It's Monday morning and that means another completed retouch and time to submit your image for next week. We had more amazing submissions last week and here is the winner! In this post, you will see the SOOC image compared to the retouched image and I will discuss the particular challenges and the direction I decided to go with the photo. You can also watch the entire retouch in the video. And once again, you can post any image of yours that you would like and it may be chosen to be retouched for free and delivered to you in full-res to do with what you'd like.
Many of us dream about the idea of traveling, and using our skills as photographers, filmmakers, or designers to sustain a lifestyle that allows us to travel and work at the same time. Guys like Elia Locardi come to mind, but his methods are just one of many different ways to make a nomadic working lifestyle a sustainable one, and in this article I’ll tell you the story behind Wickstrom Design.
The Feiyu 3-Axis Wearable Gimbal is a miniaturized version of Feiyu's handheld gimbals, offering motorized 3-axis stabilization in a compact, wearable form factor for the latest GoPro and similar action cameras. Designed with flexibility in mind, the FY-WG features 1/4"-20 threaded holes for horizontal, vertical, or inverted mounting onto a variety of support devices. It can also be used with any accessory that uses the standard GoPro three-prong mount, letting you capture all of the immersive action camera shots that you're accustomed to, but with full motorized 3-axis stabilization.
One of the questions that crops up often on photography forums, sites, and even in photography conversations over a pint is "which lens should I buy next?" It is said with such sincerity and met with so many recommendations that are, in the end, mostly meaningless. It even rears its ugly head in the form of "What is the best lens for 'X' photography?", as though somehow, another person's answer will guide the asker to greatness.
Last week I made a list of 10 of my favorite photographers to follow on Fstoppers and a few people complained that too many of them were "portrait" photographers. I've scoured the community again and today I've created a new list with 10 incredible, additional photographers who shoot much more than your average portrait.
Natural-looking images are making a comeback. If you look at recent issues of big magazines, you will see that makeup is often a nude with some shine to it, retouching is less "doll like," and even simple 1-light setups seem to be the standard. Some people will argue that it has been like this for quite some time. It is true, but I find that retouching is more flagrant than before. Even well known high-end retouchers seem to leave more imperfections in their images than a year ago.
Recently, a fellow photographer (who shall remain nameless) posted a rather beautiful image on his social media, and added "Shot a little bit of boudoir this weekend..." as the caption. This made me take pause and ponder about what boudoir is, or rather is supposed to be, and how it could very well be the most misunderstood labels in portraiture.
Buying used gear is always a balance between risk and potential reward. There is always a chance the lens will be defective in some way or another, but there is also the potential that you will get a perfect lens at a great price. When buying online, you are at the mercy of the seller, but when going out to buy used gear in person from local classifieds, there are several things you can do to decrease the chances of getting a lemon.
Three years ago, Photographer Christian Carollo came upon his grandfather's travel photography from across the United States. The initial spark for the "Past and Present" Project started with a particular image of the small coastal town of Winchester Bay, Oregon. Christian wondered if he could replicate the image and he succeeded. This was the start of an epic and awe-inspiring project now known as the Past and Present Project. Christian has traveled all over the United States, continuing to replicate his grandfather's images. The results are breathtaking and have re-inspired in me the true emotional potential a single image can have.
I remember meeting Peter Hurley for the first time. I walked into his studio and saw him shooting a client's headshot with 4 Kino Flo hot lights (normally used for video). I asked him why and he said "The quality of light is just better than strobe. It fills the pores on a human face differently." At the time I was intrigued, but I no longer believe it.