Since the dawn of digital cameras, the megapixel has been the one stat that camera manufacturers and uneducated consumers identified with quality. Sure, back in 2003, the difference between 1.3MP and 3MP was astounding, but in recent years, its became much more arbitrary. With phones like the Nokia Lumia 1020 sporting a 40+MP sensor, is the war back upon us? If so, how can we kill it? [more]
Last week we saw a few news worthy announcements from a couple of the larger photography portals. Livebooks went dark from their clients until the announcement was made that they are now under Wedding Wire and PhotoShelter released their new Beam portfolio service. It seemed fitting that a post be put together to compare and contrast a handful of the larger services and find out which are best suited for photographers needs. [more]
Whenever I take a moment and look at landscape photography it’s like a tiny escape. An escape from the busy commotion of the cities that we live in and the chaos of the people in those cities. Most landscape photography is calm and serene with a beautiful array of colors acting as a canvas. Photographer, Benjamin Edelstein known for his stunning work sits down with us to talk about what it is to be a landscape photographer. [more]
If you’re like me, and you upgraded your camera body and Lightroom version before updating your RAM and Processor, you’ve probably experienced speed issues with your workflow. Lightroom 5 has come to the rescue with the amazing addition of Smart Previews. This is going to revolutionize your workflow!
Photographers are artists. That is one fact that the original photographers spent years convincing others to be truth. But how often do we consider the models to be artists? I would wager rarely, if ever. Model Jen Brook challenges that mentality by acting as the creative director on a group of images she calls her “Dreamcatcher Project.” She works with a group of photographers to capture her vision, and the results show that she has the “eye” as well as the unusual ability to create through others. [more]
Just because we are photographers for a living doesn’t mean all our equipment has to be 100% utilitarian. Sometimes a little bit of style and fashion is appreciated, and ONA looks to deliver in that department. The ONA Leather Brixton, now available in “dark truffle” color, is a sling bag that looks like a businessman’s briefcase sling, but is designed with a photographer in mind. [more]
A single photograph from a photography session barely shows you all the planning and execution that goes into a photoshoot. Dozens of ideas, shooting styles and concepts often come into play in the pre production, not to mention the hours that can be spent in post production as well. As a result, I decided to give you all a breakdown of my recent photoshoot with good friend and model, Harmony Romano.
Carl Zeiss (Now just named Zeiss) has always been considered the premium brand for lenses in the photography industry. With their high ticket price and extreme build quality, Zeiss had always been reserved to the biggest (and richest) names in the industry. Well now they’re trying to maintain that brand image, while moving into the mirrorless systems industry. But how does their latest 32mm f/1.8 lens hold up? [more]
There’s been a lot of buzz these past few months about Rokinon’s new 24mm tilt shift offering. Many enthusiasts are interested in tilt and shift capabilities, but are not interested in shelling out the $2,000+ for the Nikon or Canon equivalents. Rokinon’s entry into the field has been widely anticipated and it was finally my chance to get my hands on this little lens for a review. [more]
Starting today PhotoShelter released their new “Beam” portfolio websites templates on top of the secure cloud storage, e-commerce capabilities, SEO, image delivery and client proofing tools that are available to PhotoShelter’s existing members with Standard and Pro accounts. PhotoShelter’s CEO Andrew Fingerman gave me a quick rundown of the new designs during a walkthrough last week and from everything I saw it looks like it could be great tool for account holders who need a functioning website with minimal set up. [more]
Not since Matthew Brady’s work documenting the Civil War has the tintype photographic process been used on the battlefield. Staff sergeant Ed Drew, an aerial gunner in the California Air National Guard, brought tintype back to the theater of war to photograph his fellow soldiers during his deployment from April to June in Afghanistan’s Helmand province. [more]
Camp 4 Collective is an adventure film production group with clients like RedBull, The North Face, and National Geographic, so they are often found at the edge of the world, camera equipment in tow. Recently, some of the Camp 4 team traveled to Alaska to shoot some aerial footage. In this video, Anson Fogel explains the Cineflex helicopter camera system, and in the full post he and Tim Kemple answer my questions about its controls, production costs, and what it’s like to play in helicopters. [more]
Editing takes time, quite often it takes a lot of time and many of the steps can be quite repetitive and boring. The best thing I’ve ever done for myself to speed up this process is memorizing keyboard shortcuts, so I’ve put together this list of five resources (in no particular order) that I’ve found to practice familiarity with these shortcuts and become more comfortable with the programs themselves. In order to cater to the largest audience I will be focusing on Adobe-tailored tools, however some may crossover into other programs.
Wouldn’t it be nice if you could open your inbox and not have to worry about sorting through all the spam to get to the messages that you actually want to read? About 6 months ago I learned of a tool that has been helping me do just that. The tool allows me to unsubscribe from emails with one click and combine all the other commercial emails (the ones I actually want to read) into one easy to read digest without all the clutter in my inbox. A true game changer for my email. [more]
It’s easy to overlook just how powerful the RAW processing engine can be. It’s also pretty easy just throw an image into Photoshop and deal with it there, but RAW is where all the information is – and a dynamic RAW file is the most important aspect of developing your image. You will never have more information to work with than what is in your RAW, so it is important to draw every bit of tone out of it that you can – especially when it comes to maximizing the tonal range in the shadows and the highlights. [more]