If you are like me, you have always bought a UV filter for each of your lens because that's what you are supposed to do, right? With today's lenses having built-in UV protection and high quality coatings, are UV filters even needed anymore? Check out this video by Karl Taylor as he weighs in on his personal thoughts about UV filters.
As the photography industry continues to grow, so does the amount of different mediums for education. From tutorial based websites, to tutorial DVDs, to workshops and even websites like Fstoppers here, there are multiple ways you can find new techniques and grow your craft. And maybe this year, is the year you truly take advantage of them.
This is a post for all the dude photographers out there. I really don't want to be writing this, because I don't think it should have to be said, but apparently it does. This post is simply a call and reminder to treat your models with the respect that they deserve. I want to talk about respecting your subject's boundaries in general, but I also want to address the psychological part within men's minds that makes them want to see women naked.
Two weeks ago we saw Tony Northrup comparing the Canon and Yongnuo 50mm 1.8 lenses with his thorough video. Now Kai of DigitalRevTV has decided to bring you his own version of this same comparison. In typical Kai fashion, his presentation is perhaps more humorous than scientific, but in between the jokes are some real kernels of truth. Take a look at how his analysis compares with Tony's and whether the Yongnuo copy is really worth the savings.
This week Instagram released an all new photo collage app to the masses called Layout. Similar to their last development, Hyperlapse, it's completely separate from the original photo sharing application. Though I am glad Instagram is branching out into new ventures, it feels as though this one might be a complete waste.
Most of us know that arbitrarily uploading your shots on Facebook generally fuddles them all up, which is a reason to panic considering our image's quality is a big part of how we make a living. Back in December, I wrote an in-depth article on how I export and then upload my photos to Facebook and preserve the quality of images in the process. As clear as I thought I was, I still received tons of questions. As such, here is a step by step video tutorial you can watch as a visual aid for the original article.
Video is booming. Facebook is apparently in talks with several partners for it’s “Anthology” project – higher quality video produced by dedicated market-leading media companies. Adobe found unique visitors to video sites grew 146% in June 2014 year to date, and advertisers shelled out 28.5% more on video ads than they did in the same period. But what does this all mean to those in the photography business and (more importantly) how can you take advantage of it?
On Fstoppers, we’ve long been fans of quality behind-the-scenes video counterparts to an interesting photo or video project. They are great marketing tools for us as creatives searching for more work, but they also help promote the primary business or product. This means we can justify pitching these videos as an add-on service to our clients.
It’s not personal, it’s just business; Perhaps a saying more profound than most would imagine. As is the case with many endeavors born from a pursuit of passion, it can be hard for photographers to turn a hobby into a business. Here are five mistakes that might send you back to shooting as a hobby before you can even say “open for business.”
Recently announced at the head of WPPI a couple weeks ago, was the Profoto B2 strobe system. The unit, small in comparison of its competitors, was arguably the most exciting product announcement this year at the popular photography convention. However, the burning question everyone has been asking is… is 250Ws enough for on location work like Profoto suggests?
Last month, internet pioneer and Google Vice President Vint Cerf warned the world on BBC about the impermanence of our data in a digital form due to the fact that the technology that can read it today will become obsolete. He argued that in a few hundred years, we may not be able to read any of the images or videos created today for the same reason we can't read a floppy disk: because technology will have moved on without us, and without that information. But is he right?
We've had one hell of a cold, long winter this year here in North America. On top of that, I live in Houston, Texas, so this business of freezing rain in March can go die in a fire already. I enjoyed shooting moody styles outside during this extended drabness in recent months, if I'm honest. However, sunny days are coming and I couldn't happier it because summer means outdoor swimwear projects begin, which is one of my favorite styles to shoot. However, having been so bleak for so long this winter, have you gotten yourself prepped for this most popular of fashion and glamour photography seasons?
Yongnuo recently released a 50mm F1.8 auto focus lens to compete with the very popular Canon version. The Canon 50mm F1.8 is already considered a bargain lens, so with the Yongnuo coming in at half the already bargain basement price, can it possibly perform equally or even better? Tony Northrup put together a fantastic and comprehensive video that pits these two lenses side by side in a comparison that will answer all your questions.
The photographer makes the photo, not the gear. That being said, it’s essential to have the best tools for your career. Would a doctor go into surgery with a blunt scalpel? There's a lot of debate when it comes to the topic "best portrait lens." Personally, my choice of lens until now has been the Nikon 85mm 1.4G. A few months ago I decided to rethink my choice of lens and tried the Nikon 200mm f2 and Nikon 135mm f2. Here are the pros and cons for both lenses and examples of what they can do.
We’ve heard plenty about the death of the humble photo as video proliferates. But photography is still far more accessible than video, often because video editing is still so time intensive. Instagram introduced video more than a year ago yet it is still predominantly a platform for sharing still photographs. But all that could be about to change. Last month I shot video as Flixel partnered with Lindsay Adler and saw something very interesting take place that got me thinking - could we be about to usher in a completely new era for photography?