In our newest segment, we’ve turned to the public to ask some of our writers about working in the industry as professional photographers, and invite all of you to participate in the discussion. Last week, we asked about our favorite light modifier, and the week prior, about commercial photography. This week, we ask “Your camera is suddenly only able to mount one lens. What is it?” [more]
The phrase “go big or go home” seems to take on a special significance with photographer Dennis Manarchy. Obsessed with the concept of scale and the possibilities of working with massive negatives to create portrait images more than two stories high, he and his team have created a 35-foot view camera, the world’s largest film camera. The project, nicknamed “Butterflies and Buffalo”, aims to use the traveling view camera as a conduit for documenting more than 50 of the unique cultures in America. [more]
Over the coming weeks I will be releasing a series of articles that will guide you step by step through the process of pricing your photography for commercial work. I will show you how to structure an invoice as well as go in depth to discuss the different parts of the invoice itself. I will show you how and why you should be using license agreements on all your work. I will even explain how you should calculate your own rates in the commercial marketplace. [more]
Dani Diamond is a talented portrait photographer based out of Connecticut and is also an active member of our Fstoppers Facebook Group. His headshot work is impeccable and eye-catching. Recently Dani has started a personal project coined simply as “The Project.” His mission is to find fellow photographers from around the world, take their headshots and challenge his craft under the scrutiny of his talented peers. [more]
Mike Campau is on another level, and I don’t even know where to begin to look for this level. Mike is a industry leader in CGI and photoshop composites for the commercial advertising industry. He collaborates with names like Paul Mobley and Tim Tadder. Mike can take a blank canvas and build uber realistic baseball stadiums while drinking an IPA. [more]
Since joining Fstoppers I had planned on doing a “behind the scenes” of one of my shoots, so today I’ve put together a lighting diagram courtesy of Kevin Kertz, and a detailed description of how the finished product was produced. Fair warning, I am a bit of a technique nerd and can get pretty detailed. We’ve all seen diagrams online, and brief descriptions on what goes where, but it seems there are always details left out that can significantly impact the results. I didn’t want to do that. I wanted to leave no stone unturned and give you guys as accurate of a diagram and explanation as possible. [more]
Just about every day I read a comment from a photographer complaining about Facebook making their images look terrible. There are hundreds of websites that have done tests and posted results to show what they feel is the best resolution to post your images to Facebook. Rather than run a bunch of tests I am going to keep things simple and tell you exactly what has worked well for me. [more]
Because most of us fear rejection to some degree, speaking to a complete stranger and asking them for something, let alone asking if you can photograph them, tends to be pretty challenging. I’ve never been one of those naturally confident people but over time I’ve developed some techniques that have provided me with the confidence to work with strangers, which has brought additional benefit when communicating with paying clients. [more]
In our newest series, we’re inviting you the viewer to ask a weekly question for the writers of Fstoppers. Last week, we touched base on what we each individually believe commercial photography to be. Coming from different fields of photography, we all shared similar thoughts on the subject, but with different arguments and approaches.
For the second installment, we’re asking each of our staff ‘What is The One Light Modifier You Couldn’t Live Without?‘.
I recently got engaged and have started the process of finding my wedding photographer. Something that has become very hard since I have decided to rule out the possibility of a friend shooting it, because let’s face it, they need to be drinking. As a wedding photographer myself, I noticed some positives and negatives in other businesses first impressions. These are just things that have become my pet peeves while seeking a photographer, mostly website related.
In my first rickety little studio I called a place to take portraits, I had nowhere but a corner to store my rolls of seamless paper. In my little budget corner I found a million ways to ruin whole rolls, or ruin parts of seamless paper on an hourly basis. The ends would get damaged, the rolls would become wavy, and I would typically end up cussing and throwing away seamless that should not have been destroyed. It was money being thrown away. I want to prevent this from ever happening to you. [more]
Lately I’ve been scouting locations for a calendar project I’m working on, and it got me thinking how little content I’ve come across online on how to go about it. Location scouting isn’t really a science, there are a lot of ways to go about it, but there are a few simple tricks and tools to maximizing productivity in your efforts.
Keeping your models and clients happy on set is vital to creating images that evoke the full range of emotion. Part of your job as a photographer is to bring everyone on set to a mind space that is calm and comfortable. Here are a few tips on how you can play the good host. [more]
In the photography world, social media connects you with a multitude of people and not a month goes by where someone doesn’t mention they’re moving. The first comment they always make is ‘I don’t want to start my business all over again!’ But if you have developed a sturdy business in your current location there is no reason that continuing your business somewhere else shouldn’t be a possibility.
Many of us in the industry are using social media in some form or another. It’s a great tool in promoting our work and we tend to explore as many options as possible. Facebook is one of those options. You may be using your personal page along with a business page to promote your work. What if Facebook suddenly deleted your personal page and you lost all your contacts, messages, and more? That is what recently happened to photographer Catherine Oshanek, otherwise known as White Cedar. [more]