In the last segment of our commercial pricing guide we will tackle the least talked about and most misunderstood portion of your invoice; the licensing fees. I will go over what they are, why you should be using them, and my preferred method for calculating them no matter who my client is! [more]
This summer, TEDxYouth went to Lincoln Nebraska to find youth speakers and they struck gold. Wyn Wiley was suggested to be a TEDxYouth speaker by two of his teachers and little did he know that it would be an experience not only for the audience but for himself. He created 9 minutes of pure selflessness that is guaranteed to ignite a spark within yourself.
Often when it comes to professional photography, I get asked one simple question. That question is – How do you get clients to pay? It’s not uncommon to have some troubles jumping from the TF (Trade For) world into the paid world, so I’m here to share with you the tip that every single Fortune 500 company has used to get payment out of clients and build a successful business. [more]
Whether you’re a photographer or you focus on video, this article highlights the high octane visual set piece created by Slaughterhouse Pictures, who successfully combined principles of both stills and motion work to create high impact visual media with zero budget and very limited resources. Read the exclusive FStoppers article and watch the BTS video to get some simple and highly effective little tips that you will be able to apply to all aspects of your own work.
Have you ever been driving around and saw an amazing place that would be perfect for your next shoot? Only to forget all about it later. This evening my friend Jeremy Kester, owner of H.H. Boogie, shared with me an innovative way for photographers to share shoot locations. It’s free, it’s easy and it’s probably already on your phone. [more]
What am I worth? This is a question every new photographer ultimately asks himself. If you’ve ever wondered what you should be charging your clients and what the best way to go about it would be, keep on reading. I will go over how to determine your personal creative fee and how to present it to your client in a way that makes sense. [more]
If you’re curious about learning how to shoot video with your DSLR, or wanting to improve the video you shoot, this might be right up your alley. New York fashion and portrait photographers and videographers, Lindsay Adler and Jeff Rojas, are about to kick off a 3 day workshop called ‘Keep It Simple – Video for Photographers’ on Creative Live focused on helping photographers make the jump into shooting great video simply and efficiently. [more]
The portfolio review is likened to speed dating for good reason — you often have only 20 minutes to make a lasting impression. Whether you are having a one-on-one chat in a prospective client’s office or meeting at a photo festival round robin with several reviewers, here’s some advice for how to succeed… and, hopefully, put yourself in contention for future visual opportunities. As the saying goes, “you never have a second chance to make a first impression.”
A couple weeks ago, fellow Fstoppers writer Peter House wrote an article on focusing your work. I got excited at the possibilities of him giving tough love on the photography community as a whole. This article however, while exceptional, was centered on focusing your business efforts to grow to new clients. I’m here to do it a little different, and going to tell you what you’re doing wrong and why you need to stop. [more]
How can you take HOURS of footage from completely different projects, and edit together a montage that’s only a few minutes? Here is the second part of the Making A Better Demo Reel article where I’ll share a few techniques on reducing the number of clips you have, selecting music, and more. [more]
Cameron Davis is a photographer, cinematographer and creative director based in New York. Growing up in Southern California, Cameron has developed a style that blends East Coast with West Coast, adding in flavors of London and Paris. Focusing primarily on shooting editorial fashion imagery, Cameron’s work has been published in treats!, GQ Italia, Fault and S Magazine. [more]
If you’ve ever wondered how much time a good make up artist can really save you in post on your stills images, you might want to take a look at the absolutely stunning before and after shots in this article. Believe it or not, no Photoshop was used in the making of any of these images, this is all done the old fashioned way – straight out of camera.
In the competitive landscape of fashion photography, Charles LUCIMA stands out with fashion-editorial images and videos that have graced magazines and televisions around the world. We caught up with Charles after his three-day, Destination MARS workshop and right before shooting a new line of cosmetics. [more]
Before my trip to Russia in August I wrote about what we should keep in mind when choosing our clients. While in Moscow, I photographed my own best clients and I thought it would be very interesting to find out how we, photographers, get chosen too.
Needless to say, there are many factors that influence relationships between creative professionals and those who hire them. But I thought that interviewing my own clients could be a great case study and we all could learn something from their answers. [more]
After reading the comments on the Miley and Terry article I wrote the other day, it made me realize how many people are in the dark about Terry Richardson’s talent. I am a huge fan of Terry, mostly because he has an ‘I don’t give a damn’ attitude but he turns out some pretty glorious images when you aren’t paying attention. Most people when they hear the name Terry Richardson they think creepy, old, incredibly lucky photographer who gets to see a lot of boobs. But in reality he is highly talented and brought in millions last year for doing much more than mediocre white wall shots. [more]