Opinion

We all love a good composite, don't we? C'mon! You're probably going "No! They're all fake. It's all Photoshop, therefore it should be easy and shouldn't be a genre of photography at all! While some bad composites do exist, why not look at the other side of Dali's surrealistic, time-melting deserts and analyze the way it makes you feel when you study these types of images? How about we dive into the rabbit hole head first and find out what it takes to create a composite image?

I'm not a strong supporter of business cards nowadays. It's not because they don't do any good, but because most people are throwing them in the trash bin without even visiting your website and seeing what you do. Despite of that it's good to have some in your pocket. Here is my solution to using a special type of business cards that your potential clients may not throw away.

The internet and information security is not a new topic, but it's a great time to review your security settings. It usually takes a catastrophic event to cause people to take it more seriously. The alleged Instagram hacks that have been reported are a great wake up call.

This entire summer for me has been hectic. Doing photography full time at the age of 23 is certainly awesome, but there is so much stress and hard work that comes along with it. Between work and my personal life, it has been extremely difficult to balance out my time to create my own content, but in no way have I let that slow me down. This summer alone, I have been out to so many places creating new content and I think that this is honestly the most important thing we can do as creatives.

As photographers, we may not always think about taking pictures of ourselves, but having a current headshot is extremely important. Think of it as your own personal little billboard that allows people to see your ability as a photographer. After all, if you don't have a good picture of yourself on your website, what would make anybody believe that you can take quality pictures of anyone else?

As a former computer scientist, I’m all about finding efficiencies in my workflow and making my life easier. Some people might call it laziness. Logically, after years of shooting with a traditional DSLR kit, I was ready to ditch it in favor of moving to a small and light mirrorless set up. However, no other camera body appealed to me as much as my Nikon bodies for professional shooting. The combination of the great grip and ergonomics, fast and accurate autofocus system, solid battery life, and great image quality makes them a delight to use professionally. I didn't want to let go of the camera bodies so I decided to try something else first…

Finally, the greatest mobile lens company is now kicking things off in serious fashion with offering their lenses to more major phone brands. With iPhone being the flagship for the longest time of prime users they are also offering it to the Google Pixel as well as the latest and greatest from Samsung with the Galaxy S8.

So I'm just going to come right out of the gates swinging and put it out there; dedicated Facebook business pages are not relevant anymore. The year is 2017 and Facebook has evolved into one of the most efficient advertising machines out there, giving users the opportunity to spend money at every glance. In doing so, it has become the same old commercial that everyone hates and has destroyed the need for a Facebook business page at all.

Here we are, another year has gone by and we have just enjoyed the release of yet another camera that is "certainly" the most amazing thing since sliced bread. This new camera comes with promises of wondrous grandeur that are only cemented by the inevitable implication from its maker that it is the camera that will help you create truly better images than you did before. This is, of course, nothing more than marketing hype designed to get you to spend your money.

When I was starting out as a professional photographer, I felt I had to be all things to all people. Any work that came in, no matter what genre of photography, how boring or bizarre, I said yes. If a company came to me with a request and they said they couldn't afford my quote, I'd bend myself in to unnatural shapes to accommodate them, because some money is better than no money, right? I eventually came to the conclusion that this was unsustainable and I began to say no and to quote those awful click-bait titles, you'll never guess what happened next.

Vanity magazines are a popular place for photographers to submit images to when they are looking to take their photography to the next level. Eager photographers who want to shoot fashion or beauty will scour the Internet for fashion magazines that accept submissions in the hope that these publications will be a rung on their ladder to success. Unfortunately for many photographers, rather than climbing the ladder, they’re merely wasting time and money.

I find myself in a grateful mood this week. Well, to be honest, I find myself in a grateful mood every week. Through both times of feast and famine, it is impossible to escape the unbelievable good fortune bestowed on me to allow me live on this earth, to create art, and exist in a world where I am allowed to dream. Whether you win or lose, getting to play the game is a gift and shouldn’t be taken for granted. So this week, between crafting bids, fine-tuning cold calls, and assembling moodboards, I am taking time to do a different sort of brainstorming: how can I give back to a world that has given me so much?

I’m sure everyone at this point has explored the vast array of articles discussing all the technical aspects of the newly announced D850. If you haven’t here is one from your very own Fstoppers writer, Adam Ottke. You can read the announcement here. While I agree with most of the assessments that I’ve read or watched so far in that the camera will be a powerhouse with really innovative features, my thoughts come back to what was in the news just a few months ago. What is the financial health of Nikon? Do they still need help from other companies like Fujifilm? Most importantly, should I invest in new equipment from a company whose financial standing is in question? With all this in mind, I did some research.

It's always exciting to think what will be the next big thing in photography. What new piece of gear will hit the others out of the park and change the game. The argument can be made that the technological advances in sensors have made it harder for photographers to differentiate themselves from the #shotoniphone masses, but we all got in to photography to take pictures, with whatever tools we had available at the time. This video shows what could be the future of photography. There's only one way to find out whether it's right or not.

We all wonder what Nikon or Canon’s next camera is going to be like or how will social media channels that affect our business evolve in the near future. But what about the distant future of photography? Let’s see some predictions about the photography, gear and business.

Do you have images or films that are sitting on your file servers and nobody, except for your team and the client, knows you did them? Even if you don't, you will eventually have a few some day. How would you handle such requests to not publish images and can you take any advantage of that?

EISA recently named the Sigma 135mm f/1.8 Art as the best DSLR lens for 2017-2018, and based on my experience with this lens, I have to agree. It is a fantastic lens and performs at a very high level, with incredible detail rendering capabilities and beautiful bokeh. For the longest time, the 135mm focal length had a little bit of a gap that really needed to be filled. Canon has their version, which although is a great performer, it just can't match the likes of the Zeiss 135mm f/2. However, due to having autofocus, many tend to choose the Canon version over the Zeiss. With the release of the Sigma version, it would seem that one may no longer need to compromise.

If there is anything photographers can agree on, it’s that we are obsessed with quality. This is a good thing when dealing with business, clients, and even personal projects. How many times though has this caused a glitch in documenting your personal life? I can personally say that I’ve let this get the best of me.

When it comes to photographers, there seem to be those that dabble in a bit of everything and there are those that shoot one and only one genre. It's a difference of mindset and of perspective, but is either better than the other or does it boil down to a matter of preference? Is there a clear cut benefit for either stance? I'm a one-track mind type of guy and I'm here to tell you that it doesn't bother me one bit.

I often think back to what it must've been like being a photographer before the birth of the Internet, the social media craze, and the hunt for likes, shares, and follows. Photography was less convoluted before the dawn of the digital age, with specialist magazines and museum and art gallery submissions showcasing only the cream of the crop. Browsing through old magazines and reading the articles, it's clear that the top-tier photographers stood out amongst the rest of the crowd for their raw skill in their art form. Their images meant something to many of those who took the time to stop and look at it for longer than two seconds.

A good portfolio is never finished. Portfolios, books, albums, or websites, however a photographer's body of work is contained, it should be ever-evolving and developing even after a photographer has started working on professional projects. Any perception that a photographer can leave a portfolio static once work starts flowing in is a dangerous one. For a number of reasons, developing and improving is an on-going process.

As photographers, we’re often on the bleeding edge of technology, and these days, the bleeding edge often includes an app for that. However, manufacturers are increasingly relying on apps to control their hardware at the expense of dedicated physical controls — and it’s a practice that must stop.

Like the Nikon D750, the Canon 5D Mark IV is the parent brand’s attempt at making what’s arguably the most versatile professional full-frame camera system that fits the needs of most professional photographers, except that it beats the D750 on nearly every metric that matters, as it should for a newer camera. Still, Nikon’s D850 easily strips the versatility title from Canon for plenty of reasons, not the least of which is resolution. The 5DS line, however, isn’t the only thing at which Nikon is taking aim with the new D850.

Even in today’s world where all the information you’ve ever wanted is in the palm of our hand, we still get caught up in the latest and greatest tech and forget about what most important — the story. We all go through stages where it’s easier to make the excuse that you’ll start putting out better work once you buy a specific piece of gear or you’ll start practicing your video work once you get that gimbal you’ve been safe keeping in your online shopping cart. We just need to spend more hours behind the camera constantly shooting than daydreaming about the gear that we’ll have soon.

I still remember the first time I heard the word. Senior year of high school. Sitting lazily squeezed into a metallic desk-chair combination unwillingly decorated with the carvings of amateur graffiti artists from years past. The boisterous post-recess classroom went quiet as my favorite teacher, and apparently everyone’s favorite teacher, Mrs. Wallace entered the room. With an ever-present sense of flair, she strode to the chalkboard and wrote out eight letters in big bold type. P-A-R-A-D-I-G-M. I didn’t know what it meant. Heck, I didn’t even know how to pronounce it. But, in that moment, I was introduced to not only a new piece of vocabulary, but given a dynamic tool to develop as an artist, and as a person.

CrashPlan is a popular cloud-based backup solution that many (myself included) use to backup their computers and external drives. But the company's announcement this morning to focus on business-to-business services leaves consumer customers hanging, despite their promise not to do so. Those of us with particularly large backups on CrashPlan's consumer service have a problem that raises a greater question about cloud-based backups in general.

If you’re like me, you spent yesterday evening flipping through dozens of eclipse photographs on social media. Whether you wanted to see them or not, there they were. All the blurry, grainy Instagram shots taken through cheap eclipse glasses got me thinking…how much did we actually experience this crazy, incredible, once-in-a-lifetime event, and how much of it was spent waiting for the perfect, “'gram-worthy” shot? Does photographing something take you out of the moment and prevent you from actually experiencing it? According to a study published in Psychological Science, it’s complicated.

Photography requires repetitive tasks that can often become habit forming. When we find a way of doing something that works, we repeat those steps to get the desired result. We get locked into certain styles and certain ways of thinking. This can be valuable because it makes us dependable, but these habits can also have an undesired effect: they can make us predictable, bland, and stifle our creativity. What can a photographer do when their creativity starts to atrophy? The answer is play.

For freelance creatives, earning passive income is a great way to increase your annual profits, but getting a large library of images uploaded can be a daunting task. Plus, which agency should you use? When will you find time? The simple answer is the time is now, and the sooner you jump on, the sooner it will pay out.

Unless you live on another planet (or in a different country), you probably haven’t missed the announcement of the upcoming solar eclipse that will take place on Monday when the moon passes in front of the sun, casting a shadow on the United States for less than three minutes. While I am confident that the eclipse does not mark the end of the world, I will probably stay in my office catching up with accounting tasks at that time. Here is why I will miss the eclipse party.

Benjamin Franklin once said, “If you fail to plan, you are planning to fail," but then again Franklin wasn't a photographer. Photoshoots with humans, animals, or even some objects are dynamic and even active situations that are at the same time part inspiration and part performance. Finding the right balance between planning and improvisation can help take your photography to the next level.

Facebook has put a fresh coat of paint on its app with an overhaul to some of the graphical elements. One major change of note for photographers is that profile photos that appear alongside comments and in the newsfeed will now be circles instead of squares.

Dynamic range tends to be an important feature for any camera and something many photographers either boast or complain about. Canon cameras aren't really known for their dynamic range performance, but in this "two-minute video," Peter McKinnon explains how you can use the built in Canon picture profiles, to improve performance for video.

Recently as I was looking into some backlink research on Google, I realized that one of the first links that comes up when searching for my business is my Yelp business page. This isn't surprising. Yelp is an established business and has an established website with high domain authority, of course it's going to rank well within search engines. What was surprising, however, was how the title of the link read, "The Amberlight Collective - CLOSED."

Most of the successful photographers and videographers that I know are effective at constructing a plan and making it a reality. And for the most part, this works, and when it doesn’t they usually have a backup plan. This is the base expectation for most people that have actually put time into developing their career. If you've worked long enough, you know that the odds are pretty great that things won’t go exactly as planned, so you prepare for that. But what I find is overlooked so often is not necessarily the forethought to make a Plan B but the forethought to consider how you will handle yourself when things inevitably go wrong.

There seems to be a surprising amount of contention relating to whether or not you should watermark your images. Some people are adamant that yes, you absolutely need to put your stamp, so to speak, on images that you're putting out there online. Other people feel that a watermark is tacky, or that somehow it's presence cheapens the quality of the image that it has been applied to. As I have found with most things in life, context is king when it comes to watermarks.

Multimedia professionals rely on solid tools to get the job done, and those tools have typically been Apple’s Mac lineup. But as Apple shifts its focus more to its MacBooks and iPhones, it’s neglected a tiny, but important product: the Mac mini.

Citing a contractual agreement with a band multiple bands at a free concert series, Los Angeles recently banned photography at any of the upcoming concerts scheduled to be held at a public park. The order violates the Constitution, which protects any United States citizen's freedom of expression in the First Amendment.

When people talk about finding their “voice,” you might get the impression they looked down one day and there it was — lying on the ground, fully formed and functional, just waiting to be used. In my experience, though, finding your voice is more about hard work. And time. Lots of time. Our voices are built, not found. It seemingly takes forever. A decade or more. And here’s the frustrating thing: you can’t rush it. There are no shortcuts to finding your voice. You have to go the long way — slowly accumulating influences, trying on different styles, finding a voice that feels natural — and then refine it slowly, project after project, year after year. The good news is that while there isn’t a shortcut, there is a path.

Getting to “yes.” It is the story of our lives. Whether pitching a client a new idea or nervously asking the woman you met at the corner store for a date, that sweet little three letter word can be pure music to our ears. But as we progress in life and the choices become more complicated, we realize that the questions themselves aren’t always so black and white. And, sometimes, our three letter friend isn’t always the right answer.

The Arrow Smartwatch claims to be the first smartwatch with a 360-degree rotating camera. This raises the question, would an iPhone-quality camera be more preferable on a watch?

Sometimes as creatives, we lose sight of what originally attracted us to the creative process of photography and videography in the first place. We get lost in the noise while we are busy juggling social media, websites, managing shoots, pitching to clients, and constantly reinventing our work. Every now and then we need an image or a video to really put in perspective why we feel the way we do when we raise our cameras to our eye. The wonderfully directed short film "Too Far Gone" does just that.

Medium format systems are widely known as being the best, producing the most detailed and technically superior images. The lenses are supposedly the best available too, such as the 40mm from Rodenstock which is praised for its amazing performance. If you want the best in image quality, the widest dynamic range, and the deepest depth of field with the least amount of diffraction, then medium format is the answer... or is it? Is this simply perception? If you repeat something enough does it become fact? How many people who believe this to be true have actually tried and compared the best from medium format to the best available from full frame?

Shourya Pratap Singh Chauhan used Photoshop to simulate himself living a life as a billionaire, which was all for show. His following started growing from 200 to over 20,000 and it's mainly due to this portrayal that people started following and sending him direct messages. This matters in a big way. Firstly, have we become so gullible to believe it, and secondly, what can we as photographers and video makers learn from this for our own businesses?

There are endless instructions and formulas out there you can choose to follow when working towards becoming a photographer. To say that it's overwhelming is an understatement. I know all too well how easy it is to let the discouraging cloud of options cause you so much anxiety that you fail to accomplish anything in a day. Our time, money, and attention spans are limited, but you do not have to let this stop you from following your dreams. I know, there's a lot of tutorials to watch and gear to purchase, but it's what you do every single day that will take you farther than anything. So, here's what I do, and I do it obsessively.

Life… is funny. I don’t need to tell you that. Anyone afforded the great privilege of living long enough will be finely attuned to the vast absurdities that occur on a daily basis. The anomalies. The coincidences. The luck. The misfortune. And as I was gratefully subject of such a peculiar day of coincidences last week, I couldn’t help but to share a brief tale and try to explain what it all means to me.

There are quite a few different photography communities here online where you can display your work, create a portfolio, and even enter photography contests. Is it really necessary to join all of them? Managing portfolio accounts across multiple platforms can be quite a chore, especially if you want to keep them all current.

Every time I’m on a set or grabbing coffee with another local filmmaker, we always end up talking gear for a bit, and inevitably the question comes up of “What camera would you buy if you had to buy right now, and why?” I decided to research things a bit and put together an article that explains what I’d buy if I absolutely had to right now, and the answer might surprise you.

About a week ago I was in New York City visiting for pleasure and decided there was no way I could leave without visiting my favorite store in the city: the B&H superstore. This was something I had been looking forward to since it would be the first time I could get my hand on the new Sony a9 and see what all the fuss was about. During my visit, I was absolutely floored by the performance of the a9 and how the Sony kiosk had way more attention than anywhere else in the store. This along with the recent announcement of Canon’s 6D Mark II and Nikon’s company woes made me realize how much the industry needs a company like Sony.

What’s holding you back? Is it work or responsibilities? Is it just life getting in the way? Is it you making a commitment to taking that next step? This morning I was overlooking the Rio Grande into Mexico and I thought that there's no place I’d rather be than right here in this moment. This is what getting out of your own way feels like. It’s happiness and adventure and exhilaration. It’s when we’ve overcome ourselves and have accepted the fact that we just have to move. We have to pick a direction and go.