What is the best lens? If you shoot wildlife, a long zoom lens will bring you close to the action but allow you to keep your distance so as not to startle your subject. If you shoot architecture, a tilt shift lens will allow you to make sure all the lines of your room or building are straight. Shooting weddings? You will most likely need a lens that can zoom for a variety of wide and close shots. When photographing food there is only one way to get those close up mouthwatering shots that your clients desire! Allow me to show you how a lens with macro capabilities will change how you shoot food! [more]
Food styling can take place in the production kitchen and in front of the camera. How do you know when and where to style your food? The answer will depend on what food you are shooting. For food with long shelf lives, like cupcakes, the dish will generally be camera ready when it leaves the kitchen. If the dish involves a sauce and a variety of garnishes, the styling will occur both in the kitchen and in front of the camera. Here is a behind the scenes look at a dish that involves styling in both locations: The Meatball Sandwich.
Whether I’m going out for a short hike, a weekend camping trip,
shooting the zombie apocalypse, or assisting someone for their personal project, there are many times when I’ve needed to be light and fast in my video rig setup. Besides going with a single camera and lens, the accessories I choose enable me to be versatile and get better clips in the end. Here’s my top 8 list of items that keep me on the move while I’m shooting video. [more]
If you are a professional, or an aspiring professional photographer, you rely on your photographic work to bring you financial rewards. Self satisfaction alone, won’t pay rent, put gas in your car, or food on the table. If you want to earn money from your pictures, then you will have to find someone to pay you for them. Here are a few strategies that you can implement to start selling your food photography!
Have you ever been assigned to take pictures of a chef’s creations in a restaurant? Photographing food on location at a restaurant is a very common assignment for a food photographer. I have an editorial client that sends me to 4 or 5 restaurants every month to take pictures of the dishes. Through these assignments, I have discovered that most restaurants are not designed with the photography in mind. [more]
When you hear the words cinnamon rolls, what comes to mind? Is it a roll hot out of the oven with a rich creamy icing oozing over the sides? Or do you picture a Saturday morning breakfast with a dish of rolls that have been covered in a rich thick cream cheese frosting? Neither vision of a cinnamon roll is right nor wrong. The key in turning these cinnamon roll visions into reality is the styling.
A captivating photograph often tells a story. That story is – more often than not –the story of the one taking the picture. Sometimes the story is obvious, and sometimes not so much. It’s in that delayed gratification that we are able to explore the nuances –when we have to reach into the subtleties for meaning behind a photo. Lara Jade is a classic example of this and her images are a vivid interpretation of her life. [more]
When we announced the new 18-35mm f/1.8 lens from Sigma, the excited and joy-filled response from you all was nearly instantaneous (which was rather impressive since it was confirmed at just past 1 in the morning eastern time). I too was particularly excited because of what this lens means to the industry and the future of lens design. I want to share with you my first impressions of the lens, which arrived in my studio just a few minutes ago. [more]
I’m a strobist by heart. When I first got into photography, I didn’t even begin shooting portrait work until after I had gotten at least a flash. That purchase, quickly turned into studio strobe after studio strobe until I found that I was completely controlling all light sources during my shoots. So who better to review SLRLounge’s latest DVD, ‘Natural Light Couples Photography Workshop’, right? [more]
If you’ve been hired to photograph a wedding, there’s a very good chance your clients will also want you to take engagement photos. Recently we released our 14 hour long wedding tutorial How to Become a Professional Commercial Wedding Photographer which covers everything about how to start a wedding business. Lee Morris previously released a sample called How To Light Posed Photos In a Church but today I wanted to share a free excerpt on making the most out of your client’s engagement session. [more]
Are you interested in adding food photography to your portfolio, but don’t know where to start? Don’t be intimidated. Yes, you can spend a lot of money on expensive lighting equipment, lenses and cameras, but these aren’t necessary to make a beautiful food image. If you are a portrait photographer, landscape photographer, sports photographer, or an expert instagrammer, you can use the gear you already have to make beautiful images of your food! [more]
Most people think lifestyle photography is over rated. Just pictures of people hanging out having a good time and thats about it. Technically, yes that is it. However, it’s more than just that. It’s not that easy to just have the shots look like people hanging out. They have to work well with each other, you have to be able to tell a story with the images, show emotions, ect. Basil Vargas is one of the many Life-style photographers I really enjoy looking at. [more]
As a type of person that loves to figure out everything I can about gadgets and software, I am always surprised by how often I meet up with photographers that really only use the powerful programs on their computers for the most basic functions. Typically we get comfortable with a few features and never really explore what else can be done. Maybe we run out of time, maybe we just have no interest. Either way, I hope to share some short, quick, easy to follow along videos over the next few weeks sharing some of my favorite tips and tricks in Lightroom. [more]
A couple weeks ago I was fortunate to work with Tina Hughes, a talented local clothing designer. Her latest collection blends vintage and modern elements. I thought that my friend’s modernist house would be the perfect location for the shoot. We were limited to doing the shoot during the (bright and sunny) day so I used speedlites, a polarizing filter and orange gels to add a moodiness to the images. [more]
Back in October, the local headquarters of a global company that specializes in industrial automation hardware and software solutions contacted me. Over the next several months, I put together a production plan for this company and we agreed on what they wanted for a final product. This video is a behind the scenes look at our primary shoot day. Click on to read about how I used different tools to create an engaging video for my client. [more]