Last week we asked the community to submit their automotive imagery to be critiqued by the Fstoppers team. Lee Morris and Patrick Hall went through a range of 20 images and gave their thoughts and feedback with the Fstoppers rating system. Check out the selection of pictures below and add your thoughts to the comments!
One of the biggest questions I get when photographers consult with me about managing their brand on Instagram is: "Should I create a business page separate from my personal page?" This discussion was started on the Instagram for Business group by Martin Bonden, who asked what I thought about creating a business page on top of a personal page, as opposed to having just the one. Here are a few reasons why I like to keep mine all in one page as a professional photographer.
It can be daunting to try to think of a completely new, never-been-done-before concept for a shoot. But sometimes, the answer is surprisingly simple. In an age in which everyone is touting shooting on the latest equipment with 4K video, while begging for ever-greater bit rates, Japanese designer Dan Tomimatsu took pause to give us something refreshingly simple and beautiful. Using a water droplet "stuck" inside a five-yen coin as a lens on an iPhone, Tomimatsu shot "O (eau)" with the intention of reminding the world that beauty can be found outside of razor-sharp 4K imagery.
While the original source couldn't be independently confirmed, the studio behind the recently released movie, "Everest," apparently sent BBC a clip of the still unreleased film without audio effects. Instead, throughout the entire otherwise hair-raising scene, the actors speak to each other in a tone seemingly more appropriate for a focus group discussion between amateurs trying to solve a Rubik's cube than for a life-threatening situation climbing Mount Everest.
Our next episode of "Critique the Community" will include any automotive imagery, cars, motorcycles, engines, or other vehicles. The above incredible image by Digital Macdaddy should inspire you to submit your best automotive photos below! Please get in your submissions by Friday at noon (EST) and you'll have the chance to have your image critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify you must follow the submission rules below.
"Oh, this is going to be good," I chuckled to myself. Fstoppers co-founder Lee Morris had just posted an article and video called "The New iPhone Fashion Shoot: Bikinis, Foam Core, and Flashlights." I knew the response would be fast and passionate. I wasn't disappointed.
Always backup your work, and then backup your backups! This opinion is brought to you by the recent news that Oakland-based photographer Jennifer Little lost her "life's work" when 21 hard drives containing over 70,000 photos were stolen from her home. To go along with the hard drives, she also lost eight cameras leaving only one left.
Recently our own Lee Morris shot a model photoshoot entirely with an iPhone 6s Plus, showing that with proper lighting technique, a good model, and proficient use of editing software, you can obtain professional looking results with even the most humble of cameras. Andrew Weber, a professional sports photographer, decided to take it one step further by capturing the unpredictable environment of a primetime NFL game with only his iPhone 6s Plus in hand. Weber was kind enough to answer some of our questions and provide a great sampling of his photos from the shoot.
In the continuing saga of musicians complaining about others stealing their work or not getting paid enough for their work and then ripping off hard-working photographers, the rapper T.I. has joined the pack. T.I., most famous for hits "Rubberband Man" and "Whatever You Like" has stolen a Trinidadian photographer's work for use in an invitation to a party he's hosting. The photographer has called him out!
As we all know, the human experience is unique. Your life and your opinions will never be the same as any other persons. This is why there is a subjectivity to art. When viewing and creating art, there will not be two artists who imagine the same piece. Since photography and retouching are both art forms, it would be plausible that the same applies.
In the world of photography, preparation goes a long way. From creating mood boards weeks in advance, communicating with everyone who will be on set, to making sure your gear is in proper working order, there is a lot to do before you even shoot. Whether you are shooting in the studio, working on a large scale shoot, or just going for a photo walk with some friends, here is a simple list of steps to make sure you are ready the night before a shoot.
For many years now since the digital revolution hit the mainstream, the continuing and growing complaint in the photography industry generally centers around two key points: Too many photographers out there and too many clients offering exposure in lieu of actual pay. The problem continues to worsen, but there is a way to possibly solve it, and it involves, plain and simple, revolution.
I’m sitting at my desk on a Friday and I get a phone call. It’s Saturday’s wedding venue, and they’d like for me to sign my life away. In what’s becoming an all too common practice, the venue has decided that for me to be allowed to photograph my client’s reception I should grant them a waiver of liability that allows for their potential future negligence to go unchallenged in court, even if it results in my death. Seems like a pretty fair deal for the guy showing up to take pictures, doesn’t it?
For our latest submissions to Critique the Community, we asked photographers to submit their product images for review and feedback. We had a great variety of submissions this week and choose 20 of them to talk about. Thank you everyone who posted their pictures. To see the variety of shots we chose, check out the talented work from our community below.
When people first get into wedding photography, one of the main pieces of advice they will hear over and over is, “You can’t reshoot a wedding." This instantly leads to photographers asking, “How do I protect my images?" Image backup and cataloging is sort of like baking a cake. Every photographer is going to have a different recipe to how they do things. Over the years my process has evolved into what it is today. This process came about in part from learning by fire, and another part came from learning from others. If you don't want to use my entire process, I at least hope part of it can become a helpful addition to your workflow.