Heath Bennett, half of the Chattanooga, Tenn.-based wedding photography duo Jac and Heath Photography, is an absolutely avid film shooter. Recently he shared some work he shot while visiting friends and family in Alaska, much of which was photographed while flying high above the landscape in a helicopter. He was kind enough to sit down for a brief interview and supply the images to us before jetting off to Australia for his and Jac's next adventure.
From 3 megapixels to 10 megapixels to 50 megapixels, the world of photography has changed significantly over the last 10 years. With the changes in technology, we're always in battle to keep our work and data on the most current iteration. With the rumors of the next Apple MacBook Air, it seems that the USB port is under attack, making photographers everywhere questions how they can keep their work on the most recent format.
Argentina-based food stylist and illustrator Anna Keville Joyce has managed to take the art of food styling to a whole new level, for her recent creations are true culinary masterpieces (so what if they’re not made to eat?). While food photographer Agustín Nieto had quite the task of doing justice to these mouthwatering works, he managed to capture them perfectly, but as he readily admits, it didn’t come easy.
If you are no stranger to photography or other visual arts, then it is likely that you are no stranger to the “rules” of composition. There have been some excellent writings familiarizing one to the different forms of good composition, such as “The Ultimate Guide to Composition” by Chris Knight, but it’s much harder to find anything about its in-the-moment application. We all strive to find strong compositions that can drive the narratives in our photography. The next time you’re looking for the hidden story of your surroundings, recall the following simple tips.
VSCO, Mastin Lab Presets, Florabella, and Pretty Presets. If you've looked for advice on retouching in the last few years, you've probably been recommended one of these preset and action systems at least once. They're designed to give you beautiful film simulation and color tones to make your images look great using a single click of the mouse - and I hate them all.
As a family photographer, I often find myself pushing the limits with how fast I'm moving. Sometimes I'm trying to get a shot before the 2-year-old child decides he hates what is happening, and other times I'm rushing to make sure I accomplish everything the family wanted to get. It doesn't matter what situation I'm in. Anytime I'm rushing, my images suffer. Last year at WPPI while attending one of Jerry Ghionis' classes, he said something that really stuck with me, and helped improve my photography. Ghionis said to slow down.
What if God was one of us? What would that look like? Dina Goldstein's "Gods of Suburbia" is a series comprised of visually arresting images of everyday situations, only with gods as the main subjects. Gods of Suburbia offers an iconoclastic interpretation of how ancient belief systems fit with technology, science and secularism, the three main pillars of modernity. She spent two years creating her third large-scale series with a tiny budget, and every obstacle you can think of. But through creativity and tenacity, she was able to bring the project to fruition.
As photographers, it’s important to use all social media platforms as a marketing tool. Instagram is a personal favorite, but the upload process is by far the most annoying. There aren’t many options to upload images, but here is the most efficient workflow from resizing to uploading.
For a bit over a year now, I have been taking regular flights over the city of Los Angeles, photographing the city from a helicopter. I get a lot of questions about how I'm editing the images to get the look and feel that I am, and the answer is actually quite simple. Using only carefully considered exposures and Lightroom adjustments, I've come up with a consistent and somewhat unique look for the project.
Having your own muse, a person on call who is willing and able to bring your creative ideas to life, is a gift. Traditionally female, muses have been the source of many artistic inspirations and great works of art, due to their beauty, character, or some other mysterious quality. Problem is, these collaborations can become murky as conflicting goals, crossed boundaries, and trust issues seep into what was “a good thing.” How can working with a muse revolutionize your work? Are the benefits of finding one worth the trouble?
If you’d asked me this question last week, I would have said no. What a difference a few days makes. Ruslan Pelykh, a New York City-based videographer and photographer, is creating outstanding video with a Leica D Lux 6, a 10 megapixel, $600 point and shoot. This post is a kick up the butt for anyone hanging on for a piece of gear as being the reason they can’t create with what they have. Welcome to creating more, with less.
When people walk through my living room studio, they are puzzled that I do not own or rent a permanent studio space. What many do not know is that when I’m contracted for a commercial assignment, about 80% of the time I must travel to a location or shot at the client’s home base. And, in many cases that requires transporting several 9 foot seamless backdrops and a whole lot of equipment. I don’t have a giant bus to haul all of my studio gear, so it’s been a trying experience to find the right tools to efficiently pack and tote my mobile studio.
Getting your clients comfortable in front of a camera is always a challenge. I still get a little nervous before a shoot so I can imagine what my clients must feel like. In part one of this series, we talked about the importance of the pre-shoot consultation and how it can start you off on a good path toward a successful headshot or portrait session. In this article, I want to talk about ways we can address skin issues with our clients, how to deal with makeup, when to use a makeup artist, and discuss the basics of getting clients comfortable and focused in front of the camera.
The last time I talked with Alexis, he was just trying out a technique of shooting two different lighting setups with the press of a button (be sure to check that article out for details on how the SpeedCycler feature of the Pocket Wizard MultiMax works).This time around, he managed to pull off five different looks (three at one time) – nabbing himself six pages and the cover of the World Cup preview issue of Sports Illustrated. His behind the-scenes-video gives a ton of insight into how he pulled this off, but I asked him to go even further than the video or what he already explained at his blog and explain the "whys" of it all.