Recently while filming video for our next educational tutorial with landscape photographer Elia Locardi I found myself asking, "Why in the world do our $4000 cameras still not do this?" Today I have laid out 12 simple features I believe would make all of our lives a lot easier, and most of them could probably be implemented right now! Give me your opinion in the full post poll.
Last week saw the release of ‘Anomaly’, a film that is redefining the approach and model for independent, narrative film making. Co-Director Salomon Ligthelm outlines how he managed the project as it grew from “a 2 minute art film” into the astonishing 38 minute-long final masterpiece, and provides key takeaways for all of us that we can apply to our own stills or motion projects. If you have any interest in what's coming over the horizon for cutting edge, independent, visual media production, this is for you.
With the year drawing to a close, and the new one just around the corner, it is at this time many of us reflect on what has happened and what we plan to achieve. Year after year it is the same story. We make a couple resolutions, we give it a good go for a few weeks, and then we fall back into some old routines that keep us from making progress. Here’s how I like to tackle my resolutions and keep myself on track each and every year!
We all have those pivotal moments in our lives where a single decision changes everything. When I picked up a camera about five years ago I quickly became obsessed with composites. In the beginning, I honestly had no idea where to even begin learning how to create these marvelous hybrids of photography and digital art. I had to learn how to create composite images! I knew if I could get to a point where I could create what I saw in my head, I could change the path of my career. Little did I know composite photography would change my life forever.
One of the most noticeable differences between portraits taken outside using natural light as opposed to artificial light is the background. Images using artificial light tend to have darker backgrounds. This is crucial in catching the eye of the viewer and allows him or her to focus on the subject. This article is a guide in achieving this look using natural light only.
When I first began shooting headshots, it was a daunting task. Figuring out a rhythm for how a headshot session should go felt like an overwhelming problem. I slowly began to solve the problem through trial and error. It was when I began to realize that we have no control over almost anything in life that I began to find my own rhythm in this crazy photography business.
During the last few weeks, Instagram has teased in your news feeds that they were removing and deactivating spam accounts. Their message mentioned it would ultimately result in a loss in the follower count on your profiles, as shown above. This had many people running for the hills, imagining their tens of thousands of followers would turn to dust, and the loss of that clout they have built over the years will be all but nothing. The results have been widespread, but here are a few accounts to check in on as I give my thoughts on the whole thing.
For the last 2 years I've made my living shooting architecture with DSLRs, mostly short videos of California's fanciest multifamily apartment communities. When my client Synergy Corporate Housing asked me to continue that mission with all of their international properties in 10 major cities across 8 European countries, the first thing I thought when I saw the 32-day itinerary was, "bring a Hasselblad."
I love art for its freedom. I love art for its simplistic complexities. I love art for its infinite possibilities. I love art for its ability to make me feel happy, feel sad, laugh out loud like a crazy person, feel empathy and feel completely alone. Which is exactly why the reasoning behind the cancellation of the film ‘The Interview’ makes me feel outraged.
Every time I hear a photographer state, “I’m a natural light photographer”, it can carry a suggestion that they are a more honest type of photographer, better attuned to reality, and purer in motive. What I hear is, “I haven’t learned to use my flash.” This may sound harsh but I can’t help it; right or wrong, I want to call them out on it. It is time to question why natural light shooting has, in many circles, become the more virtuous form of photography.
I guess I’ve always been different; I’ve never really yearned for a big studio space. As a freelance photographer, the majority of my clients require that I come to their location and shoot on-site. I have a strict organizational-mobile system to transport all my equipment which includes over 8 strobes, 2 scrims and a plethora of staging props and modifiers. I’m asked quite often about my studio and where I shoot all these incredible portraits and dramatic fashion editorials. The answer is easy; my living room.
Let's face it, it is about to be 2015. As in, 15 years after the change to the new millennium. We are firmly in what we used to call "the future" when I was a kid, and technology is overwhelming us with brutal amazingness every couple of weeks. The youth of today have no idea what life is like sans smartphones (read: access to almost every piece of information in the world at any time in your pocket) or social media platforms. To them, life is one big pile of over shared, overseen and overly celebrated schlock mixed in with useful bits of knowledge, and it is all taken for granted. The digital world isn't coming, it is here, and has been. So who in the right mind gives a crap about a printed photograph anymore?
People often forget that all successful photographers started from the bottom. This knowledge should be an aspiring photographer's motivation that fuels every action and re-touch. Each person has the ability to exceed beyond expectations; to set goals and reach them. In the future, you may look back at your work with embarrassment. Remembering where you started from should be a source of pride. The growth of 20 popular photographers in their retouching skills might be the greatest source of inspiration.