One year ago we all started hearing the buzz about MagMod after they launched a Kickstarter campaign that ended successfully. They then went on to be one of the hottest booths on the tradeshow floor at WPPI. Rather then sit content with their success the team at MagMod has been making improvements to their system and just released version 2 making their popular Speedlight light modifier better than ever.
I have seen absolutely beautiful things happen in the photo industry. I've seen strangers become best friends, I've seen grand ideas being brought to life, and I've seen photographers grow from beginners to mentors. I've seen so many things that make me proud to be a part of such an amazing community. The sad news is that I've also seen the uglier side of it. I've seen jealousy turn into bad-mouthing, I've seen photographers knowingly leave out key techniques from classes or talks, and I've seen new photographers become discouraged and disheartened by the cold shoulders of the more popular photographers in the industry.
Dan Saelinger is a Portland, OR based conceptual photographer with a signature, meticulously clean and refined, style with a flare for simple, graphic-based images. Dan's work has appeared in Newsweek, IEEE, Popular Science, Field & Stream, and Reader's Digest, his advertising portfolio includes work for SKYY Vodka, Nike, and Google. In this interview Dan takes us back to his time as an undergrad photography student, his journey through his MFA, his career in high-end conceptual photography, and the role personal work has played through out it all.
We’ve all been there, stuck with bad light and fresh out of ideas. I may spend up to an hour pre-lighting before a model or subject steps onto set, I work out the kinks and make sure everything is how it should be. But, despite my best efforts to make it right, every now and then I run out of time and have to wing it. We all have our “go to” lighting scenarios, but when you’re standing in unknown territory, keep the following tips in mind and you just might make it through the storm.
As you may already know, I spend a good deal of time polishing my photos in post production and have taught retouching in Photoshop for some time. A few months ago I made the move from Lightroom to Capture One and haven't looked back. To test out it's power, I decided to see just how close I could get to my portrait retouching style using only Capture One Pro 8 and forgoing Photoshop entirely.
Mark Seliger is one of the top portrait photographers in the world. His career spans thirty years and in this time he has photographed some of the biggest names in music, politics, business and entertainment. Interviewing him was fascinating. Who has inspired him? What would he say to his younger self if he could go back to when he was just starting out, and which photographer would he choose to take his portrait, if given the chance?
Trials cyclist Danny Macaskill released a new video featuring a ride through unthinkable terrain in his homeland of Scotland. The daring exploit took place on the Cuillin Ridge in the Isle of Skye, where the spectacular scenery alone is worth the price of admission. The beauty of the Scottish landscape, mixed with the technical and dangerous mountain bike riding is absolutely thrilling to watch. The pinnacle shot, where Danny climbs up a ridge with bike in tow, closes the film and solidifies Danny as a death defying badass. We reached out to the director of the film, Stu Thomson, to ask a few questions about the making of this project.
In a recent article by Jaron Schneider about the Metabones Speedbooster on a Black Magic Pocket Cinema Camera, several readers had questions about the model designed for the GH4, whether this one would work with it or not, and other comments. I bought one of these a week ago and wrote this article to tell you what works, and what doesn’t.
There are dozens of classes, courses and books on posing and they’re all useless. Why? There’s a definitive difference between directing a subject and posing a subject; if you’re “posing" a subject, then you’re doing it wrong. Here are three reasons why I don't like posing subjects and how I’ve managed to overcome those obstacles.
Anthony Duron and Mark Rainwater were one of the first same-sex couples married in Indiana on June 27th, 2014 after a federal judge overturned the state's ban on gay marriage. Unfortunately, a federal appeals court put a hold on the ruling and they have been waiting in a sort of limbo ever since. The U.S. Supreme Court is currently deciding whether to hear the issue of gay marriage from several states, so many couples like Anthony and Mark have been waiting anxiously for vindication over the last three months. I was honored with the opportunity to take portraits of these two gentlemen and I learned a lot about love and life along the way.
I'm always moving around, which can make doing work on the road an absolutely nightmare. Between travel for photography, workshops and the general need for some decompression, I find myself packing for travel much more often than I expect. After years of just shutting off while on the road, I've finally developed to ways to make traveling as a photographer easier.
If you are photographing people than you understand the importance of sharpening areas of your images while masking out other parts and keeping them soft. For example, I love to sharpen the eyes, the lips, the hair, but don't want to bring out any unnecessary detail on the cheeks. Fortunately in Lightroom there is way to apply sharpening to your image while masking out areas where you would otherwise not want to apply the effect.