aldridge. [more]
Last week Tamron announced a new lens that sported a new design, a move that I argued made it even more urgent that Tamron show consistent image quality and amazing results from their glass. I’ve spoken to Tamron corporate a couple times since then, and they seem quite confident in the new glass and if these new images from Naver.com are any indication of quality, I’m a believer. [more]
Since around July we have started to see this “camera ball” concept come up in a few places. Thankfully they appear to be replacing the self-timer “throw your SLR in the air” approach. The most recent potential contender is the Panono, and it looks like it may blow everything else out of the sky. Thirty-six individual cameras work together with onboard processing and storage to create and save 72 megapixel, 360 degree panoramics. On top of being able to store up [more]
Blackmagic Design, makers of the line of cinema cameras that are growing in popularity, today released the Blackmagic Camera 1.5 software which adds new 12-bit Log CinemaDNG RAW recording to the Pocket Cinema Camera. This update is free from Blackmagic’s website and can be downloaded today. [more]
I don’t often post about new gear on Fstoppers, but today I’m posting about an announcement Canon made a few days ago that kind of slipped under the radar. This week Canon unveiled it’s first 4K video production monitor, the very unsexy-sounding ‘DP-V3010′. While no pricing information has yet been released, it’s due to go on sale first quarter 2014. Why should we care? Because it clearly lays a stake in the ground over what the future of video (and quite possibly stills) is shaping up to look like. [more]
We talk a lot here at Fstoppers about the beautiful things that photography has done in the world. Maybe I am naive but I never imagined that art could be used support crime. Yet here it is, and while not actually “art” by any stretch of the imagination an anonymous Instagram user is getting people killed with images. Rats215, the account in question, has posted pictures, police statements [more]
Moments after posting our fly by the pants video of the Nikon Df a reader pointed us towards another video by Chris Niccolls of TheCameraStoreTV, which frankly covers it all and generally kicks ass. So I decided to scoot our video to the bottom and share his exception hands-on with you instead. [more]
This morning Tamron announced the development of a new lens to replace their current 200-500mm model on the market. It has “cutting-edge eBAND Coating and three LD (Low Dispersion) glass elements, [it] delivers superior imaging performance while the latest built-in VC (Vibration Compensation) system broadens users’ horizons in achieving sharper handheld photographs.” The new SP 150-600MM F/5-6.3 DI VC USD also sports an all-black, classier design. [more]
There are a lot of products out there that try to be the one device to rule them all, and there are a lot of failures. The Lollipod is the newest contender, and it seems to be nothing more than a colorful, collapsible light stand with a cheap tripod head. Have I used one yet? No, and truthfully I can’t see why I would. With a maximum support weight of just under one pound (420 grams specifically) I don’t see how it could really hold anything [more]
Announced this morning by Profoto was their newest light in their lighting kit, the B1 Off-Camera Flash. Refusing it call it a speed light or a studio strobe, the completely cordless B1 Off-Camera Flash has some truly unique and interesting features not seen before in a studio strobe. Update - Now available on B&H for Preorder at $1,995.