Certainly you’ve seen them on Facebook and other social media avenues before. I’m talking about those oversimplified “I’m an artist, I don’t work for free” posters that photographers always have the desire to post and share. The people over at Shoppe Designs have decided that perhaps those are too polite, and built some with a little more sass and attitude.
Keeping your models and clients happy on set is vital to creating images that evoke the full range of emotion. Part of your job as a photographer is to bring everyone on set to a mind space that is calm and comfortable. Here are a few tips on how you can play the good host. [more]
Salience is the name of the five minute short that will probably be remembered as one of the most innovative, experimental (and beautiful) short films of the year. If you do one thing today for your inspiration, please spend the next few minutes checking it out and you’ll see what I mean. [more]
I grew up as part of the generation of photographers that developed film (or had a lab develop it) and mounted photos in family albums. At the time, I would remember thinking it wasn’t a particularly special exercise or the photos themselves weren’t particularly amazing. But how many of you remember the feeling – often years later – of finding those same ‘mundane’ shots and nostalgically revisiting the past? Wasn’t that a powerful and often wonderful feeling? [more]
In our newest series, we’re inviting you the viewer to ask a weekly question for the writers of Fstoppers. Each of our writers are also professional photographers, in a broad range of categories and styles. Many of them are among the best in their respected fields and have been working full time as a professional in their industry for years. So who better to ask photography questions to?
To kick off the series, we’re asking each of our writers ‘What is Commercial Photography?‘. [more]
Photography is a dream career for many of us. The reality is, few of us can actually turn that into a full time career. We keep our regular 9-5 jobs to pay the bills and grab the odd photography gig here or there.
Every once in a while though, one of us will slip through the cracks and enjoy some moderate success. So much so, that it begins to interfere with that regular 9-5 job, and a decision must be made to transition from one career to another. Many aspiring photographers jump the gun and attempt to take on a full time career before they are actually ready. When that time comes for you here are 5 things to consider and help make sure it’s the right move for you. [more]
I hear that a lot.
It shoots out of the mouths and into my ears from bellyaching photographers and it clutters the mind while reading an on-line post somewhere.
If photography is dead, why do publications like Sports Illustrated, National Geographic and Wired magazine produce amazing images each and every month? Why do companies spend thousands and thousands of dollars to create images of their products? [more]
According to what I’ve been noticing in a lot of the comments posted here on Fstoppers, there seems to be plenty of photographers who absolutely hate Photoshop. So lets have a bit of a discussion.
Technology has become part of everything in our lives. Cars get better and better. Phones have become portable and are now the size of a credit card. [more]
Have you ever felt inadequate as a creative artist? Have you internally credited luck to your success rather than give yourself credit for the hard work you put in to get where you are today? Maybe you even just feel like a fake? All of this even though you have worked your ass off to become the successful artist you are today. I know I personally have felt this way on numerous occasions. It wasn’t until photographer Sascha Reinking shared a post he got from Brian Friedman in a Facebook group that I realized there is a name for this condition. [more]
I wrote recently about the importance of developing your own style. One of the worst things any creative professional can do is to get sucked into thinking about what work we should be doing or how we should be doing it. When was the last time you looked at someone else’s work and thought “Wow that’s really good. I really need to be doing something like that”? For me, it was earlier this morning. It’s totally normal and intuitive behavior. [more]
When was the last time you looked back at an image and noticed something about the lighting that you wished you could tweak or alter slightly? I’m sure most of us have been in this position at one time or another. Up until now, it’s simply not been possible to even imagine being able to do this. Welcome to the strange new world of “computational lighting design”
When this post is published I will be on my way to Moscow, Russia somewhere above the North Atlantic Ocean. I have a couple of shoots booked with my regular clients there, and my relationships with those clients are so great and long-lasting that they inspired me to write this article.
As a fellow commercial photographer I know that clients come to us for consistency and reliability. They hire us because when they are spending the big bucks on advertising campaigns they don’t want to leave things up to chance. It is part of our job to deliver the end product on time and free of flaws, but even a professional at the top of their game still battles with human error. [more]
It’s interesting times for those of us shooting photo and video. I enjoy highlighting photographers or videographers who are utilizing elements of both stills and motion work, and are pushing the creative envelope by integrating them so that the end result is more than just the sum of the individual parts. I’m going to go all in and lay my cards down here and say that the video in this post is going to be the most innovative, creative use of combining stills and video together that we’ll see in 2013. [more]
A plan which cuts about $4.1 billion of debt for Eastman Kodak was approved by US bankruptcy judge Allan Gropper yesterday. The plan allows Kodak to reorganize itself into a company that will actually provide no consumer products but will instead focus on printing technology for corporate customers. This is good news for the company on the whole by saving it from extinction, but it does nothing to compensate shareholders. [more]