Working on a film set is a great way to set yourself apart from other still photographers because everyone is shooting video nowadays. Before you try your hand at shooting a short or some video content, it might be a good idea to get some experience on a large-scale production and learn how the process works from professionals. I’ve been working on production sets for years and your first day on the job can be intimidating.
It's an exciting time of the year for wedding photographers and a time of plenty of chaos. Having a great second shooter is paramount among the necessities of any wedding photographer. If you're new to the genre, second shooting can be a fantastic way to get your feet wet and learn the ropes from a seasoned professional. I've put together a list, pulled from my own experiences and with talking to other wedding photographers, of the qualities we like to see in a second shooter. The better you are as a second shooter, the happier the clients and the lead photographer are, and ultimately, that leads to you being hired again and being recommended to others.
In my experience, there are two kinds of great lenses. The first is the kind that gets the job done. These lenses are technically amazing and produce extremely high-quality images. The Sigma 35mm f/1.4 Art is one of those lenses. It produces sharp, high-contrast images time and time again. But it doesn’t really have character — a feeling — of its own. This brings me to the second category of great lenses. Every now and again a manufacturer produces something truly special, a lens with qualities that can't be measured on an MTF chart or in lab testing. Nikon's Nikkor 58mm f/1.4G is one of those lenses.
When building a successful photography business, there is no aspect more crucial than a client meeting. This is your chance to represent the very best of your brand, while putting a face to the person behind the camera. For many photographers, the decisive face-to-face meeting can be an intimidating challenge. For others, it is their opportunity to shine and demonstrate how personable they are. Whether your are a wedding photographer or a commercial photographer, there are many techniques that can make your meeting a success.
Photoshop has been around for quite some time now. It works great and every photographer has gotten used to it. It is a staple in my workflow alongside Capture One and Photo Mechanic. Until a few days ago, I did not think I would hesitate changing my retouching routine. After a few years of trials and errors I am finally somewhere I feel comfortable with my post-production. However, after having installed Affinity I must admit that I might "cheat" on Adobe Photoshop.
The short days and long nights of winter have finally given way and spring is in full swing. For many photographers, this means one thing: wedding season. While wedding season is great, it can also be physically and mentally exhausting. I recently shot my first wedding of the season and want to share a few tips as well as things I would do differently next time around to help you plan ahead and prepare for any events you have coming up.
We've all been there. You are on set with your strobes and find you're in a mixed light environment. Light temps are varying all over the place, and even blending over each other, creating new and wonderful areas of unwanted color shifting. You do what you can, and assume you will fix it in post. So, in lieu of proper toning gels on set to balance things in camera, here is what I often do to balance mixed light in Photoshop.
A few months ago I got an email from Rhino Camera Gear asking if I would like to beta test their new slider. I didn't really know anything about this product and I quickly forgot about it until it showed up at our office a few days ago. I had no idea that this would be one of the most impressive products I've tested in years.
As a viewer, you rarely look at a photo and say “wow, that shutter speed and ISO really moved me,” right? The most memorable and moving photos may not be technically perfect at all. Adrian McDonald is the quintessential photographer, with photos that resonate with the viewers because of the way it makes them feel. That’s how you remember a photo.
Being a working photographer, and even as a weekend warrior, I'm sure we all suffer from low back pain after finishing a long day of shooting. This pain can last for days and sometimes weeks, and as photographers, if we can’t move, then we can’t work. So lucky for us, there is a simple solution.
We photographers are notorious for having terrible websites. Hiring a professional web designer isn’t always in the budget so sometimes you have to figure out how to do it by yourself. Here are a few tips that most people completely overlook when building their own website.
Gabe McClintock is an internationally known award-winning wedding and boudoir photographer based out of Alberta, Canada. His work carries an incredible amount of intimate nuances with a tonality that shifts towards dark and atmospheric. With so much emphasis out there about his wedding work, I took a bit of time to talk with McClintock in regards to his absolutely beautiful boudoir photography in hopes to better understand his approach and workflow.
There’s been a multitude of social media apps popping up for us to use at our leisure and it might be hard to stay up to date. The most recent of them being Periscope. Periscope was recently purchased by Twitter before it was even launched in the app store, and it’s steadily gaining traction. It was developed as a real time news app but the possibilities in the creative realm are endless.
Many photographers use the word “make” to describe their process of photography. “I made these images,” you might hear a professional say describing his work. The layman phrase, “take pictures” or “capture photographs” evokes a feeling that the photographer did not put any work into the image, that they simply pointed the camera and the photo just came to be. Any creative medium takes skill and I’m not here to argue the artistic validity of a photograph over a painting or sculpture. But a somewhat fatal flaw of the digital age is the ease of which photography can be transferred, saved, downloaded, and reproduced in comparison to that of physical artistry.