As a society, we have a rather odd predilection against the act of doing something wrong by accident. As photographers, we often feel like even the smallest mistake is reason for self-condemnation. Not only are mistakes inevitable, they are also one of the most powerful tools that you have at your disposal.
I often see instructional videos and one-on-one tutorials with amazing photographers on various websites and while many of them are amazing and full of valuable information, they usually cost several hundred dollars. There are a lot of photographers that I would love to have a one-on-one tutorial with, but often it is just not in my budget. While I like to stay as busy as possible with my own photography business, in my free time I'll sometimes come across good opportunities. When I started assisting in my spare time, I quickly found that I could learn as much, if not more, than if I was watching a tutorial or having a one-on-one conversation with an experienced photographer — and I get paid to do it.
When I started out in portrait and beauty photography, I tried to have a makeup artist for most of my photo shoots. Why? Because I had always been told it would help my retouching. This is true in most cases. As long as you work with talented makeup artists, you will shorten the time spent in front of your computer. However, this is not the only advantage. Since I learned to do the makeup myself, I have discovered how having makeup done can help your photography reach another level. Noticing these benefits, I do everything to upsell my clients to get makeup done at the studio rather than having them doing it themselves. Here is why.
Night photography is something that every budding photographer will play around with at some point in their learning process. It’s a great way to get star-filled nighttime landscapes or to capture the light-painting shots in which you write in the air with sparklers. Most people don’t associate night photography with wedding photography, though, which is a shame, because it can be a good way to capture some non-traditional wedding images. These nonyraditional wedding images can help you stand out in the sea of wedding photographers and can help you book more weddings.
Prior to the a7RII’s release, the Sony Alpha mirrorless lineup played as a group of ambassadors to the possibilities in the technology. Each had their own role in showcasing how mirrorless could do amazing things that matched or exceeded DSLRs. With the a7RII, Sony has released the camera that its competition was warned of, and ultimately did nothing about. It has taken away the asterisk next to the Alpha name and is ready to play ball with the other top brand’s professional cameras on all levels.
In the last few weeks I interviewed both the Wickstrom’s and the Hage’s, creative couples who make their living while traveling full time. In this article, I’ll be sharing what I’ve learned from spending two months on the road with my partner, while trying to stay on top of projects and work on new ones. Come to find out, it is not as fun and dreamy as it sounds.
This week's winning image comes from Photographer Daniel Nordholm. It's a stunning landscape image that he captured in Lofoten, a beautiful archipelago in Norway. I was very excited to break from my norm of beauty and fashion retouching to tackle and share a landscape retouch. Many of the techniques and the workflow of a landscape can be very different from portrait retouching, while the philosophy can be quite the same. In this article, you will see the full retouch of the image in the short two-minute video. In all, the retouch took about an hour. I will also share some specific techniques for landscape editing that you can use in your images as well.
Markus Andersen, certainly one of the leading street and fine art photographers in Sydney, Australia, and known globally, has just released pre-orders for his first book – and it looks stunning. “Rage Against The Light” published by TG Publishing showcases his wonderful work around his home town of Sydney (and for the first 100 pre-orders, 42 remaining pre-orders, comes with a free print).
The Elinchrom Indirect softboxes are quite well known amongst fashion and commercial photographers. Especially the 190 octabank. Recently Elinchrom revised its indirect lineup and renamed it Indirect Litemotiv. The Swiss brand offered me the chance to play around with the whole line of Indirect Litemotiv for a little over a month. I must admit, these are great light shapers, and I did not really want to give them back. Are they the ultimate softboxes? I would not go this far, but they are very close. Here is why.
September 7th is Labor Day in the US, which means most people get to enjoy the last bit of summer sunshine with a three day weekend. To help kick off the end of summer, we are offering incredible discounts on tons of our Fstoppers Tutorials in the Fstoppers Store. Our next sale will probably happen at the end of November so if you are wanting some new education make sure you take advantage of this now. This is our first Labor Day sale and you can find all the discounts in the main post
So, you want to be a successful photographer? Or retoucher? Or art director? Or just about any other creative field imaginable? It is a treacherous road, ranging from emotional bliss to hopeless depression. Be prepared to battle the fiercest of foes with nothing more than obsessive determination and your arsenal of skills.
The day has finally come in which we are no longer bound to the square crop within Instagram. The ability to post horizontal and vertical images has been requested by users since the beginning of the app. In the past, you would have to open your image in another app, add borders, and then export the new image to Instagram. Since this is the process I follow, I know it’s a huge pain. But even with this new cropping ability, I’m sticking with my old ways.